Tag Archives: Roger Smith

to note and wonder at each precise fact or thing

 

… the genius of the United States is … always most in the common people. Their manners speech dress friendships—the freshness and candor of their physiognomy—the picturesque looseness of their carriage . . . the fluency of their speech their delight in music, the sure symptom of manly tenderness and native elegance of soul . . . their good temper and openhandedness

— Walt Whitman, Preface to Leaves of Grass, first edition (1855)

 

EMILY: Good-by. Good-by, world. Good-by, my beautiful town … Mama and Papa. Good-by to … clocks ticking and … Mama’s sunflowers. And … food and … coffee. And … new-ironed dresses and … hot baths … and sleeping and waking. Oh, Earth! You’re too wonderful for anybody to realize you.

– Thornton Wilder, Our Town

 

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To note and wonder at each precise fact or thing about individual persons.

My parents, for instance:

baked apples

canned peaches and pears, pineapple

frozen strawberries

cinnamon toast

lobster

scalloped oysters

Christmas decorations and stockings

Christmas carols

           the smell of a fresh bought Xmas tree

trimming the tree

Cesar Franck’s Symphony in D

           Chopin

Mozart’s Ave Verum Corpus

Beethoven’s piano sonata no. 27, opus 90

Jordan Marsh department store at Christmastime

Christmas candles

Thanksgiving

Easter eggs; dipping and coloring them with dye

snow shovels

snow tires and snow tire chains

Massachusetts beaches

Cape Cod

dogs

Tennyson; Idylls of the King

Hiawatha and Evangeline

George Gershwin

the Gospels

Protestant hymns

Frère Jacques

My Fair Lady, Carousel, Guys and Dolls, Brigadoon

asparagus

coffee ice cream (my mother)

ginger snaps

autumn leaves

pork strips (Chinese takeout food)

The Late Show

the funny pages (my father)

electric blankets

highballs, gin and tonics

chocolate pudding

Twenty Questions

pencils

dishwashers

clotheslines (my mother)

the four seasons

birthday parties and presents

gift giving

letters, cards, and thank you notes

reading

a summer cottage

conversation

Brueghel

coal bins

blueberry pancakes

French toast

radiators

steam irons, ironing boards

adages

fountain sodas; cherry or vanilla Cokes

frozen orange juice

fried and steamed clams

chowders

gum drops

hot chocolate

raisin bread

apple pie

corn bread

          popcorn with melted butter

ZaRex

Jello

grape jelly

wax sealed jars

strawberry jam

pop up toasters

lawn mowing

trees (birch, beach)

flowers

people

These are some of the things that preserve the memory of my parents for me. Of others.

I regard it as not worthwhile to comb through the past looking for faults, which all of us have or had. The faults make us human, mean that we are so. Faults of our loved ones and ancestors. When they are or were alive, we have or had to deal with their faults. It is a somewhat different thing when we are talking about departed persons who were close to us.

 

— Roger W. Smith

   June 2023

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Bill Dalzell II

 

 

This is an addendum to my tribute

William Sage Dalzell (1929-2018)

William Sage Dalzell (1929-2018)

It is in the form of an email which I sent last week to a rude correspondent who had contacted me on Facebook. She was interested in Aldous Huxley’s The Perennial Philosophy. I told her I had a story about how I had obtained my own copy.

The email follows.

 

— Roger W. Smith

   June 2023

 

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Dear Diane.

Please see attached cover of my old paperback edition of The Perennial Philosophy.

It was beat up and ink stained.

When I first came to New York at age 22, I worked for a nonprofit in a brownstone on East 18th Street.

I met a self employed printer there — he was older than me, middle aged — whom I befriended. I have written a tribute to him which is on my site

He came from a somewhat privileged background — had well established, educated parents — but he moved to New York and the Lower East Side, lived in an apartment for which the rent was $29 a month (!),  lived by intuition and was not interested in money or status.

He was into mysticism, very much so; and what might be called New Age stuff. He had no use for doctors (never saw one).

He liked the book Diet for a Small Planet, which he gave me a copy of.

He cooked a lot of beans (delicious), which he bought dried, in a bag. I would visit him in his apartment and we would eat, drink, and talk. I met some of his good friends, who had similar lifestyles and views.

He influenced me a lot. We had great long talks and experiences exploring the City together, going to museums and taking the ferry. Long conversations in his third floor walkup, where we would drink beer, which he always served in a mug, all evening.

He was totally non materialistic and very generous. As a newcomer to New York, I didn’t know anyone and had scarce resources.

One day, we got to talking about the Aldous Huxley book. Here, he said, while I was leaving, and handed me his own precious copy. It was ink stained because when his printer was running, he would sit reading in a serene, contemplative state with a book in his lap.

His hands were inky from the printer. He bought his clothes at thrift shops and made it a point to wear black slacks because, he said, the ink stains on them would be less noticeable.

I already knew William Blake, who is sort of in the mystical tradition. I have read him intensely, but Huxley barely mentions him. I did not know about Meister Eckhart.

I am also attaching a portrait of my friend Bill. He had good aesthetic sense and introduced me to a lot of great films and to painters such as Edward Hopper. He had several artist friends, a few of whom I met.

The portrait was painted by Gregory Gillespie, a friend of Bill’s and well known artist. My wife and I saw the portrait once in a gallery on Madison Avenue. Bill, who is now deceased, was still alive then. The portrait was priced at $40,000.

P.S. — Here is an excerpt from my tribute to Bill:

Bill Dalzell was one of the first people I got to know after moving to New York City. I will never forget his kindness to me. My friendship with Bill was a long and enduring one.

If you got to know Bill well, as I did — if you were privileged to know him — you will probably know the following things about him, and, if you do, will know that they are all true.

He never cared about externals. Dressed simply. Lived by intuition. He followed politics closely but was fundamentally an apolitical person.

He believed absolutely in the spiritual, in mysticism, and in bona fide psychics such as Edgar Cayce and the medium Grace Cooke, author of the White Eagle books. He was interested in the writings of mystics such as Meister Eckhart — in the case of Eckhart, in the concept of detachment or disinterestedness: renouncing self-interest to attain spiritual enlightenment.

 

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Addendum:

the original post:

William Sage Dalzell (1929-2018)

William Sage Dalzell (1929-2018)

Roger W. Smith, photographer of my city

 

Roger W. Smith, photographer of my city

 

–posted by Roger W. Smiith

  May 2023

my new sites

 

I have two new sites that have not gotten much traffic yet.

Roger Smith’s New York

https://rogersmithsnewyork.blog

 

Roger W. Smith’s Walt Whitman site

https://rogerwsmithswaltwhitmansite.blog/

 

These sites may be of interest to the general reader.

There is much already posted or under development on my Whitman site that draws upon Whitman scholarship and biographical materials, often rare. Therefore, the site will be of value to scholars. There is also much that will provide enjoyable reading for the non-scholar who either knows Whitman already or would enjoy getting to know his works better. The foregoing comment applies in general to my sites. I try to be readable and interesting and also, where appropriate, to draw upon my extensive reading and research.

 

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I also have a site devoted to Theodore Dreiser:

Roger W. Smith’s Theodore Dreiser site

https://roger-w-smiths-dreiser.site

This site draws upon my extensive knowledge of Dreiser.

And a site devoted to the Russian-American sociologist and social philosopher Pitirim A. Sorokin, in whom I have had a lifelong interest.

Pitirim Alexandrovich Sorokin

https://pitirimsorokin.com/

The Dreiser site is both scholarly and aimed at the general reader. The Sorokin site may appeal mostly to scholars and students of issues and history connected with Sorokin’s life and works.

 

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My site

Roger’s rhetoric

https://rogers-rhetoric.com/

contains observations about the craft of writing and principles of rhetoric, derived from my professional experience and study, reading, and training. It is potentially of value and interest to anyone who appreciates good writing.

Of interest may be the way in which I draw upon my extensive reading to illuminate my observations. For example, current journalism (I read three or four newspapers daily) and American and world literature. Current issues related to language and usage in a political contest are of particular interest to me.

 

— Roger W. Smith

   May 2023

 

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addendum

I thought of something to add which may sound boastful. I have made good use of my study of languages – namely, French, Spanish, Latin, and Russian; and some German — instruction in which in high school and various universities I am very grateful for. This has informed my knowledge of literature and made possible much scholarship; and one will find in a few of my posts my own translations and readings and sources in other languages. For example, there are posts drawing upon works in other languages, and posts in which I refer to passages from literature both in the original and English translation. I think this adds to the potential interest as well as the value of my work to a broad audience of readers.

the sardonic extended metaphor

 

As seen in Herman Melville.

 

PUBLISHING POETRY IN A MAN-OF-WAR.

A day or two after our arrival in Rio, a rather amusing incident occurred to a particular acquaintance of mine, young Lemsford, the gun-deck bard.

The great guns of an armed ship have blocks of wood, called tompions, painted black, inserted in their muzzles, to keep out the spray of the sea. These tompions slip in and out very handily, like covers to butter firkins.

By advice of a friend, Lemsford, alarmed for the fate of his box of poetry, had latterly made use of a particular gun on the main-deck, in the tube of which he thrust his manuscripts, by simply crawling partly out of the porthole, removing the tompion, inserting his papers, tightly rolled, and making all snug again.

Breakfast over, he and I were reclining in the main-top—where, by permission of my noble master, Jack Chase, I had invited him—when, of a sudden, we heard a cannonading. It was our own ship.

“Ah!” said a top-man, “returning the shore salute they gave us yesterday.”

“O Lord!” cried Lemsford, “my Songs of the Sirens!” and he ran down the rigging to the batteries; but just as he touched the gun-deck, gun No. 20—his literary strong-box—went off with a terrific report.

“Well, my after-guard Virgil,” said Jack Chase to him, as he slowly returned up the rigging, “did you get it? You need not answer; I see you were too late. But never mind, my boy: no printer could do the business for you better. That’s the way to publish, White-Jacket,” turning to me. …

— Herman Melville, White-Jacket, or The World in a Man-of-War

 

The relics of hermitages and stone basins are not the only signs of vanishing humanity to be found upon the isles. And, curious to say, that spot which of all others in settled communities is most animated, at the Enchanted Isles presents the most dreary of aspects. And though it may seem very strange to talk of post offices in this barren region, yet post offices are occasionally to be found there. They consist of a stake and a bottle. The letters being not only sealed, but corked. They are generally deposited by captains of Nantucketers for the benefit of passing fishermen, and contain statements as to what luck they had in whaling or tortoise hunting. Frequently, however, long months and months, whole years, glide by and no applicant appears. The stake rots and falls, presenting no very exhilarating object.

— Herman Melville, The Encantadas, or Enchanted Isles

 

— posted by Roger W. Smith  (with a bow to Henry T. Handy, my Cape Cod whaling ancestor)

   April 2023

haying

 

Julien Dupré. “Haying Time”

And unperceived unfolds the spreading day,
Before the ripened field the reapers stand
In fair array, each by the lass he loves,
To bear the rougher part and mitigate
By nameless gentle offices her toil.
At once they stoop, and swell the lusty sheaves;

— James Thomson, The Seasons, “Autumn”

 

These lines brought something to mind.

This is what poetry can do.

 

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It was the fall of 1968. I had a job as an assistant gardener on a 37-acre estate in the town of Brookline, Massachusetts, which is right outside of Boston.

There were three of us assistants – me, Jack, and Jim; plus Peter, the head gardener, who was Dutch. Jack was my age. Jim was an elderly Irish guy still employed. On warm days he wore a floppy straw hat.

The fall was splendid, as only New England falls can be.

To my surprise, one morning we were told we would spend the day haying.

You have big wooden hay rakes. The sun has dried the tall blades of grass. You rake and the dried shoots (the hay) stick in clumps to the rake.

One of us workers was driving a flatbed truck. You throw the hay over the side onto the back of the truck. You have to shake some of it off and keep shaking until the hay is all dislodged.

The truck drove to a shed, backed up, and the hay was dumped into a hayloft by raising the back of the truck.

It was pleasurable work in the warm sun. And now I knew what haying entailed.

Golden memories. The poem brought them to mind today.

(Well, maybe haying and reaping aren’t quite the same thing, but they’re close enough.)

 

— posted by Roger W. Smith

  April 2023

Virgil Thomson, “The Plow That Broke the Plains”

 

https://rogersgleanings.com/wp-content/uploads/2023/04/07-Prelude-Fugue.mp3?_=1 https://rogersgleanings.com/wp-content/uploads/2023/04/08-Grass-Pastorale.mp3?_=2 https://rogersgleanings.com/wp-content/uploads/2023/04/09-Cattle.mp3?_=3 https://rogersgleanings.com/wp-content/uploads/2023/04/10-The-Homesteader.mp3?_=4 https://rogersgleanings.com/wp-content/uploads/2023/04/11-War-and-the-Tractor.mp3?_=5 https://rogersgleanings.com/wp-content/uploads/2023/04/12-Blues-Speculation.mp3?_=6 https://rogersgleanings.com/wp-content/uploads/2023/04/13-Drought.mp3?_=7 https://rogersgleanings.com/wp-content/uploads/2023/04/14-Wind-and-Dust.mp3?_=8 https://rogersgleanings.com/wp-content/uploads/2023/04/15-Devastation.mp3?_=9

 

“The Plow That Broke the Plains” was composed by Thomson in 1936 for a documentary film of the same name.

 

— posted by Roger W. Smith

   April 2023

Virgil Thomson, “The River”

 

https://rogersgleanings.com/wp-content/uploads/2023/04/01-The-Old-South.mp3?_=10 https://rogersgleanings.com/wp-content/uploads/2023/04/02-Prologue.mp3?_=11 https://rogersgleanings.com/wp-content/uploads/2023/04/03-Untitled.mp3?_=12 https://rogersgleanings.com/wp-content/uploads/2023/04/04-Industrial-Expansion-in-the-Mississippi-Valley.mp3?_=13 https://rogersgleanings.com/wp-content/uploads/2023/04/05-Soil-Erosion-Floods.mp3?_=14 https://rogersgleanings.com/wp-content/uploads/2023/04/06-Finale.mp3?_=15

 

The orchestral suite “The River” was composed by Thomson in 1938 for a documentary file of the same name.

 

— posted by Roger W. Smith

  April 2023

 

 

 

Virgil Thomson, “Five Songs from William Blake”

 

https://rogersgleanings.com/wp-content/uploads/2023/04/I.-The-Divine-Image.mp3?_=16 https://rogersgleanings.com/wp-content/uploads/2023/04/II.-The-Tiger.mp3?_=17 https://rogersgleanings.com/wp-content/uploads/2023/04/III.-The-Land-of-Dreams.mp3?_=18 https://rogersgleanings.com/wp-content/uploads/2023/04/IV.-The-Little-Black-Boy.mp3?_=19 https://rogersgleanings.com/wp-content/uploads/2023/04/V.-And-Did-Those-Feet.mp3?_=20

 

Blake poems – Virgil Thomson

 

Besides Thomson’s musical setting of the poems — posted here — I have posted (Word document above) the text of the poems.

— Roger W. Smith

   April 2023

James Sambrook, Introduction to Thomson’s “The Seasons”

 

Introduction to Thomson, ‘The Seasons’

 

Posted here (PDF above):

Introduction to James Thomson, The Seasons

by James Sambrook

Oxford University Press, 1972

I became acquainted with The Seasons because it was used as the libretto for Haydn’s oratorio The Seasons. James Sambrook’s introduction is concise, lucid, and well worth reading.

 

— posted by Roger W. Smith

April 2023