Category Archives: political correctness (PC)

“hallowed be her name”

 

New York Times columnist Nicholas Kristof is a good writer and a deep, earnest thinker whose moral earnestness and sincerity come through in his op-ed pieces and reflections upon injustices and atrocities he has witnessed in travels to places few columnists would bother to travel to.

He can also be preachy and boring in the manner of a long-winded minister, and prone to writing tendentious opinion pieces that read like an inferior Sunday sermon.

This is true of Kristof’s op-ed “God and Her (Female) Clergy” in yesterday’s Times.

“God and Her (Female) Clergy”

By Nicholas Kristof

The New York Times

March 31, 2018

Nicholas Kristof ProQuestDocuments-2025-03-19-4

 

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“What we’re seeing before our very eyes is a dramatic shift; in my mind it’s as big as the Protestant Reformation [what an overstatement!],” says Rev. Dr. Serene Jones, president of Union Theological Seminary, who is quoted in the article. “We’re seeing a new day of understanding of who God is. When the people who are representing God, making God present, have female bodies, that inevitably changes the way you think about how God is [a perfect example of bloodless genericspeak].”

“[W]ith a majority of students in many seminaries and rabbinical schools now women, and increasingly leading congregations, it may become less natural to think of God as ‘He.’ ,” Kristof states. “Already, Reconstructionist Judaism … refers to God with gender-neutral language [heaven spare us] or in the feminine.”

 

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Today is Easter Sunday. I do not currently belong to a church. But I am a Christian. By upbringing, core beliefs, and basic makeup. The scriptures, religious figures, and religious holidays are part of me.

Take the Lord’s Prayer. If it were begun with “Our Mother which art in heaven,” this would be disconcerting to me.

Why? Because I am an ultraconservative? A misogynist?

I don’t think so.

What the zealots who are out to retool the liturgy in the name of political correctness do not understand — and have no respect for — is the importance of tradition in religion. And, sadly, they don’t care.

The liturgy is part of that tradition. The language of the King James Bible (for me, at least). Words that, over time, endlessly repeated, have an incantatory effect. I remember a priest making this point to a group of non-Catholics once. He was asked about saying the rosary every day. Didn’t it become meaningless? No, he said, it didn’t. The words, he explained, have an incantatory effect achieved through repetition.

Perhaps they (the self-appointed church language mavens) will be saying “hallowed be her name” next. To make a point. I wouldn’t put it past them.

You may say that I myself am a nitpicker. A curmudgeon who is angry about nettlesome women bent on achieving gender equality.

But, in my view, there is a deeper issue here, and it is the real one. When someone says, “in her name,” referring to God, or “her flock,” they are calling attention to themselves and what they regard as their advanced, fashionable views, and minimizing the importance of tradition, while at the same time deflecting attention from, or severely curtailing the impact of, the sacred words themselves. They claim to be religious. Their religion is only skin deep. They care much more about propagating their own views. It’s actually an in your face type of thing. It’s disconcerting to someone who is used to hearing certain words associated with scripture and religious ceremonies. It’s as if one used an irreverent or flippant phrase with an authority figure such as a teacher, elder, or esteemed person to prove a point — say, that I wanted to be regarded as being their equal — taking them aback and causing befuddlement rather than proving a point.

On Good Friday, just passed, and on today, Easter Sunday, I want to think, to the extent I can tear myself away from petty concerns of the moment, about what these days mean. Not about what Nicholas Kristof has to say, or the woman religious leaders he admires, by way of making hay with their views and using a sacred day as a pretext. With no regard for the views and feelings of most religious people.

 

— Roger W. Smith

  Easter Sunday, April 1, 2018

 

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Postscript:

It is the case — there is nothing feminists and the language police can do about it — that Jesus spoke of our heavenly father and my father in heaven.

I have noticed over the years, without thinking about it much, that in many Protestant denominations there has been a tendency over recent years for one to see women ministers relatively often, whereas there were none that I can recall 40 or 50 so years ago. There seems to be a similar trend with respect to Jewish congregations.

I never thought much about it one way or the other, but it is in no way objectionable, in principle, to me.

But, I feel inclined now, if women (and like thinking men) want to have us worshiping God the mother, to make a suggestion. That women who feel this way start their own church — it could be an offshoot of Protestantism, a new denomination (there have been many in the past) — in which church members would worship a female God: God the mother. A new deity is needed for such a fundamental change.

A Slap in the Face? Or, Reverse Racism?

 

See:

‘A Slap in the Face’: Pick of White Man to Lead Council Draws Fire”

by Jeffery C. Mays and J. David Goodman

The New York Times

December 22, 2017

‘A Slap in the Face’ – NY Times 12-22-2017

 

“For months, black political leaders watched the bare-knuckled, back-room race to lead the New York City Council with a mix of hope and trepidation. Five of the eight candidates were black or Hispanic — offering the prospect of a first black speaker — but two of the most prominent front-runners were white men.

“In the end, one of those white men, Councilman Corey Johnson of Manhattan, emerged victorious. Now black leaders are railing against a process that produced another white face atop the government of a majority-minority city that already has white men in the roles of mayor, comptroller, three of five district attorney’s offices and at the heads of various city agencies.”

… ‘This is a slap in the face,’ said Rev. Jacques Andre DeGraff, associate pastor of Canaan Baptist Church in Harlem. ‘People feel offended.’ ”

 

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“I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character.”

— Martin Luther King, Jr.

 

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my thoughts:

How far we have come since the idealism of those days. Or, should I say, how sad that the political dialogue when it comes to race has reached such depths.

Why should be being white be an impediment to being a viable candidate?

“[B]lack leaders are railing against a process that produced another white face atop the government of a majority-minority city. …,” the article states. What if I stated the opinion that there should be more whites in leadership positions for some reason or other? Think I wouldn’t be labeled a white supremacist?

And, what do “white” and “black” mean anyway? See my previous post

“this isn’t racism?”

this isn’t racism?

Has the possibility that they themselves might be engaging in reverse racism ever occurred to the black leaders quoted in this article. Has the mere THOUGHT ever crossed their minds, troubled them, or caused them to do some self-examination?

 

— Roger W. Smith

  December 23, 2017; reposted December 26

 

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addendum:

a comment by my friend Ella Rutledge (posted on Facebook):

“I differ with you on this, Roger. How can Dr. King’s dream come true if positive action is not taken, sacrifices made? Reverse racism? So what? At least white guys then get to know what racism feels like.”

highfalutin hogwash; pseudo intellectual inanity; pernicious pomposity, perverse pontificating (take a hike, Spiro Agnew! you too, Bill Safire!)

 

Two things are pertinent to this post — form a background to it, so to speak.

First, this past March, I wrote a blog post:

Racism Rears Its Ugly Head

about objections to a painting by the artist Dana Schutz based upon photographs of the mutilated body of Emmett Till, the black teenager who was murdered by two white men in Mississippi in 1955, which was featured in the 2017 Biennial exhibition at the Whitney Museum of American Art in Manhattan. Protests had arisen over the work. I am in principle opposed to the destruction of art for reasons of political correctness.

Secondly, I am working on a post of my own about the craft of writing. I want to be able to illustrate it with examples of both good and bad writing.

 

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With these things in the back of my mind, I read an op-ed piece in yesterday’s New York Times which stopped me cold, that was so bad it was unbelievable. I thought to myself, how did it get published? I posted an angry comment on the Times site, but the comment did not get posted. No doubt, the Times editors found it inappropriate. Strange, because often comments posted in response to Times opinion pieces are not well written or articulate; and, in fact, many are obtuse and display ignorance and lack of acumen.

 

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The piece that has astounded me with its badness and inanity is

“The Art of Destroying an Artwork”

by David Xu Borgonjon

The New York Times

October 25, 2017

‘The Art of Destroying an Artwork’ – NY Times 10-25-2017

Borgonjon Destroying Artwork

 

The Times article merely indicates that “David Xu Borgonjon is a curator and writer.” Googling him at

http://laundromatproject.org/david-xu-borgonjon/

I found out that “[David Xu Borgonjon] is a curatorial fellow at Wave Hill and is the co-founder of Screen, a bilingual Chinese and English platform for media art commentary. Currently he is preparing a series of “Strategy Sessions” for Summer 2015, a professional development workshops for artists using board games as metaphor. David has coordinated the Gallery of the Women’s Center at Brown University (where he graduated in 2014 in English with honors in a Dual Degree program with the Rhode Island School of Design).”

And so forth. The information on the site may be slightly dated. Wave Hill is a 28-acre estate in the Hudson Hill section of Riverdale, Bronx, in New York City which consists of public horticultural gardens and a cultural center which includes an art gallery.

 

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One has to read Mr. Borgonjon’s piece in full to get a feel for its awfulness. It is a textbook example of flawed writing built upon cockeyed premises. A key problem, which I intend to use by way of illustration in my planned blog on writing, is that the piece is too abstract, is not tethered to fact. One might ask, what’s wrong with a conceptual piece of writing, with exposition for the sake of exposition? Is there such a thing as too abstract? Yes, there is, and Mr. Borgonjon’s horribly written piece shows how this can occur.

It’s very hard to even figure out what he is talking about. One has to wade through the piece, which is tortuous reading, a ways to get some idea of what he is talking about. This, right away, indicates a problem. There are some would be intellectuals/thinkers and writers who seem to think that nebulous writing is a sign of great thoughts percolating in a genius’s mind, thoughts which he or she can’t waste time trying to explain to us. That it is our duty, should we wish, to come up to their level. This is hogwash.

 

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The following are some excerpts from the op-ed du jour, followed by my comments (in boldface). Good luck in figuring out what the writer’s fulminations mean.

 

“But there’s a problem with this binary formulation, which opposes the sacrosanct art object to the interests and demands of the public. Curators need to think about more creative ways to withdraw art from public display. Rather than thinking of calls to remove art as either right or wrong, institutions should think of them as creative opportunities to reimagine who their public is.”

This is pure nonsense. Highfalutin language signifying nothing. Jargon laden mumbo jumbo. The underlying premises are flawed and the views imbedded in them are toxic and pernicious. Idiotic premises lead to idiotic conclusions.

 

“What we should be asking, instead, is how it should ‘go.’ A work of art could be destroyed (burned, buried, shredded), edited, documented, mourned or even substituted. It could be supplemented with performances, talks, protests. It could be turned into minimalist furniture for the museum cafe, or sold on eBay, with the proceeds going to charity.”

This is pure NONSENSE. How can the Times publish it? “It could be turned into minimalist furniture for the museum cafe, or sold on eBay, with the proceeds going to charity.” Is he serious? If he is, it’s sad. No, deplorable.

 

“Contemporary art theory has long held that the artwork takes place not in the moment of creation or exhibition, but rather in the ways that it circulates in the world. That’s why withdrawal isn’t just a negative act. The museum is actively putting the withdrawal into the world, which will then circulate beside and on top of the artwork, as a rumor, a footnote, a filter. I am arguing for a creative acceptance of the pressure to withdraw an artwork, rather than either outright rejection or reluctant acquiescence.”

Here we have an example of what might be called “over abstraction,” supposedly weighty observations, disguised as such, which amount to pseudo profundity. There is a pretense of deep thought, and nothing more. Everything is made perfectly UNclear. It shows an incapacity for thoughtful or meaningful analysis.

 

“Social media has changed how we communicate, and social inequity continues to differentiate how we feel. These dynamics are changing the way we curate. For one thing, the work of exhibition-making no longer ends when the show opens. Instead, it continues as a process of listening, a public performance that goes on for months.

“In some way, as curator Hera Chan points out, the dynamics of the platform economy threaten to make curatorial expertise obsolete. Who needs us when institutions can figure out, thanks to social media, crowdsourcing and machine learning, audience preferences quickly and accurately? The difficult question of who ‘we’ are, when we are faced with a controversial artwork, is the curator’s only remaining raison d’être. Consider that exhibitions don’t have a standard rating system, like movies or music — at some level, we must believe that every show should be accessible to all of us. Like churches or public television in a different age, museums are now our civic institutions, where we go to argue about who counts as ‘us.’

“The ‘should it stay or should it go’ approach fumbles the opportunity to broaden and enrich what that “us” is. It’s a difficult question, and we will not agree, but even asking it together creates a kind of community. It falls to curators to facilitate this conversation. Institutions, following the lead of artists, should respond creatively to the call for censorship. Perhaps the withdrawal of the artwork can make room for something else to come into view: a new public.”

Claptrap. Nonsense. And, like the nonsense genre, almost impossible to decipher.

“Fumbles the opportunity”? An infelicitous phrase if there ever was one! This writer clearly knows something about fumbling, from experience, displays verbal ineptitude that is plain to see.

 

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I am almost inclined to say that this piece should be censored. It’s that bad, both as a specimen of writing and as an attack on art by someone who deems himself a curator. Of course, I’m against censorship. But beware of such writing by persons who pat themselves on the back for being in the intellectual vanguard. It’s just plain awful. And, as I’ve already said, it’s pernicious in its “know nothing” views worthy of a troglodyte and highly objectionable in a so called curator, presumably devoted (ha!) to preserving and promoting art. How about destroying? Anyone game?

 

— Roger W. Smith

   October 2017

now the graveyards?

 

[T]he crowd approached; they were bawling and hissing round a dingy hearse and dingy mourning coach, in which mourning coach there was only one mourner, dressed in the dingy trappings that were considered essential to the dignity of the position. The position appeared by no means to please him, however, with an increasing rabble surrounding the coach, deriding him, making grimaces at him, and incessantly groaning and calling out: “Yah! Spies! Tst! Yaha! Spies!” with many compliments too numerous and forcible to repeat.

…. “What is it, brother? What’s it about?”

“_I_ don’t know,” said the man. “Spies! Yaha! Tst! Spies!”

He asked another man. “Who is it?”

“_I_ don’t know,” returned the man, clapping his hands to his mouth nevertheless, and vociferating in a surprising heat and with the greatest ardour, “Spies! Yaha! Tst, tst! Spi–ies!”

… “Was he a spy?” asked Mr. Cruncher.

“Old Bailey spy,” returned his informant. “Yaha! Tst! Yah! Old Bailey Spi–i–ies!”

“Why, to be sure!” exclaimed Jerry, recalling the Trial at which he had assisted. “I’ve seen him. Dead, is he?”

“Dead as mutton,” returned the other, “and can’t be too dead. Have ’em out, there! Spies! Pull ’em out, there! Spies!”

The idea was so acceptable in the prevalent absence of any idea, that the crowd caught it up with eagerness, and loudly repeating the suggestion to have ’em out, and to pull ’em out, mobbed the two vehicles so closely that they came to a stop. On the crowd’s opening the coach doors, the one mourner scuffled out by himself and was in their hands for a moment; but he was so alert, and made such good use of his time, that in another moment he was scouring away up a bye-street, after shedding his cloak, hat, long hatband, white pocket-handkerchief, and other symbolical tears.

These, the people tore to pieces and scattered far and wide with great enjoyment, while the tradesmen hurriedly shut up their shops; for a crowd in those times stopped at nothing, and was a monster much dreaded.

They had already got the length of opening the hearse to take the coffin out, when some brighter genius proposed instead, its being escorted to its destination amidst general rejoicing. Practical suggestions being much needed, this suggestion, too, was received with acclamation, and the coach was immediately filled with eight inside and a dozen out, while as many people got on the roof of the hearse as could by any exercise of ingenuity stick upon it. Among the first of these volunteers was Jerry Cruncher himself, who modestly concealed his spiky head from the observation of Tellson’s, in the further corner of the mourning coach.

The officiating undertakers made some protest against these changes in the ceremonies; but, the river being alarmingly near, and several voices remarking on the efficacy of cold immersion in bringing refractory members of the profession to reason, the protest was faint and brief. … Thus, with beer-drinking, pipe-smoking, song-roaring, and infinite caricaturing of woe, the disorderly procession went its way, recruiting at every step, and all the shops shutting up before it. Its destination was the old church of Saint Pancras, far off in the fields. It got there in course of time; insisted on pouring into the burial-ground; finally, accomplished the interment of the deceased Roger Cly in its own way, and highly to its own satisfaction.

— Charles Dickens, A Tale of Two Cities; Book the Second–The Golden Thread; Chapter XIV, The Honest Tradesman

 

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There was an article in The New York Times this morning that caught my eye:

“Battle Over Confederate Monuments Moves to “the Cemeteries.” by Julie Bosman, The New York Times, September 21, 2017

‘Battle Over Confederate Monuments’

The following are some excerpts from the article.

One by one, Confederate monuments are coming down from their perches in front of courthouses, in public squares, along city boulevards.

Now opponents to the memorials are looking through cemetery gates for more.

Local officials and residents, outraged by the violence in Charlottesville, Va., last month and determined to clear their cities of markers that glorify the Confederacy, are pushing for the removal of Confederate monuments that have adorned the graves of soldiers for decades.

In the Hollywood Forever Cemetery in Los Angeles, a six-foot granite monument with a bronze plaque dating to 1925 was covered with a tarp and whisked away in the middle of the night after activists called for its removal and spray-painted the word “No” on its back.

The mayor of West Palm Beach, Fla., ordered a Confederate memorial taken out of a city-operated cemetery in August. In Columbus, Ohio, vandals recently decapitated a statue of a Confederate soldier in a cemetery, leaving city officials scrambling to respond.

Days after the protests in Charlottesville, Paul Soglin, the mayor of Madison, directed that a plaque honoring the Confederacy inside Forest Hill Cemetery, a city-owned property near the University of Wisconsin campus, be removed. ….

The calls to remove the monument in Madison, and other monuments like it, have given rise to questions of the place of Confederate memorials and cemeteries in daily life: Is a monument in a cemetery really on public display? Though most people rarely enter cemeteries, are their contents — statues, monuments and plaques — subject to scrutiny by people in the community? While a Confederate statue in a busy town square honors the dead, does a monument in a tranquil, little-trafficked cemetery have the same effect? … [How many angels can fit on the head of a pin?]

The monument targeted for removal, boxy and carved from a smooth gray granite, is engraved with the names of dozens of soldiers, mostly men who were imprisoned and died at nearby Camp Randall during the Civil War. It stands prominently in front of the men’s graves, their names chiseled on their headstones in simple block letters — C. A. Hollingsworth, H. Faulks and L. Galloway among them — alongside their regimens and home states, frequently Alabama, Tennessee and Mississippi. (Those who favor removing the monument say they have no intention of altering the gravestones.)

Three separate city council committees intend to study the memorial, which was installed by the United Daughters of the Confederacy around 1931 and also honors a local woman who regularly tended the graves, and make recommendations on what to do with it — whether to alter the structure, remove it entirely or append more information to it to give visitors greater context.

 

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I wrote the following in email to my wife this morning, commenting upon the Times article.

What’s next?

There is a word (or words) for what’s going on:

collective insanity;

mass hysteria.

To get a feeling for this type of mass hysteria, one should read Dickens’s “A Tale of Two Cities.” Think it’s likely to be read by the self appointed “minders” of public monuments?

I doubt it.

You don’t desecrate grave memorials and plaques.

We thought the Taliban idol smashers were bad. But, then, the comparison would be lost on the PC zealots.

I thought the defacing of gravestones by hooligans and sometimes by hate mongers (e.g., desecration of Jewish cemeteries by anti-Semites) was supposed to be a crime. There have been several articles about this in the Times, for example, reporting on recent vandalism at Jewish Cemeteries in Missouri and Philadelphia.

How about letting the dead and departed — all the dead and departed — rest in peace?

 

— posted by Roger W. Smith

   September 2017

 

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Addendum:

“The four arrested youths — a 15-year-old, two 16-year-olds and a 17-year-old — were charged on Wednesday with juvenile delinquency. If charged as adults, they could have faced charges of desecration of venerated objects, conspiracy to commit desecration and criminal mischief.” — “4 Youths Arrested in Vandalism at Jewish Cemetery in New Jersey.’ — The New York Times, January 11, 2008

‘Four Youths Arrested’

The punishment is supposed to fit the crime. But, when the “crime” is destroying Confederate symbols in the burial plot of someone’s ancestors, a crime is no longer a crime, it seems. — Roger W. Smith

“After Racist Rage, Statues Fall”

 

“For more than a year, members of the Baltimore City Council, like officials in many communities across the nation, had drifted indecisively about the fate of the city’s increasingly controversial Confederate monuments. Then, last weekend, white supremacists in Charlottesville, Va., violently resurrected the frightening ghosts of the Civil War.

“That settled the issue in Baltimore: On Monday night, the Council voted unanimously to take down the statues. On Tuesday night, in an unannounced, unceremonious action, four statues were torn from their pedestals as the city slept, with no throng of witnesses or protesters in attendance.

” ‘It’s done,’ Mayor Catherine Pugh told her city on Wednesday morning. She explained, ‘With the climate of this nation, that I think it’s very important that we move quickly and quietly.’

“That is sound advice. The racist rage in Virginia and President Trump’s shamefully sympathetic response have prompted local and state politicians to encourage community peace by weighing the future of Confederate monuments civilly and unapologetically, even if the president has not.”

New York Times editorial, August 17, 2017

 

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My thoughts.

It wasn’t “sound advice.”

But, then, the New York Times editorial board is distinguished (meant sarcastically) for churning out soporific, boring, tone deaf, and not particularly well written editorials — most of all, boring — that demonstrate almost no original thought and provide no insight.

The editorials proclaim the liberal party line with no thought or consideration of what other viewpoints might possibly be entertained. You can almost see a “thought checker” (think fact checker) going through them line by line to make sure they are doctrinally correct.

Nihil obstat.

They sermonize. Nuanced thought is not in evidence.

Often, it seems to be the case, the editorials get written before they are actually written — that is, the Times policy wonks put their heads together and decide what the ideologically correct position should be. After that, writing a few paragraphs is a breeze; anyone with reasonable competence in writing could do just as well.

 

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Regarding this particular editorial.

What about (omg — can I really be saying this! I’ll be called alt-right!) the statues, monuments, colleges, cities even, named after Saint George (Washington) and his companion in stone on Mount Rushmore Thomas Jefferson? Slaveholders both. They were both great men and are iconic figures. They were also (perish the thought!) imperfect, as happens to be true of mankind en masse and taken as individuals: you and I; larger than life figures and the rest of the humanity. Of Saint Augustine and William Jefferson Clinton. Of myself and my next door neighbor. Should memorials to historical figures be destroyed to remove the cloud of racism?

Why not take down statues of Andrew Jackson? Slaveholder, oppressor of Native Americans. Why not GOD? (Removing all public monuments in his honor will involve a massive public works program.) After all, he acted like a tyrant; he was always smiting some group or other in the Old Testament. And, why do Washington and Jefferson get a free pass? All slaveholders are evil, it would appear, but some are more evil than others.

 

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Feelings, concern, sympathy for the “great unwashed,” aka “deplorables” (on the part of the Times, that is) for the Common Man? Fuhgeddaboudit. The Common Man has not been venerated since the Great Depression induced writers such as John Steinbeck and composers such as Aaron Copland and Virgil Thomson to pen and compose songs of praise. The Times hews to current intellectual fashions. The Common Man is not in fashion any more — in fact, he has become an embarrassment to those who consider themselves enlightened and superior in views and taste — except among Trump supporters.

All the Times Editorial Board cares about is its core audience of readers: what they think, about the consensus of “enlightened” liberal opinion. Ergo, they have nothing new, interesting, or enlightening to say. But, then, they’re policy wonks, not good writers or deep thinkers. I would be willing to bet that Edmund Burke couldn’t get hired, for sure; he wouldn’t have passed an ideological litmus test.

 

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Who was it who said that hindsight is 20/20? History should be studied, but it shouldn’t and can’t be scrubbed clean in the name of correcting past wrongs.

 

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Perhaps ISIS could be hired as subcontractors to take their sledgehammers to the Mount Rushmore National Memorial. After all, they’ve had experience.

— Roger W. Smith

  August 17, 2017; updated September 6, 2017

 

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Note: The Times editorial reads: “She explained, ‘With the climate of this nation, that I think it’s very important that we move quickly and quietly.’ “ [italics added].

This seems to be a typo. But, then, the Times has fired almost all of its copyeditors. Not a good move. The Executive Editor, in his wisdom, and his underlings apparently decided that they weren’t necessary. As a former proofreader, copyeditor, and freelance reporter, I know how essential they always were and still are.

 

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addendum:

To the Editor:

Re “After Violent Weekend, Calls Beyond Virginia to Remove Civil War Statues” (news article, Aug. 15): Robert E. Lee would have been appalled by anything honoring the Confederacy or his service to it. He worked very hard to bring the country back together and actively opposed all the “the South will rise again” movements.

Ulysses S. Grant and Abraham Lincoln would be equally horrified by the desecration of memorials to Confederate war dead, as both considered them to be Americans (even if misguided). Grant stopped the dishonoring of Confederate dead after several battles and ordered that they be treated with the same respect as the Union dead.

The South lost, and its sons and daughters have bled and died for the United States in every war since. It’s way past time to move on. We are all Americans, and we need to look at the serious internal problems (economy, infrastructure, jobs) and external problems (North Korea, China, Russia, Venezuela) facing our country.

— Chris Daly, Yucaipa, Calif.; letter to the editor, The New York Times, August 17, 2017

 

To the Editor:

Has anyone considered that those engaged in tearing down images of certain icons of the past are following the barbaric examples of the Taliban and ISIS, whose practice it has been to destroy relics of the past that they have found to be offensive to their particular sensibilities? Let’s put a lid on the frenzy.

— William M. Green, letter to editor, The New York Times, September 2, 2017

 

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addendum:

“He’s [said of New York City mayor Bill de Blasio] going to create some kind of star chamber to see who’s politically correct and who’s not,” said Kenneth T. Jackson, a historian who edited The Encyclopedia of New York City, echoing other historians who have cautioned against the rush to remove statues and monuments.

“It’s almost like McCarthyism of a reverse sort: Let’s find out who has got something in their closet that they should be ashamed of. I don’t think we need this,” he said.

“Ordering Review of Statues Puts de Blasio in Tricky Spot,” The New York Times, August 30, 2017

 

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addendum:

St. Augustine’s father, Patricius, had slaves. His vineyards in Thagaste in Northern Africa were worked by slaves. As a boy, Augustine (Aurelius Augustinus) had a slave attendant who took him to school.

As a young man, Augustine, a professional (his occupation was rhetorician), and later in his mature years, had, as would any well born Roman of his class, numerous slaves in his household, some of whom would accompany him on his travels when required (to, say, transport things a traveler needed in those days, and perhaps also his manuscripts).

A question. Augustine is merely one example, but can we expect demands for Augustine to be perhaps stripped of his sainthood or lowered in status and reverence due him should it come to be known that he was, in effect, a slaveholder?

The question may seem ludicrous, but I think it can be fairly asked, how far back is one prepared to go in an attempt to cleanse history and, supposedly, to “redress wrongs” by demoting revered figures now standing on virtual pedestals? And, how does one make choices about who is out and who is in (perhaps not entirely “clean,” but for some reason not to be punished with what might be called “unperson” status” in this recasting of history by self appointed revisionists, a polite way of saying historical thought police”)?

 

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Responses to “After Racist Rage, Statues Fall”

 

Tom Riggio says:

August 17, 2017

You get no argument from me, Roger. Or the ACLU, which has taken sides with the right of the supporters of keeping the statues, with the idea that the Constitution and Bill of Rights guarantees the freedom to express one opinions, even if others find them horrific. Of course, the guy who killed the young women is a murderer and should be punished severely for his crime. If both “sides” would abide by this constitutional right, there would be two sides to the question but not violence in the streets. The parents of the dead women sent the right message, refusing to hate the killer of their daughter, though not condoning the act and the ideology behind it. We get this sort of reaction in the case of abortion as well: there are those who criminalize the abortionists and those who criminalize the pro-life people. Same sort of idiocy.

 

Roger W. Smith says:

August 17, 2017

Thanks much for taking the time, to comment, Tom.

Of course, my post was focused on the destruction of statues.

You may find relevant my post “is it possible (or desirable) to hold two divergent opinions at the same time?”

at

https://rogersgleanings.com/2017/04/24/is-it-possible-or-desirable-to-hold-two-divergent-opinions-at-the-same-time/

P.S. I listened carefully to what people who were at the rallies in Charlottesville had to say. I believe them and not Trump. But, I agreed with Trump when he said that we should not go around dismantling statues, and what he said about Washington and Jefferson.

 

Carol Hay says:

August 18, 2017

There’s a big difference between Robert E. Lee, who fought to preserve slavery and who fought to tear this country apart, and the founding fathers who created our government. Should statues of Hitler and Nazi monuments be preserved because they are part of history?

 

Roger W. Smith says:

August 18, 2017

Regarding the last sentence of what you said above, Carol, that is a good question which bears thinking more about (which I will). However, I don’t think it simply invalidates what I said in my post: many of my other points and the fact that Washington and Jefferson, slaveholders both, are treated so differently than defenders of slavery such as Robert E. Lee and John C. Calhoun (who wasn’t mentioned in this post).

 

Roger W. Smith says:

August 31, 2017

Carol — I think what I said in my post “is it possible (or desirable) to hold two divergent opinions at the same time?”

at

https://rogersgleanings.com/2017/04/24/is-it-possible-or-desirable-to-hold-two-divergent-opinions-at-the-same-time/

is relevant here.

You can always find exceptions, egregious cases, but that doesn’t invalidate what I am saying here about the mass hysteria that has become rampant to cleanse history by getting rid of any vestige or taint of attitudes now considered racist or otherwise reprehensible by modern day standards.

There have been times when statues of dictators were being toppled, and I found myself cheering in absentia: say, if a statue of Stalin gets removed in Russia, and I didn’t much care when I saw news footage of a crowd toppling a statue of Saddam Hussein, around which they had wound a rope they pulled it down with.

As Walt Whitman put it: “Do I contradict myself? / Very well then I contradict myself.”

Of course, “the revisionists” who want to tear down all sorts of statues and monuments and rename buildings contradict themselves as well: Andrew Jackson, a slaveholder, for some reason seems to get a pass; so do Washington and Jefferson. The argument that Washington and Jefferson were Founding Fathers and were on the right side of most issues (meaning on the right side of history, so they came out smelling like a rose, their sins forgiven) doesn’t wash. They should be held to the same strict standards as the others are, if we are going to enforce rigid political correctness retrospectively.

a pregnant thought

 

conveyed to me by a long time friend, Bill Dalzell, in a phone conversation this morning

he was quoting a statement made by a philosophy professor in a college class he was enrolled in many years ago

the statement, as paraphrased by my friend: the question is not whether a philosophy or belief system is TRUE, it’s whether you like it nor not; does it appeal to you, say something to you? … the same thing applies to art [in the broad sense of the word]

my friend was wresting with religious doubts at the time; his professor’s statement was a consolation and revelation to him … what I would say, to the extent I understand, “translating” my friend’s inferences as best as I can, is that one can believe, engage with, bow to genius and inspiration (and, yes, truth!) without fear of being ridiculed for stupidity and credulity because something hasn’t been scientifically proved or some assertion or other has been disputed

a thought of my own: this statement has wide ranging implications … think of all the narrow minded, benighted people who want to find fault with art because they DISAGREE with something or other; to dissect, eviscerate it because they feel it is not CORRECT

 

— Roger W. Smith

   July 13, 2017

Racism Rears Its Ugly Head

 

The 2017 Biennial exhibition at the Whitney Museum of American Art in Manhattan features a painting by the American artist Dana Schutz based upon photographs of the mutilated body of Emmett Till, the black teenager who was murdered by two white men in Mississippi in 1955. Protests have arisen over the work.

The following are my thoughts on the controversy, which are based upon the following article:

“White Artist’s Painting of Emmett Till at Whitney Biennial Draws Protests.” By Randy Kennedy. The New York Times, March 21, 2017

‘White Artistst’s Painting of Emmett Till Draws Protests’ – NY Times 3-21-2017

My comments are in boldface.

— Roger W. Smith

 

******************************************************

 

“[P]rotests … have arisen online and at the newly opened Whitney Biennial over the decision of a white artist, Dana Schutz, to make a painting based on the photographs.”

Decision?

An artist, Dana Schutz, created a painting. Based upon photographs of an actual event. The Times writer chose the verb to make, which seems a bit awkward. But, anyway, an ARTIST CREATED a work of art. (She happens to be white. God forbid!)

Since when has creating a work of art been construed as a “decision”? One would think we were talking about a politician or a general deciding to go to war. Board members of corporations make decisions. Judges issue them. Artists create ART, arising from a creative urge, spontaneous impulse, or whatever one wishes to call it.

 

“An African-American artist, Parker Bright, has conducted peaceful protests in front of the painting since Friday [March 17], positioning himself, sometimes with a few other protesters, in front of the work to partly block its view.”

What gives him the right to obstruct the view of museum visitors of the painting? If he were a white protestor, he would have been forcibly removed from the exhibit in short order by security personnel.

 

“Another protester, Hannah Black, a British-born black artist and writer working in Berlin, has written a letter to the biennial’s curators, Mia Locks and Christopher Y. Lew, urging that the painting be not only removed from the show but also destroyed.”

We are outraged when the Taliban or ISIS take sledgehammers to religious structures and imagery in the Middle East. But here, in the name of political correctness, the DESTRUCTION of works of art considered ideologically suspect can be countenanced. Why, in God’s name, are not such actions — proposals for the same — denounced outright? Next, ideologues will be attempting to find and destroy all existing holographs and printed copies of Huckleberry Finn (to pick just one example), Uncle Tom’s Cabin, or Shakespeare’s Othello, and God knows what other works.

 

“ ‘The subject matter is not Schutz’s,’ Ms. Black wrote in a Facebook message that has been signed by more than 30 other artists she identifies as nonwhite.”

What does this mean? Ms. Schutz created the painting. She chose the subject. I am not stupid. I get it. What is meant is that the subject matter should not be hers to create art from. Because she’s white. (These racial categories are suspect, in my mind.) So, white people cannot have feelings and/or an opinion about an atrocity such as the murder of Emmett Till? Says who? Why not?

To take one example among a million, I have always felt that the bombings of Hiroshima and Nagasaki were an outrage. My father, like many Word War II veterans, felt that President Truman’s decision to order the bombing of the cities was justified, given that it probably saved American lives that would have been lost in an invasion of Japan. I always strongly disagreed. I could see no justification for dropping the atomic bomb twice. And so on.

Should it be claimed that I have no right express such an opinion or have such feelings because I am not Japanese and was not among the victims, or related to or descended from them?

Pure nonsense.

 

“ ‘White free speech and white creative freedom have been founded on the constraint of others, and are not natural rights. The painting must go.’ She added [Ms. Black] that ‘contemporary art is a fundamentally white supremacist institution despite all our nice friends.’ ”

This is nonsense masquerading as profundity and wisdom. Its premises are racist. It is pernicious, shallow, distorted — inane — thinking. It is close, if not equivalent to, what left wing ideologues would call “hate speech.” Whatever happened to the Declaration of Independence’s doctrine of inalienable rights of all persons?

 

“The protest has found traction on Twitter, where some commenters have called for destruction of the painting and others have focused on what they view as an ill-conceived attempt by Ms. Schutz to aestheticize an atrocity.”

Aestheticize? This is pseudoliterate purple prose. Yes, it’s art. About an atrocity.

John Hersey — not Japanese — wrote a compelling book about the horrors of the Hiroshima bombing. He tried to convey it experientially. You and I weren’t there. Is not someone who wasn’t himself or herself there and didn’t suffer entitled nevertheless to write about it?

I was eight years old when Emmett Till was murdered. I have no recollection of the event, was never told about it. I am grateful for anyone who brings it to notice and attempts to convey its horror.

 

“Dana Schutz should have read Saidiya Hartman before she turned Emmett Till into a bad Francis Bacon painting.” #WhitneyBiennial — cathy park hong (@cathyparkhong) March 17, 2017 (A tweet.)

Maybe it’s a bad painting. That’s not the point. Dana Schutz is an admired artist. She should be allowed to work and express herself.

“@whitneymuseum I think it’s mighty disrespectful for you all to display Dana Schutz’ photo of Emmet Till. You should really remove this” — Mahdi ? (@My_D_) March 17, 2017 (A tweet.)

Disrespectful? What an odd term to describe the inclusion of a work of art — one apparently created with sincerity and feeling — in an exhibit of contemporary art.

 

“The biennial is an unusually diverse exhibition of work by 63 artists and collectives; nearly half the artists are female and half are nonwhite” (quoth the Times).

The implication here is that — don’t worry yourself over it — the exhibition is safely diverse.

“[N]early half of the artists are female.” This implies that we should be grateful to the curators for representing the female “minority.” I have news for you. Nearly half the world’s population is female.

“[N]early … half are nonwhite.” What does this mean? Black? Asian? Who knows? The main thing is, thank God that the Whitney’s curators have not “erred” by including too many white artists in the exhibition.

 

“Calling the painting ‘a mockery’ and ‘an injustice to the black community,’ Mr. Bright adds that he believes the work perpetuates ‘the same kind of violence that was enacted’ on Till ‘just to make a painting move.’ ”

Violence? By creating such a work of art, the artist has committed, vicariously, a violent act? This is pure nonsense.

 

“ ‘I feel like she doesn’t have the privilege to speak for black people as a whole or for Emmett Till’s family,’ Mr. Bright says in the video.”

Did the artist claim to be doing this? No.

 

“The curators said that they wanted to include the painting because many of the exhibition’s artists focus on violence — racial, economic, cultural — and they felt that the work raised important questions, especially now, in a political climate in which race, power and privilege have become ever more urgent issues.”

The Times writer weighs in with his own zany take on what is acceptable and politically correct in the art world today. Actually, the curators do. But, the Times writer obviously approves. The curators “felt that the work raised important questions, especially now, in a political climate in which race, power and privilege have become ever more urgent issues.” This is nonsensical purple prose — code words used to convey meanings which, when analyzed, are absurd. Art may have a political content, but it isn’t fundamentally ideological. It goes a lot deeper than that. Art and polemics are two different things.

 

A curator, Ms. Locks said: “Right now I think there are a lot of sensitivities not just to race but to questions of identities in general. We welcome these responses. We invited these conversations intentionally in the way that we thought about the show.”

More gobbledygook.

I, for one, do not welcome such discussions.

There is a word for what’s going on here. It’s RACISM.

Racism pure and simple. The critics of this painting object to it on racial grounds. Using racist thinking and racist hate mongering. That’s what’s actually going on. But one can’t say it. Least of all the exhibit’s curators, or that liberal organ of enlightened opinion and respectable middle class thinking, The New York Times.

 

— Roger W. Smith

     March 2017

 

*****************************************************

See also:

“In Defense of Cultural Appropriation,” op ed by Kenan Malik, The New York Times, June 14, 2017

‘In Defense of Cultural Appropriation’ – NY Times 6-17-2017

“how about leaving the past alone?”

 

re:

Yale Will Drop John Calhoun’s Name From Building

The New York Times

February 11, 2017

 

The article indicates that on February 11, Yale University announced — after years of debate — that it would change the name of one its residential colleges named after former U.S. senator and vice president John C. Calhoun. Calhoun, a nineteenth century Yale alumnus, was an ardent supporter of slavery.

The school is renaming Calhoun College after trailblazing computer scientist Grace Murray Hopper.

The “controversy over former Vice President John C. Calhoun’s legacy that had simmered for years and boiled over with campus protests in 2015,” the article noted.

“We have a strong presumption against renaming buildings on this campus,” Yale president Peter Salovey announced. “I have been concerned all along and remain concerned that we don’t do things that erase history. So renamings are going to be exceptional.”

Salovey said the case was exceptional because Calhoun’s principal legacy is at odds with the university’s values and mission.

 

**************************************************

A question.

How is it decided which cases are exceptional?

How about paragons of civic virtue such as George Washington and Thomas Jefferson. They both were SLAVE OWNERS.

Yes, one might say (whether rightly is another matter), but Calhoun was WORSE.

True, it seems. But, according to “Ten Facts About Washington & Slavery,” a posting on a website maintained by the Mount Vernon Ladies’ Association

http://www.mountvernon.org/george-washington/slavery/ten-facts-about-washington-slavery/

Sources offer differing insight into Washington’s behavior as a slave owner. On one end of the spectrum, Richard Parkinson, an Englishman who lived near Mount Vernon, once reported that “it was the sense of all his [Washington’s] neighbors that he treated [his slaves] with more severity than any other man.” Conversely, a foreign visitor traveling in America once recorded that George Washington dealt with his slaves “far more humanely than do his fellow citizens of Virginia.” What is clear is that Washington frequently utilized harsh punishment against the enslaved population, including whippings and the threat of particularly taxing work assignments. Perhaps most severely, Washington could sell a slave to a buyer in the West Indies, ensuring that the person would never see their family or friends at Mount Vernon again. Washington conducted such sales on several occasions.

Washington College in Chestertown, Maryland was founded with the support of George Washington himself. Should the school change its name? Where is the campus outrage over his slaveholding past?

Then we have Washington University in St. Louis, which was named after George Washington, and The George Washington University in Washington, DC.

What about the city itself? To ensure that no one is offended, should we change the name of our nation’s capitol from Washington to a “generic,” anodyne name such as Capitol City? A bland name with no emotional connotation. One hundred percent guaranteed not to offend. Protest proof!

 

**************************************************

The past is the past. With all its glories. And all its horrors. May I make a suggestion? How about leaving the past alone? We should not try to alter it, historically speaking, nor erase from public memory the names of persons who played a prominent part in history, whether for good or for bad.

 

— Roger W. Smith

   February 2017

 

**************************************************

Addendum:

— Of all the southern statesmen, we most admire Mr. Calhoun (barring certain items of opinion–not of much importance, however). He has an uprightness, an absence of trickery in politics, in his make. Without verging the least bit on rudeness of favoritism, he is “a plain blunt man that loves his friends.” He has a way, too, of amplifying and generalizing–a way that our politicians would do passing well to get in, all of them. He has a way of reducing things to first principles–by tests of right and constitutional correctness. Then he is sincere, above-board, not swayable by fear, selfishness, or favor. He is an honest politician.

Walt Whitman, The Brooklyn Daily Eagle, December 10, 1846

Trump vis-à-vis Hitler

 

“Anyone who thinks Trump is Hitler never studied European history.”

comment posted by a reader of an op ed piece, The New York Times, May 9, 2017

 

*****************************************************

An acquaintance of mine posted a comment on Facebook last evening — following up on comments arising from a blog post of mine yesterday — saying that Donald Trump is “worse” than Hitler was. He then followed up with the comment that there are “many parallels” between Trump and Hitler.

He means it; he was not trying to be cute.

I was astonished by such a comparison having been made. After a brief check of the Times, however, I learned that others have been saying the same thing.

Another Facebook commentator, responding to the first person’s comments, wrote:

“Agree.

“And more recent history, Milošević: not only narcissism, popularism, support of white nationalists, but disturbingly parallel in terms of the belief in ridiculous conspiracy theories.

“Have you read Mein Kampf? Distorted, disordered thinking, stream of consciousness writing. If Hitler had twitter, he would tweet like this man [Trump]. And if this man could write (a book for himself rather than paying someone to write for him), his writing would likely be similar to Hitler’s.

“Except, Hitler had ‘grander’ visions … this man is indeed an idiot who has no thought beyond ‘winning’.”

 

*****************************************************

After pausing to catch my breath, I would be inclined to say:

There may well be something to these comparisons in alerting us to current political developments in the USA and Western Europe, where the politics represented by figures such as Trump and Marine Le Pen in France, both of whom only recently did not seem to be taken that seriously, are in the ascendancy.

There may be instructive parallels with 1930’s-style Fascism.

Historical analogies can be useful.

But, in the case of such claims, it is necessary to maintain a truly historical perspective; to avoid “reverse presentism,” so to speak (interpreting current developments in terms of past ones); to maintain some degree of objectivity and balance.

I believe that the left has become unhinged over the Trump candidacy and election and has lost all sense of proportion and reason.

 

*****************************************************

Donald Trump has been called “a monster” by another one of my close acquaintances.

And, God knows what else (by others).

Trump does not have an appealing personality in many respects. (I can hear Trump haters saying to me, “you just discovered that?”)

I have not studied him closely, nor would I be qualified to develop a psychological profile.

But, he appears, more often than not, to be

an egomaniac

a male chauvinist

a groper, at least – I don’t think his several accusers, who all of them tell pretty much the same story, are making it up; I don’t believe his denials

an adulterer; probably — it would appear, undoubtedly — at various times in his life — a philanderer (in which categories I would suspect that he would be found to have a lot of company if a modern day Kinsey Report were compiled and published)

crude — at least sometimes; coarse and vulgar

given to puffery, braggadicio, and egregious self-promotion

given to distortion and playing loose with the facts when it suits his own purposes, in his public pronouncements

stiffs businessmen and women whom he or his firm has dealings with

his firm scammed students of the bogus Trump University

has to be the center of attention and has always acted as if he was God’s gift to mankind and womankind

espouses truly reprehensible policies

wants to dismantle Obama’s signature achievements

insults, trashes, or smears political rivals and those he disagrees with

can be demeaning to persons and groups who have suffered or appear disadvantaged

intellectually shallow

 

*****************************************************

Are there any pluses?

is not an intellectual or an Einstein, but seems to have a quick grasp of issues and exhibits problem solving skills

does seem to have an ability to get things done

says what’s really on his mind instead of hiding behind politico-speak

he does have business experience and savvy, and he has shown an ability to cut through red tape and deliver results

 

*****************************************************

Politicians then and now have exhibited a wide range of traits and abilities (name your own), including:

high minded

principled

moral

venal

corrupt

duplicitous

eloquent

demagogic

highly intelligent

borderline stupid

and so on

 

*****************************************************

TRUE MONSTERS

Stalin

Hitler

Pol Pot

Idi Amin

not Donald Trump

 

*****************************************************

It would take quite a lot of butchery from our new president – he would have a long way to go — to match the track records of the above named historical figures and be classed among the worst of recent history’s tyrants.

An old friend of mine, whom I like and admire, marched with her extended family in an anti-Trump protest in Washington yesterday (January 22, 2017) and proudly posted a photo on Facebook.

One of her friends posted as follows: “Give me a break, _______. Trump hasn’t done anything yet and you guys are protesting. This is ridiculous.”

Well put. (Although I do not feel that protestors do not have the right to engage in a “counter inaugural” and to demonstrate on this or other occasions.) Hitler has a track record whereby history has indicted him. Trump’s remains to be seen.

 

*****************************************************

I wonder. Is the left most incensed about Trump the “sexist pig”?

If so, I wonder why more fuss wasn’t ever made and as much outrage shown over:

JFK (had White House interns procured for him — one recently wrote a book about it that was respectfully reviewed; and, his girlfriend, the moll Judith Exner)

Ted Kennedy (Chappaquiddick)

Bill Clinton (Gennifer Flowers, Kathleen Willey, Paula Jones, Monica Lewinsky, and countless others; probably Denise Rich, to whose husband Clinton issued a scandalous eleventh hour pardon; apparently forcing himself upon Juanita Broaddrick)

 

— Roger W. Smith

    January 23, 2017; updated May 9, 2017

 

*****************************************************

Addendum: The following is my response to a reader of this post who criticized it.

My comments:

Your feelings are shared by many of your and my relatives and friends and are well expressed by you.

A couple of comments by way of explanation.

I do not necessarily think Trump is great businessman, and he certainly is not a genius. I have read articles over the years critical of his business dealings and articles which point to weak links and question the financial soundness of businesses and holdings in in his corporate empire. I was trying to point out that, when assessing Trump in the round, he does appear to have business acumen and some of the mental abilities that go along with that.

As far as the implication that I am wasting my time writing about Trump goes, I think that the anti-Trump hysteria (as I view it) is symptomatic of something deeper and is an illustration of a zaniness on the left these days when it comes to things that offend them, Trump being their current bête noire. Which Lionel Shriver talks about. See:

Lionel Shriver, “”Will the Left Survive the Millennials?” The New York Times September 23, 2016

Lionel Shriver, ‘Will the Left Survive the Millenials’

I don’t like it when I see intolerance from either side, and when the public is in a frenzy, I find often find myself questioning it.

I could probably explain myself better if I took the time. But, one should not be faulted for writing what one honesty thinks, or for having an opinion that does not accord with others’. Nor is it a waste of time to point out what seem to be excesses by liberals.

It’s kind of like I’m being told, there is no point in even discussing Trump or any issues that might arise because of the controversy over his candidacy and election and revelations regarding him; that I am not allowed to even think or write about him, unless my view conforms and supports others’. But, for example, as was the case with my previous posts about the Billy Bush tape and the “Hamilton” cast’s remarks made to Vice President elect Pence, there were issues that arose that, aside from the news flashes, are worthy of consideration and, in my case, of reflection upon broader issues and concerns. Why should I steer away from controversial topics for fear of being disagreed with?

Many people became disillusioned with the Great Soviet Experiment, but were afraid to say anything. George Orwell saw that what was supposed to be an egalitarian, liberated society had actually become totalitarian and repressive, and wrote about it. I feel, as Lionel Shriver recently wrote, that “the left in the West [has] come to embrace restriction, censorship and the imposition of an orthodoxy at least as tyrannical as the anti-Communist, pro-Christian conformism [we] grew up with.”

Criticisms of Trump notwithstanding, it is not a waste of time to weigh in on such issues. They often arise when the person attacked is among the least popular and most reviled.

re Melania’s outfit and its designer

 

“There is perhaps no phenomenon which contains so much destructive feeling as ‘moral indignation,’ which permits envy or hate to be acted out under the guise of virtue.”

— Erich Fromm, Man for Himself: An Inquiry into the Psychology of Ethics

 

632180544.jpg

New First Lady Melania Trump wore a beautiful outfit at her husband’s inauguration yesterday.

It was designed by fashion designer Ralph Lauren.

I thought she looked stunning and was reminded that Donald J. Trump’s third wife is (in my humble opinion) a beautiful woman, but that was the extent of my thoughts. I have little interest or zero expertise in subjects such as fashion or glamour.

But, within hours, a story about the outfit appeared in The New York Times:

“Melania Trump, Wearing Ralph Lauren, Channels a Predecessor: Jacqueline Kennedy”

by Vanessa Friedman

The New York Times

January 20, 2017

Vanessa Friedman re Melania Tump – NY Times 1-20-2017

 

***********************************************

A digest of the article:

“On Friday, Melania Trump wore a powder-blue cashmere dress and matching bolero jacket by the designer [Ralph Lauren] as her husband, Donald J. Trump, was sworn in as the 45th president of the United States. Though Mr. Lauren’s designs have been worn by first ladies from Betty Ford to Nancy Reagan and Michelle Obama, the reference this time was clear: Jacqueline Kennedy. From bouffant to mock turtleneck collar to light pastel shade.

“Mrs. Trump has said that she looks to Mrs. Kennedy as a role model, and at least as far as her image goes, it seems she is taking that literally. … It was, in other words, a very considered choice. ….

“It remains to be seen whether there will be repercussions for Mr. Lauren, since he has just become the most high-profile designer to break with peers who previously said they would not dress Mrs. Trump. But just minutes after the news broke that she was wearing the brand, disgruntled customers posted numerous messages on Twitter saying they would no longer shop at Polo Ralph Lauren. [italics added]

“A spokesman for Mr. Lauren explained the decision as being guided by his respect for the office. In a statement, he said: “The presidential inauguration is a time for the United States to look our best to the world. It was important to us to uphold and celebrate the tradition of creating iconic American style for this moment.”

 

***********************************************

My take on all this:

If I were a fashion designer and had the opportunity to design an outfit for an inaugural, I would jump at the opportunity. It would not matter how successful, famous, or rich I already was.

If I were a baseball player, I would want to play for the Yankees and appear in the All Star Game and the World Series.

If were an opera singer, I would probably want to perform at the Met.

And, so on.

Why should Ralph Lauren pass up such an opportunity?

Why should he have been or felt compelled to have a statement issued in his defense?

 

***********************************************

Something quite similar seems to have happened yesterday with respect to the 16-year-old singer with a beautiful soprano voice, Jackie Evancho, who sang the national anthem. It is a notoriously difficult song to sing. I thought she did very well.

Ms. Evancho has been the target of virulent criticism over her decision to perform at the inauguration and was branded a “traitor.” Other performers and groups, such as the Rockettes and the Mormon Tabernacle Choir, underwent similar criticism and were subject to similar pressure.

 

***********************************************

Apropos all this, points made by novelist Lionel Shriver in her op ed piece

“Will the Left Survive the Millennials?”

The New York Times

September 23, 2016

Lionel Shriver, ‘Will the Left Survive the Millenials’

 

are highly relevant.

To quote from her incisive – thoughtfully written and judiciously framed, yet hard hitting — piece, which seems not to have received the attention it deserved:

“Among millennials and those coming of age behind them, the race is on to see who can be more righteous and aggrieved — who can replace the boring old civil rights generation with a spikier brand.

“When I was growing up in the ’60s and early ’70s, conservatives were the enforcers of conformity. It was the right that was suspicious, sniffing out Communists and scrutinizing public figures for signs of sedition.

“Now the role of oppressor has passed to the left. …

“As a lifelong Democratic voter, I’m dismayed by the radical left’s ever-growing list of dos and don’ts — by its impulse to control, to instill self-censorship as well as to promote real censorship, and to deploy sensitivity as an excuse to be brutally insensitive to any perceived enemy. There are many people who see these frenzies about cultural appropriation, trigger warnings, micro-aggressions and safe spaces as overtly crazy. The shrill tyranny of the left helps to push them toward Donald Trump. … people who would hamper free speech always assume that they’re designing a world in which only their enemies will have to shut up. But free speech is fragile. Left-wing activists are just as dependent on permission to speak their minds as their detractors.

“In an era of weaponized sensitivity, participation in public discourse is growing so perilous, so fraught with the danger of being caught out for using the wrong word or failing to uphold the latest orthodoxy in relation to disability, sexual orientation, economic class, race or ethnicity, that many are apt to bow out.

“… How is this happening? How did the left in the West come to embrace restriction, censorship and the imposition of an orthodoxy at least as tyrannical as the anti-Communist, pro-Christian conformism I grew up with? … Protecting freedom of speech involves protecting the voices of people with whom you may violently disagree.”

 

***********************************************

So true. It used to be that if you had had left wing leanings — if, perhaps, God forbid, in your idealistic youth, you had flirted with Communism; if you could be labeled a Pinko — you might very well lose your job. This was in the 1950’s, the era of McCarthyism, witch hunts, and the Red Scare. I remember that time dimly (having been in my childhood).

Now, the witch hunters have in their sights “innocent bystanders,” so to speak, such as Ralph Lauren and a sixteen-year old singer named Jackie Evancho, who get caught up in the tidal wave of anti-Trump frenzy.

People have a right to their opinions — including vehemently anti-Trump ones – and have the right, in America, at least; thank God – to express them.

In my childhood, when we got into arguments with playmates, we would say, “It’s a free country!” – meaning, I can say whatever I please (barring something over the top, such as a personal slur or an obscenity, which, as children, we would not have thought to use anyway, nor had consciousness of as being something one might be guilty of using).

People also have a right to practice an avocation as a designer, performer, or whatever without fear of retaliation because of the taint of “political incorrectness.”

 

— Roger W. Smith

   January 21, 2017