Category Archives: photographic

pre-spring haiku

 

all over the place

water running faster than you can walk:

snowmelt

— Ella Rutledge (posted on her Facebook page, February 2019)

I wish to thank my friend Ella Rutledge for giving me permission to post her haiku on this site.

 

— posted by Roger W. Smith

   February 24, 2019

 

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photographs of Central Park taken February 21, 2019 by Roger W. Smith

 

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the music of the spheres (linguistically speaking)

 

I live in the borough of Queens in New York City.

In a metropolitan area with the most ethnically diverse zip codes in the nation, and in a City where far more languages are spoken than in any other city in the world — in public; on the streets and in parks; in stores and restaurants; on buses and the subway; and so on.

To hear the variety of languages spoken in NYC is exhilarating.

I love to hear foreign languages.

Their musicality.

To hear the wonderful sonorities of Spanish being spoken. To hear Russian, and to be able to recognize it. To be able to recognize Polish, which I hear spoken very often in my neighborhood.

To guess at other languages that I hear being spoken during my peregrinations.

To me, it’s just another reason to WELCOME IMMIGRANTS. If only others — some do, but I fear, and in fact know, it’s far too few — could see this.

 

—  Roger W. Smith

    August 2018

 

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photos taken in Manhattan by Roger W. Smith

 

 

 

 

 

 

New York sunlight (and New York joys)

 

“The grass that grows by absorbing the life-giving energy of the sun becomes [in Walt Whitman’s Leaves of Grass] a metaphor of ‘the ceaseless springing forth of life from death.’” — David S. Reynolds, Walt Whitman: A Cultural Biography (New York: Alfred A. Knopf, 1995), pg. 240

 

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My longtime friend Bill Dalzell, who for many years lived in New York City, introduced me to so many things when I first came to New York in the late 1960’s.

Among other things, Bill introduced me to cinema and art. We made several trips together to the Metropolitan Museum of Art.

Bill, a New York transplant from a suburb of Pittsburgh, where he grew up, was — like many having adopted New York City as their home, including myself — an enthusiast of all New York had to offer. He knew all the inexpensive, interesting things to see and do in the City.

Bill used to say: “Would you care to hear me sing the praises of New York?” He used to marvel at the fact that so many people of all races and nationalities lived cheek by jowl in harmony. At the richness of culture. At the convenience of things such as getting around. At how much the City had to offer at what were then modest prices.

Admission to the Metropolitan Museum of Art was free. The main branch of the New York Public Library was open 365 days a year. The subway and bus fares were 20 cents. So was the Staten Island ferry, one of the fun, vivifying, and inexpensive things he enjoyed doing. (We would get off on the Staten Island side, walk around a bit, have a cup of coffee, and take the ferry back to Manhattan.) A meal of wholesome, plain food at the Automat (where Bill used to love to sit and drink coffee while lost in thought) could be had for less than a dollar. A glass of beer in a bar was 20 cents, and usually every third beer was on the house. Films cost less than two dollars. Rents were cheap. Bill paid twenty-nine dollars a month for a one-bedroom apartment on East 5th Street.

 

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Bill introduced me to the paintings of Edward Hopper, one of his favorite painters. (Hopper’s paintings are, for the most part, exhibited in New York museums.) Bill and I, at his suggestion, made a one-day excursion to Nyack, NY to view Hopper’s birthplace.

During our museum trips, he pointed out how Hopper made use of light.

“The light is different in America,” Bill would say. (He had traveled practically everywhere in the world on a limited budget.) By “different,” Bill meant brighter. More brilliant. Yes. Brilliant light. An observation which I do believe to be true. I have observed and thought about this often.

I have come over the years to be myself fascinated by light. Early morning light, daylight, late afternoon light. The light hitting the grass. Different shades of light and degrees of brightness. Summer light. Autumn light. Winter light.

While I would and could never aspire to be an artist — I have no innate talent and only a limited appreciation of the visual arts — I have been taking photographs in the City in parks, on the shorelines, and of houses and streets on my walks, I have posted below some photographs of mine in which an appreciation of sunlight as viewed from ground level is expressed in the photo. I am fascinated by the quality of sunlight in different seasons and at different times of the day.

— Roger W. Smith

   July 2018

 

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Addendum:

Some relevant information about Edward Hopper.

Most of Hopper’s figure paintings focus on the subtle interaction of human beings with their environment-–carried out with solo figures, couples, or groups. His primary emotional themes are solitude, loneliness, regret, boredom, and resignation. He expresses the emotions in various environments, including the office, in public places, in apartments, on the road, or on vacation. … In many Hopper paintings, the interaction is minimal.

The effective use of light and shadow to create mood is central to Hopper’s methods. Bright sunlight (as an emblem of insight or revelation), and the shadows it casts, also play symbolically powerful roles in Hopper paintings such as “Early Sunday Morning” (1930), “Summertime” (1943), “Seven A.M.” (1948), and “Sun in an Empty Room” (1963).

Hopper always said that his favorite thing was “painting sunlight on the side of a house.”

Although critics and viewers interpret meaning and mood in his cityscapes, Hopper insisted “I was more interested in the sunlight on the buildings and on the figures than any symbolism.” As if to prove the point, his late painting “Sun in an Empty Room” (1963) is a pure study of sunlight.

“Edward Hopper,” Wikipedia

https://en.wikipedia.org/wiki/Edward_Hopper

It should be noted that the American landscape painter Winslow Homer did similar things with sunlight in his remarkable paintings.

 

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photographs by Roger W. Smith

Woodside, Queens

Murray Hill

Madison Square Park

Madison Square Park

Central Park

Central Park

Central Park

Battery Park on a November afternoon

fall light, Central Park

Riverside Park

Inwood Hill Park

Inwood Hill Park

Isham Park, Indwood

All of these photos were taken in New York City.

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Posted here below are some famous paintings of Edward Hopper that show his preoccupation with light and his mastery of representing it visually.

 

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Edward Hopper’s birthplace

Edward Hopper birthplace, Nyack, NY

 

 

“What is the grass?”

 

countryside near Helsinki, Finland; photograph by Elisabeth van der Meer

East Green, Central Park, New York; photograph by Roger W. Smith

 

 

Inwood Hill Park, New York City; photograph by Roger W. Smith

 

A child said, What is the grass? fetching it to me with full
hands;
How could I answer the child?. . . .I do not know what it
is any more than he.

I guess it must be the flag of my disposition, out of hopeful
green stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropped,
Bearing the owner’s name someway in the corners, that we
may see and remark, and say Whose?

Or I guess the grass is itself a child. . . .the produced babe
of the vegetation.

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow
zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the
same, I receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the breasts of young men,
It may be if I had known them I would have loved them;
It may be you are from old people and from women, and
from offspring taken soon out of their mother’s laps,
And here you are the mother’s laps.

This grass is very dark to be from the white heads of old
mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues!
And I perceive they do not come from the roofs of mouths
for nothing.

I wish I could translate the hints about the dead young men
and women,
And the hints about old men and mothers, and the offspring
taken soon out of their laps.

What do you think has become of the young and old men?
What do you think has become of the women and
children?

They are alive and well somewhere;
The smallest sprouts show there is really no death,
And if ever there was it led forward life, and does not wait
at the end to arrest it,
And ceased the moment life appeared.

All goes onward and outward. . . . and nothing collapses,
And to die is different from what any one supposed, and
luckier.

— Walt Whitman, Leaves of Grass

 

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I wish to thank Elisabeth van der Meer for sharing her photograph from her adopted country, Finland, with me, and for giving me permission to post it.

 

— Roger W. Smith

   July 6, 2018

the ferry

 

photographs by Roger W. Smith

 

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The glories strung like beads on my smallest sights and hearings—on the walk in the street, and the passage over the river;
The current rushing so swiftly, and swimming with me far away;

Just as you are refresh’d by the gladness of the river and the bright flow, I was refresh’d;
Just as you stand and lean on the rail, yet hurry with the swift current, I stood, yet was hurried;
Just as you look on the numberless masts of ships, and the thick-stem’d pipes of steamboats, I look’d.

I too many and many a time cross’d the river, the sun half an hour high;
I watched the Twelfth-month sea-gulls—I saw them high in the air, floating with motionless wings, oscillating their bodies,
I saw how the glistening yellow lit up parts of their bodies, and left the rest in strong shadow,
I saw the slow-wheeling circles, and the gradual edging toward the south.
I too saw the reflection of the summer sky in the water,
Had my eyes dazzled by the shimmering track of beams,
Look’d at the fine centrifugal spokes of light around the shape of my head in the sun-lit water,

Look’d on the haze on the hills southward and southwestward,
Look’d on the vapor as it flew in fleeces tinged with violet,

The scallop-edged waves in the twilight, the ladled cups, the frolicsome crests and glistening,

Now I am curious what sight can ever be more stately and admirable to me than my mast-hemm’d Manhattan,
My river and sun-set, and my scallop-edg’d waves of flood-tide,
The sea-gulls oscillating their bodies, the hay-boat in the twilight, and the belated lighter*;

Flow on, river! flow with the flood-tide, and ebb with the ebb-tide!
Frolic on, crested and scallop-edg’d waves!

Gorgeous clouds of the sun-set! drench with your splendor me, or the men and women generations after me;
Cross from shore to shore, countless crowds of passengers!
Be firm, rail over the river, to support those who lean idly, yet haste with the hasting current;
Fly on, sea-birds! fly sideways, or wheel in large circles high in the air;
Receive the summer sky, you water! and faithfully hold it, till all downcast eyes have time to take it from you;
Diverge, fine spokes of light, from the shape of my head, or any one’s head, in the sun-lit water;
Come on, ships from the lower bay! pass up or down, white-sail’d schooners, sloops, lighters!

— excerpted from Walt Whitman, “Crossing Brooklyn Ferry”

* A lighter is a flat-bottomed barge used to transfer cargo to and from ships in harbor.

 

— posted by Roger W. Smith

   January 2018

a Manhattan jaunt

 

Yesterday, Sunday, November 12, I set out from my house, intending to walk the whole perimeter of Manhattan. It is a walk of around 32 miles and is said to take 12 to 15 hours. I started from 63rd Street and Second Avenue at around 7:30 a.m.

I didn’t make it. I stopped a couple of times for coffee breaks. This extended the length of my walk. By late afternoon, as darkness was coming on, I had only gotten about halfway. I was also getting tired. I would guess that I did around half the distance, a bit less. Maybe 13 or 14 miles.

If I had kept going, I would not have gotten back to my starting point, 63rd Street and Second Avenue, until probably around midnight.

Below are some photos from my jaunt.

— Roger W. Smith

  November 13, 2017

Addendum: I have commented in several posts about what I perceive to be the beneficial health effects of walking. Yesterday was a very nice day, cold but clear and sunny. I had been feeling under the weather. For me, the best medicine for a cold is exercise and, especially, fresh air.

 

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photographs by Roger W. Smith

starting point; Second Avenue at 63rd Street

East River, early Sunday morning

East 74th Street

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Carl Schurz Park and Gracie Mansion; Yorkville

Carl Schurz Park is located in the Yorkville neighborhood of Manhattan. The mayor’s residence, Gracie Mansion, is located there.

Carl Schurz Park

Carl Schurz Park

Gracie Mansion

Yorkville

York Avenue at 90th Street

 

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Harlem

As one progresses along First Avenue, one eventually runs into a roadblock of sorts. Not an actual roadblock, but at around 125th Street, the Harlem River impedes one’s northerly progress. One has to start veering west following the curvature of Manhattan Island. One proceeds northerly through Harlem, continually veering west.

The area of First Avenue (and avenues slightly to the west) from around 90th Street to 125th Street is very bleak. There are hardly any restaurants, business establishments, or places of interest. The occasional gas station (a rarity in most of Manhattan).

One might expect such an area to become gradually gentrified, as the rest of the City has. What seems to prevent this are the bleak housing projects, built during the 1950’s in the “slum clearance” era when the poor and minorities were as a matter of policy moved to Soviet style housing projects favored by misguided (to put it kindly) city planners. These housing blocks have no personality and are grim architecturally. There are no commercial establishments nearby.

Harlem proper, which is to say the blocks in the part of Harlem further west, is a very nice area; it is becoming (and already has become, for the most part) gentrified.

 

 

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Polo Grounds Towers

Around 155th Street as I kept veering west, I took what I thought was a through street and ended up in a cul-de-sac. I realized I was in the midst of housing project. It turned out to be the Polo Grounds Towers, site of the home of the former New York Giants baseball team. The Polo Grounds stadium, home of the Giants, was demolished in 1964.

As I emerged from the housing project, I walked up a long, very steep stairway on which were painted the following words: “The John T. Brush Stairway Presented by the New York Giants.” John T. Brush (1845-1912) was one of the first owners of the New York Giants baseball team.

At the top of the stairway was Edgecombe Avenue. There was no traffic and not a pedestrian in sight. Across the street was a promontory which, though I had never been in this area before, I realized had to be Coogan’s Bluff. As noted in a Wikipedia entry, “A deep escarpment descends 175 feet from Edgecombe Avenue to the river, creating a sheltered area between the bluff and river known as Coogan’s Hollow. For 83 years, the hollow was home to the legendary Polo Grounds sports stadium.” Sportswriter Red Smith called Bobby Thomson’s homerun to clinch the 1951 pennant for the New York Giants “the miracle of Coogan’s Bluff.”

 

Coogan’s Bluff

 

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Washington Heights

 

Fort Tyron Park

Broadway, Washington Heights; Broadway extends the whole length of Manhattan, and further

 

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Inwood

Dyckman Street

Inwood Hill Park

Hudson River from Inwood Hill Park

The Capuchin Franciscans of Good Shepherd church, Inwood

Isham Park, Inwood

Isham Park

Broadway and 218th Street; the northernmost point of Manhattan, at the boundary between Manhattan and The Bronx

an island … a city surrounded by WATER

 

photographs by Roger W. Smith

 

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The photographs posted here above were all taken by me within the past few months in Manhattan, Brooklyn, and Queens, NYC.

I love skylines, love dense clouds. New York City has wonderful skylines. You can’t really see them from Manhattan, but you can from the waterside and from the outer boroughs, which have lower buildings.

It is wonderful that Manhattan is an island bounded by water: the ocean (New York Harbor), the East River, the Hudson River, the Harlem River.

One thing this does is prevent urban sprawl and the development of a megalopolis ending nowhere.

It also gives the city an almost enchanted quality or aspect.

As Herman Melville put it in Moby-Dick (Chapter 1, ‘Loomings”):

There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.

Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?

But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues—north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? … There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries—stand that man on his legs, set his feet a-going, and he will infallibly lead you to water. … Yes, as every one knows, meditation and water are wedded for ever.

 

— Roger W. Smith

   October 2017

Manhattan Island from Bottom to Top; Walking as Exercise

 

In the spirit of Alice’s Adventures in Wonderland, I will begin with the conclusion, followed by evidence to prove my point.

Walking is a naturally beneficial form of exercise habitual since human origins. It is perfectly suited to the human body and is a form of physical activity from which it seems personal injury cannot come; hence, one can justly say that it is one hundred percent beneficial.

The body welcomes such exercise. In fact, when it is undertaken, the body seems to be saying, “give me more!” It seems to cure all kinds of nagging (but not serious) physical complaints, discomforts, and ills, such as aches and pains, and actually seems to restore energy as much if not more than depleting it.

 

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I love to walk, as was noted by me in a previous post on this blog:

“on walking (and exercise)”

https://rogersgleanings.com/2016/03/20/roger-w-smith-on-walking/

I like to think of new places and routes to walk in the City (i.e., New York City, including Manhattan and the “outer boroughs” of Brooklyn and Queens).

I keep finding new places to explore — in Brooklyn, for example. It could be a neighborhood, such as Williamsburg, or a park, such as Brooklyn Bridge Park, which I only found out about recently. I like to call my walks, playfully, “jaunts,” a favorite term used by the poet Walt Whitman.

The other day, while writing a post, “Walt Whitman on Manhattan”

Walt Whitman on Manhattan (plus my own impressions and thoughts)

I noticed that in his poem “Mannahatta,” Whitman describes Manhattan as “an island sixteen miles long.”

Yes, I thought to myself, sixteen miles long, from the southernmost point of Manhattan, Battery Park (which overlooks New York Harbor and from which boats depart regularly for the Statue of Liberty, which can be viewed from the park), to Inwood at the northernmost point of Manhattan.

Then, on Thursday evening (July 20), I saw a documentary film at the Morgan Library in Manhattan: Henry David Thoreau, Surveyor of the Soul, directed by Huey Coleman. In the film, it is noted that when Thoreau first attended a lecture by Ralph Waldo Emerson, he walked seventeen miles from Concord, Massachusetts to Boston to attend.

I had been thinking of taking such a walk myself. If Thoreau can do it, I can, I thought. I would like to see how such a long walk feels.

 

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Yesterday I walked, in around 90 degree weather, from Bowling Green, at the southern tip of Manhattan, to the northernmost point of Manhattan Island, Inwood Hill Park, where the Henry Hudson Bridge and the Spuyten Duyvil Bridge link Manhattan to the Bronx.

It took me about ten hours with a couple of pit stops.

I got up in the morning feeling sluggish and achy. I took the subway to Bowling Green, then started walking, taking a few photographs of the harbor and then starting to walk uptown.

I felt sluggish and unsteady on my feet. The heat felt oppressive. I had a pain in my right foot that had persisted for a day or two. But gradually, as my walk and the day progressed, I started feeling better.

At 3:45 p.m., I texted a friend:

have reached 96th St and Broadway

wouldn’t u know it

I seem to have more energy than when I started

my toe is not hurting any more

I feel much less achy and better overall

A couple of hours later, from 155th and Broadway, I texted my friend again, saying “I am getting tired.” I had probably walked over 15 miles already. But, I kept going. It took me over an hour more to reach Inwood Hill Park. The park is entered via Dyckman Street, which is located precisely where West 200th Street would be, were it a numbered street. I walked along the western end of the park, which skirts the Hudson, to the northern end of the park, then back to the subway.

Riding home on the subway, I felt exhausted. I was relieved to get home and after a short while fell into a deep sleep.

I woke up very early after only a few hours of sleep feeling refreshed and very energetic. I haven’t felt so good in a long time. I felt very alert and refreshed. (It is my belief that pleasurable, mentally relaxing exercise such as walking obviates neurasthenia and chronic fatigue.)

 

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Conclusion

I already said it! The body welcomes exercise. It craves it. I can often hear my “brother body” (a term used by Pitirim A. Sorokin, which he undoubtedly got from Saint Francis) telling me, “thank you; give me more.” It is not uncommon after a five to seven mile walk for me to find myself saying to myself, I could do another five miles more. And, I am not a fitness addict or fanatic.

 

— Roger W. Smith

   July 22, 2017

 

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Battery Park

New York Harbor viewed from Battery Park

Sixth Avenue, Greenwich Village

Broadway, Upper Manhattan

Inwood Hill Park

Hudson River, late evening, viewed from Inwood Hill Park

Inwood Hill Park, overlooking Hudson River

northern tip of Inwood Hill Park, overlooking Hudson River and Spuyten Duyvil Bridge

photos by Roger W. Smith

 

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Addendum: On Sunday, August 6, 2017, I reversed myself and walked from the top (northernmost point) of Manhattan Island to the bottom (Battery Park). I found that Manhattan actually ends at Broadway and 218th Street — not at 207th Street, as I had thought.

I did it faster this time. It took me about seven and a half hours.

The weather was cool for August, and I did not experience appreciable fatigue. I felt as if I could have kept going should I have had cause to.

 

Broadway at 218th Street, 1:34 p.m.; Manhattan’s northern border

Broadway at entrance to Battery Park, 8:44 p.m.; Manhattan’s southern tip; end of my Sunday walk

a trip to Massachusetts (and its disappointing aftermath)

 

During the month just ended, I took a trip to Massachusetts to attend the American Literature Association’s annual conference in Boston, and also to take photos of personal interest from the point of view of my personal history and also from a genealogical angle.

I grew up in Massachusetts, in the Greater Boston area.

Practically all of my relatives came from Massachusetts. My father’s ancestors, on his father’s side, emigrated from Scotland to Boston in 1872. His relatives on his mother’s side emigrated during the colonial period and lived mostly in Essex County, north of Boston, and subsequently in the Greater Boston area.

My mother’s relatives were originally mostly from Cape Cod; some of my relatives continue to live there.

The following is a trip itinerary with photographs.

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Wednesday, May 24, 2017

I went to Danvers, Mass., which is where my mother grew up and photographed the house and block where she lived. Danvers was originally an outlying area of Salem; it was known as Salem Village. The Salem witchcraft trials arose from incidents that took place in what is now Danvers.

My mother lived at 19 Braman Street from around 1920 through 1940. The house looks shabby now.

19 Braman St., Danvers, MA

19 Braman St.

view of Braman St., Danvers

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From Danvers, I headed south, in the direction of Boston. Although my focus was mostly family history, it occurred to me, why not make a stop in Winchester, Mass., where the world famous Russian émigré sociologist and social philosopher Pitirim A. Sorokin, one of my heroes, lived?

Sorokin, his wife, and their two sons resided at 8 Cliff Street in Winchester. (Sorokin died in 1968. One of his sons still occupies the same residence.) I was interested not only to see the residence of a world renowned scholar and writer, but also to see the house because it was famous for its grounds: a garden developed and maintained by Sorokin himself, for which he had won awards from horticultural societies and of which he was proud.

I drove up the block, which was on a steep ascent, using GPS to guide me. The GPS system advised me that I had arrived at my destination, 8 Cliff Street, on my left. I saw 6 Cliff Street, but where was number 8? Number 8 was shrouded and hidden by a profusion of flowering bushes. It reminded me of the Forest of Thorns in “Sleeping Beauty.”

Pitirim A. Sorokin residence, 8 Cliff St., Winchester, MA. Photographs by Roger W. Smith.

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Next, I drove to Woodlawn Cemetery in Everett, Mass., which was close by — a beautiful cemetery where my Scotch ancestors are buried — and photographed gravestones. This required a return visit a couple of days later because a cemetery worker suggested I have one of the gravestones, for my great-great grandfather and great-great grandmother, cleaned, at the cost of seventy-five dollars.

Gravestone of my father’s paternal grandmother Jennie H. (Wright) (Smith) Simpson and her 2nd husband, Capt. George F. Simpson. Marjorie (Smith) Farrar (my father’s aunt) was her daughter. Elva Farrar, who died in infancy, was Jennie’s granddaughter.

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I then drove all the way, heading south, to New Bedford, Mass., which was a flourishing city in the nineteenth century but now has a depressing look and feel to it. My maternal grandmother grew up there. I took photographs of the house where she was born in 1894. The house is on South Sixth Street. Shortly thereafter, the family moved to Wing Street in New Bedford. I intended to photograph the house, but it is no longer standing.

120 South Sixth St., New Bedford, MA. My maternal grandmother, Annie Congdon (Hart) Handy, was born there in 1894.

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Thursday, May 25, 2017

I drove to New Bedford again early Thursday morning to visit Rural Cemetery, an old cemetery where many burials occurred in the nineteenth century. There, I located the grave of my mother’s great-grandfather, John Congdon Hart. He died in 1883. He had two wives and thirteen children. His gravestone reads “J. C. Hart / 5th Mass. Batt’y.” No dates are carved on the stone. John C. Hart was a Civil War veteran. The inscription on his gravestone clearly indicates that he was proud of his Civil War service.

Section of Rural Cemetery, New Bedford, MA where John Congdon Hart (1829-1883), my maternal grandmother’s paternal grandfather, and his family are buried.

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From New Bedford, I drove to Cape Cod, a drive of about 45 minutes. I went to Cataumet Cemetery in the town of Bourne (Cataumet being a section of that town). It is a small cemetery across the street from a Methodist church where many ancestors on my mother’s side worshiped. Many of my mother’s ancestors, surnamed Handy, are buried there.

United Methodist Church, Cataumet, MA

Gravestone of Henry Thomas Handy, his wife Lydia Perkins (Ellis) Handy, and three of their children, two of whom died in infancy, Cataumet Cemetery, Cataumet, MA.  Etta H. Handy was my mother’s aunt and a close relative. Henry T. Handy pursued a career as a whaler in his early adulthood and later became a farmer on Cape Cod.

Gravestone of my maternal grandparents,  namely Ralph Ellis Handy (1894-1946) and Annie C. (Hart) Handy (1894-1972), Cataumet Cemetery, Cataumet, MA. Also named is Clifton Edward Handy, my mother’s younger brother, who died in infancy.

Another view of my maternal grandparents’ gravestone, Cataumet Cemetery, Cape Cod.

Cataumet Cemetery

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I then drove to Pocasset, also on Cape Cod, which is right next door. I photographed the beautiful house and grounds where my mother’s uncle Robert S. Handy lived. My mother and her cousins spent many enjoyable times during summer vacations there. One can’t miss the house from the street, although it is set back and is fronted by an extensive greensward. It is a neighborhood landmark.

 

The late Robert S. Handy’s residence, County Road, Pocasset. Robert Handy (1881-1972) was my mother’s uncle.

Front yard, Robert S. Handy residence, Pocasset.

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From Cape Cod, I drove to Dorchester, Mass., to the section known as Mattapan. Dorchester is part of Boston. It took me a long time navigating local traffic to find 67 Woolson Street in Mattapan, a modest house where my father, Alan Wright Smith, was born in 1917. I had never seen the house before.

67 Woolson St., Mattapan (Boston), MA. My father was born there in 1917.

67 Woolson St.

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I got lost and stuck in Boston traffic on my return and had to call it a day.

Huntington Avenue approaching Symphony Hall, Boston. (Photo taken from my car window.)

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Friday, May 26, 2017

Friday was a total change of pace: the American Literature Association (ALA) annual conference at the Westin Copley Place hotel in Boston. I attended a few lectures and the annual meeting of the International Theodore Dreiser Society.

Attendance at the Dreiser Society meeting was sparse, but I was very glad to be able to participate. I had the opportunity to meet noted Dreiser scholars such as Thomas P. Riggio, Renate von Bardeleben, Yoshinobu Hakutani, and Miriam Gogol, all of whom I already knew (not necessarily well) from prior acquaintance. Professor Hakutani made some very interesting observations comparing a work of Richard Wright’s (he is an authority on Wright), Black Boy, to an autobiographical work of Dreiser’s. I made a mental note to purchase and read Black Boy.

Other scholars present include Ashley Squires, a professor from Moscow who gave a fascinating presentation on the reception of Theodore Dreiser in Russia, where he has been for a long time — and is still — very popular. Being seated right next to her, fortuitously, I struck up a conversation. “For a Russian, you speak awfully good English,” I said. It turned out that she’s one hundred percent American and grew up in the heartland. It just so happens that she is teaching in Moscow.

I had a very enjoyable conversation with a graduate student from Oklahoma who delivered a paper on Dreiser. It was a pleasure to experience for a few minutes her sincere commitment to her studies and enthusiasm for them. A male companion was with her. They are both rabid baseball fans and were very excited about the prospect of attending their first game ever at Fenway Park that evening.

In the afternoon, I had an enjoyable get acquainted chat with a noted American literature scholar, Jerome Loving, a biographer of Whitman, Twain, and Dreiser. He was interested in talking with me about the Chester Gillette murder case, upon which Theodore Dreiser’s novel An American Tragedy was based. I have done extensive research on the case.

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Saturday, May 27, 2017

On Saturday, I went back to Woodlawn Cemetery in Everett and photographed the gravestone of my Smith Scotch ancestors, which had been cleaned.

Gravestone of my Smith ancestors, Woodlawn Cemetery, Everett, MA. They included Thomas Smith, my father’s great-grandfather (who was born in Scotland); Thomas’s wife Jane (Gilchrist) Smith (also a native of Scotland); their son Thomas, Jr., my grandfather’s  father (also born in Scotland); and Wlliam G. Smith, an uncle of my grandfather. (He was born in Boston just after his parents emigrated in 1872.)

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I then drove to Cambridge, Mass., where I lived until age twelve. I photographed the house on Mellen Street, a ten or fifteen minute walk from Harvard Square, where we lived. The house is in excellent condition and looks the same, except that the back yard where we used to play has been paved over. Lesley College (now Lesley University) bought the house from my father in the 1960’s, and the section of Mellen Street on which the house stands has been made into a private way and renamed.

27 Mellen Street, Cambridge, MA. I lived there from birth until 1958.

27 Mellen St., Cambridge, rear view; the fire escape is still there.

I went over to the next block, Everett Street, where my best friend, Francis Donlan, lived. I photographed the apartment complex at 11 Everett Street where he lived. It looked the same, which is to say it sort of “reemerged” into my visual memory/consciousness — I had forgotten. Francis’s father was the janitor there. Parking in Cambridge must be notoriously difficult. Everett Street was one way, and restricted/no parking signs were everywhere.

Apartment house on Everett St. where my best friend Francis Donlan lived.

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My last stop in Cambridge was Oxford Street, where I photographed my old elementary school. I walked right past it. Remembering the order of the streets, I was sure I had missed it, but how? I was looking for the familiar old building and schoolyard. I asked a middle aged man in a playground with two children, “Is there an elementary school near here?”

“Yes,” he replied, “the Baldwin School,” pointing in the direction which I had come from. The school, which I had inadvertently passed, was a block away.

The school when I attended it was named the Agassiz School. I always liked the sound of the name; it sounded distinctive. It was also hard for an elementary schooler to spell.

The school was named in honor of Jean Louis Rodolphe Agassiz (1807-1873), a world renowned Swiss-American biologist and geologist who was a professor of zoology and geology at Harvard University. The school’s name was changed to the Maria L. Baldwin School in 2002, due to objections to the theories of Agassiz, which have been characterized as racist. Maria Louise Baldwin (1856 -1922), an African American educator and civic leader, was principal of the school from 1889 until 1922.

I didn’t recognize the school building, and the playground where I used to play kickball was gone.

Maria L. Baldwin School (formerly Agassiz School), Oxford St., Cambridge, MA. Photographs by Roger W. Smith.

Oxford St., Cambridge, MA

The theories of Agassiz that have led to his being discredited are based on polygenism, the idea that races were created separately, that they could be classified on the basis of specific climatic zones, and that they were endowed with unequal attributes. It appears that the attribution of racism to Agassiz is not such an open and shut case. He did not support slavery, for example. In general, the renaming of buildings and monuments to conform to changing views makes me uncomfortable. A couple of former classmates whom I have mentioned this to feel, on the contrary, that the change of the school’s name was entirely appropriate.

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Leaving Cambridge on Saturday morning, I drove as fast as I could to Oak Grove cemetery in Falmouth, Mass., on Cape Cod, wishing to arrive there before the cemetery supervisor, who works a half day on Saturdays, left. I got stuck in a traffic jam of holiday travelers crossing the Bourne Bridge, which spans the Cape Cod Canal.

At the cemetery, I found quite a few ancestral graves in the same section. I never would have found them without the cemetery supervisor’s help. My mother was born in Falmouth. Her maternal grandparents are buried there, as are several of their ancestors.

Gravestone of William Hewins (1801-1893) of Falmouth, MA and his wife Love (Handy) Hewins (1804-1884), as well as two of their sons. William and Love were great-grandparents of my maternal grandmother Annie C. (Hart) Handy on her mother’s side.

Gravestone of John Swift, 2nd (1806-1864) of Falmouth, MA. He was my maternal grandmother’s great-grandfather on her mother’s side.

Gravestone of Frances Lincoln (Weeks) Swift (1807-1868),  wife of John Swift, 2nd, my maternal grandmother’s great-grandmother on her mother’s side.

Gravestone of Llewellyn Russell Hewins (1834-1908) of Falmouth, MA. He was the grandfather of my maternal grandmother, Annie (Hart) Handy, on her mother’s side. The birthdate on the stone is off by a year.

Gravestone of Arabella F. (Swift) Hewins (1834-1868), first wife of Llewellyn Russell Hewins of Falmouth. She was the grandmother of my maternal grandmother.

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From Falmouth on the Cape, I turned around and drove right back, heading north and west, to Arlington, Mass., a town adjacent to Cambridge and only six miles northwest of Boston. It was practically a second home town for me in my youth. I photographed the big, stately house on a hilltop on Cliff Street in Arlington Heights where my paternal grandparents, T. Gordon and Esther (Whittredge) Smith, lived in the 1930’s and ’40s, which I remember visiting.

Views of 18 Cliff St., Arlington, MA,where my paternal grandparents lived during my early childhood, and of Cliff Street itself. Photos by Roger W. Smith.

And, the house on Wellington Street, near Arlington Center, where my grandparents lived in the 1950’s and ‘60s. I used to take the streetcar from Cambridge to visit them at the latter residence.

37 Wellington St., Arlington Heights, MA

It was adjacent to Spy Pond, which I photographed, and there was a baseball field across the street where I would sometimes watch games with my grandfather. I photographed that too.

Spy Pond, Arlington, MA

baseball field in park across street from my grandparents’ house

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I then drove to East Boston, where my Smith Scotch ancestors lived and where my paternal grandfather, Thomas Gordon Smith, was born and raised. My great-great grandfather, Thomas Smith, settled there in the 1870’s after emigrating with his wife and children from Scotland. I found the house where my paternal grandfather was born and the house he moved to with his widowed mother and siblings when he was about ten years old. I found the residences where his grandfather, my great-great grandfather, lived at 606 and 635 Bennington Street. They are in good condition. The latter residence is owned and occupied now by the Salesians of St. John Bosco, a religious order.

606 Bennington St., East Boston, MA.  The family of Thomas Smith, my great-great grandfather, lived their briefly in the 1880’s.

Photos of 635 Bennington St., East Boston. My great-great grandparents lived there for over 20 years. Photographs by Roger W. Smith.

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I left East Boston at around 7 p.m. on Saturday evening and drove northward, hoping that I could perhaps reach Crane Beach on the North Shore before it got dark. The beach is located in the town of Ipswich. I remember going there with my parents in the 1950’s. My mother knew the beach well. It is said to be one of the most beautiful beaches in Massachusetts.

View of countryside, Essex County, MA, near Crane Beach. Photograph by Roger W. Smith.

Crane Beach, Ipswich, MA. Photograph by Roger W. Smith.

Crane Beach, Ipswich, MA. Photograph by Roger W. Smith.

Indeed, it is.

 

— Roger W. Smith

   June 2017

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Addendum:

A main objective of mine on this trip was to photograph ancestral sites and graves. Graves are very difficult to find; it is like looking for a needle in a haystack. But, I succeeded beyond my expectations. Not only in finding graves, which are invaluable as genealogical sources, but also in finding and photographing ancestral residences and streetscapes and, most importantly, the houses, hitherto unknown, where my father’s father and mother’s mother and also my father were born.

I decided to share this information with as many descendants as I could, emailing them photographs with commentary.

Their response, in most cases lack of response, was much worse than I could have anticipated — disappointing, and in, a couple of instances, not just disappointing, but inconsiderate and mean spirited. Hardly anyone bothered to acknowledge having received the photos.

Worst of all was the response of some of my relatives (I shared photos and pertinent information only with descendants of the ancestors whose graves and houses I had photographed) who actually COMPLAINED, saying that because I emailed the photos and information to them, they found it to be a nuisance. It had taken me about to week to go through the photos, select the best ones, tweak them, identify them correctly, and write commentary so that my relatives would know whose grave or house it was and how that individual was related to us.

I wrote back to the disgruntled respondents, my relatives, merely saying: “This has involved a great deal of time, effort, and expense on my part.” I mentioned, in replying to them, the time, effort, and expense merely for purposes of comparison: what went into the project versus what would be required for someone to open emails, read them, and download what was perhaps a total of 25 photos. (I do not recall the exact number.) Considerable effort over several days (not counting the spade work, planning, organizing, and dissemination of the materials) versus a few minutes of one’s time for each email.

Regarding the supposedly great inconvenience of being bombarded with emails, what the pros and cons are, it’s not worth discussing here, but I would have thought that someone could have overlooked this (despite whatever their preferences are) in consideration of receiving hitherto unavailable photos and information that were obtained at great effort and considerable expense, and which were available nowhere else, that they would never have known about or had access to otherwise. I am talking about things such as gravestones and homesteads of people such as my nineteenth century ancestors, my ancestors from Scotland, the houses were my father and two of my grandparents were born, and so on. (When, say I “my,” I mean also “their,” that is, our relatives.)

I felt it incumbent upon me to share these materials with as many relatives as I could think of contacting and had the email addresses of, hoping that they would disseminate them among their children and grandchildren. I thought they would be appreciative of this and was taken completely by surprise.

It seems to me that it’s a matter of weighing in the balance what one would rather have: the “inconvenience” (as they conceive it to be) of having a few additional emails (of course, they will say, “what do you mean, a few?,” as if they were greatly imposed upon, put out, inconvenienced; choose your participle) within the space of a couple of days in their inboxes, and having to download a photo or two with a simple click, versus the thought, which does not seem to occurred to them, of what goes into ascertaining the facts thorough prior research (such as, where was such and such ancestor buried? where were my father and grandparents born? where in Boston, at exactly what address, did my great-great grandfather and his children live?). Using those facts to locate materials, planning such a trip, driving to various locales not necessarily close to one another, locating the actual graves and houses, and so on. It would seem that the favor and services done for them far outweigh the “inconvenience,” as they perceive it. But, people seem to take things for granted. The last thing they would ever do is look up such stuff themselves. When it is handed to them on a silver platter, they don’t appreciate it but instead complain, vent, and find cause for fault.

I enjoy such projects and find them rewarding, despite the effort involved. And, it is my credo that such materials should be disseminated as widely as possible among parties to whom they would not, presumably, be of no interest or relevance. But, I have experienced such lack of appreciation and inconsiderateness in the past. From persons who have made inquiries of me and requests for information and materials related to scholarly or genealogical research. I always go all out to respond and share what I have. It is incredible how often people don’t even bother to acknowledge receipt or say thanks.