Tag Archives: Elinor Congdon Handy

my Revolutionary War ancestor

 

The following is the text of an email of mine to a friend today.

— Roger W. Smith, April 18, 2017

 

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Scott —

My mother’s ancestral link to the Revolutionary War did not go back far.

Her great-great grandfather William Handy was a Revolutionary War soldier.

The line of descent:

Elinor Handy Smith, my mother (1918-1973)

her father Ralph E. Handy (1893-1947)

her grandfather Henry T. Handy (whaler; 1845-1916)

her great-grandfather Joshua Handy (1813-1887)

her great-great grandfather William Handy (1762-1852); the Revolutionary War soldier

All of the above named Handy males, with the exception of my mother’s father, were mariners. They all lived on Cape Cod.

William Handy joined the Continental Army in June 1780, when he was just shy of age 18. He enlisted in Massachusetts. Records indicate that during his service he was in New York state and New Jersey.

Handel’s “Samson”

 

Overture

https://rogersgleanings.com/wp-content/uploads/2016/05/01-symphony.mp3?_=1

 

ACT ONE, Scene 3

3. Chorus (“Awake the Trumpet’s Lofty Sound”)

https://rogersgleanings.com/wp-content/uploads/2016/05/03-Awake-the-trumpets-lofty-sound.mp3?_=2

 

ACT THREE, Scene 3

84. Solo and Chorus (“Glorious hero”)

https://rogersgleanings.com/wp-content/uploads/2016/05/glorious-hero-may-thy-grave.mp3?_=3

Israelites
Glorious hero, may thy grave
Peace and honour ever have,
After all thy pains and woes,
Rest etemal, sweet repose!

 

ACT ONE, Scene 2

12. Air (“Total eclipse!”)

https://rogersgleanings.com/wp-content/uploads/2016/05/08-total-eclipse_-no-sun-no-moon-all-dark.mp3?_=4

Samson

Total eclipse! No sun, no moon!
All dark amidst the blaze of noon!
Oh, glorious light! No cheering ray
To glad my eyes with welcome day!
Why thus depriv’d Thy prime decree?
Sun, moon, and stars are dark to me!

 

For the complete oratorio, see

Handel, “Samson” (1743)

 

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I have been listening to some music today, mostly Handel, including a bit of “Samson,” an oratorio.

Handel composed “Samson” right after “Messiah.” He wrote “Messiah” in 24 days! He wrote “Samson” in about a month!

The libretto of “Samson” was based on John Milton’s “Samson Agonistes.”

It is my opinion – perhaps a minority one – that “Samson” is just about equal to “Messiah,” if not in fact equal.

It evokes such an emotional response. Raises goose bumps.

Listen to “Glorious Hero,” for example.

My mother majored in Fine Arts at Radcliffe College. She had quite a few art books from her college days that my siblings and I used to peruse.

There was a reproduction of a painting in one of her art books: “Samson and the Philistines” by Carl Heinrich Bloch, which was painted in Rome in 1863. It made such an impression on me. The painting shows Samson, in captivity, grinding grain on a treadmill. I couldn’t stop looking at it.

So did the Biblical story of Samson itself, which I knew from Sunday school.

 

— Roger  W. Smith

  May 4, 2016

 

'Samson and the Philistines'.JPG

Samson in the Treadmill (1863) by Carl Bloch

Elinor Handy, Radcliffe College paper on Renaissance tombs

 

 

 

Mom’s Radcliffe paper on Renaissance tombs

 

 

This paper was written by my mother, Elinor Handy Smith a 1941 graduate of Radclifle College.

 

— posted by Roger W. Smith

 

Rev. John H. Nichols, memorial tribute to Elinor Handy Smith

 

Rev. John H. Nichols, memorial tribute to Elinor Handy Smith, March 15, 1973