on photography (MINE; an exchange of emails, with apologies to Susan Sontag)

 

 

The following is an exchange of emails I had within the past day with my friend Ewa from the Bronx. Her email from yesterday evening contained what I regard as very insightful comments.

 

 

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May 29, 2019

 

Dear Roger,

I appreciate all the pictures you send me. Sometimes I have no time to give them the right amount of attention, but when I do, I go over all of them carefully.

They are very nice and show different and sometimes surprising City views.

It’s interesting how people play suggestive roles in the pictures, making natural gestures look theatrical (like the one from May 19th). I sometimes get surprised by unusual framing like with the photo where the Statue of Liberty peaks from between the trunks, or fronds of greens in the park. Frozen crowds and some of the places that I have never been to make the pictures distant, but knowing the fact that I could experience them on my day off makes looking at them like at goods at the store that I could afford.

I don’t have time to walk around the city, but it gives me an insight into New York City’s architecture and landscapes and life of the city in general.

I admire the style and cropping. Once again, thank you, Roger.

 

 

 

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May 30, 2019

 

Thanks for your emails from last night, Ewa.

Thanks for complimenting my photos

I have never been good at hardly any technical, hands on skill. I never seemed to have any aptitude for photography. I was pleasantly surprised to find that several people seem to like my photos a lot.

I have gotten a little bit adept at things like cropping and tweaking photos, but I am far from being a pro.

I appreciated your email because it showed an awareness of certain key things.

My photos are a sort of paean to Manhattan, my city. My feelings about it are similar to what Walt Whitman’s were.

Your comment “It’s interesting how people play suggestive roles in the pictures making natural gestures look theatrical (like the one from May 19th)” is very much on target. I find that a photo of, say, Central Park or Fifth Avenue is enhanced by having people in it.

I have acquaintances who have much more expertise in photography than I do and who own expensive cameras. Often their photos do not engage me. A splendid photo of the Taj Mahal in the evening; a photo of whales taken from a whale watching expedition or of a moose in a national park often leave me sort of detached. I feel that if I wanted to see such photos, I could find them on an internet site for tourists or in National Geographic.

A further thought: A relative of mine, noticing that I not infrequently include photos of myself (on my City walks) in Facebook posts, posted a critical comment about this on Facebook a while ago. When I complained to the relative, the relative replied: “Don’t understand why you post a picture of yourself almost every day in the same pose.”

Well, my hero Walt Whitman loved to have his photo taken — he was fascinated by the new invention of photography — often in a photo studio on lower Broadway. Posting pictures of myself may be a form of self-flattery, but the intent is also to show myself as being part of the scene: that I was at such and such a spot in the City on a particular date and time. In different parks, on the Brooklyn Bridge, on the steps of the New York Public Library, in front of some famous Manhattan building, and so on. I think it adds verisimilitude to a sort of photographic travelogue or diary of a City walker (me).

 

Roger

 

 

— posted by Roger W. Smith

   May 30, 2019

 

 

 

Central Park 2-47 p.m. 5-19-2019

Central Park, May 19, 2019; photograph by Roger W. Smith

 

 

 

Walt Whitman (3)

Walt Whitman

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