Haydn, symphony No. 6 in D major (“Le matin”)

 

 

Haydn, symphony No. 6 in D major (“Le matin”)

 

 

 

 

 

 

 

This splendid symphony starts out – in the first movement, which is marked “Adagio – Allegro” — so quietly you can barely hear it.

The reason: the sun is rising! (Which is why the symphony is nicknamed “Le Matin.”)

The music increases in volume as the sun “rises.”

I was intrigued to learn from a biography of Haydn which I read a long time ago that he grew up in rather humble circumstances and that he must have known and appreciated nature from boyhood.

I don’t think Haydn – great and prolific as he was, as admired as he is by music historians and connoisseurs – gets enough credit or attention nowadays. He practically invented the symphony and the string quartet. In his later years, he wrote splendid masses and oratorios, having been inspired by the example of Handel.

See also my posts of three of Haydn’s masses at:

https://rogersgleanings.com/2016/01/21/haydn-mass-in-time-of-war/

https://rogersgleanings.com/2016/01/21/haydn-schopfungsmesse-creation-mass/

https://rogersgleanings.com/2016/02/03/haydn-theresienmesse-mass-in-b-flat-major/

 

 

— Roger W. Smith

 

 

 

 

 

 

About Roger W. Smith

Roger W. Smith is a writer and independent scholar based in New York City. His experience includes freelance writing and editing, business writing, book reviewing, and the teaching of writing and literature as an adjunct professor. Mr. Smith's interests include personal essays and opinion pieces; American and world literature; culture, especially books and reading; current issues that involve social, moral, and philosophical views; and experiences of daily living from a ground level perspective. Besides (1) rogersgleanings.com, a personal site, he also hosts a websites devoted to (2) the author Theodore Dreiser and (3) to the sociologist and social philosopher Pitirim Aleksandrovich Sorokin.
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