Ed Begley reading Walt Whitman
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I CELEBRATE myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.
I loafe and invite my soul,
I lean and loafe at my ease . . . . observing a spear of summer grass.
Houses and rooms are full of perfumes . . . . the shelves are crowded with perfumes,
I breathe the fragrance myself, and know it and like it,
The distillation would intoxicate me also, but I shall not let it.
The atmosphere is not a perfume . . . . it has no taste of the distillation . . . . it is
odorless,
It is for my mouth forever . . . . I am in love with it,
I will go to the bank by the wood and become undisguised and naked,
I am mad for it to be in contact with me.
The smoke of my own breath,
Echos, ripples, and buzzed whispers . . . . loveroot, silkthread, crotch and vine,
My respiration and inspiration . . . . the beating of my heart . . . . the passing of blood and air through my lungs,
The sniff of green leaves and dry leaves, and of the shore and darkcolored sea- rocks, and of hay in the barn,
The sound of the belched words of my voice . . . . words loosed to the eddies of the wind,
A few light kisses . . . . a few embraces . . . . a reaching around of arms,
The play of shine and shade on the trees as the supple boughs wag,
The delight alone or in the rush of the streets, or along the fields and hillsides,
The feeling of health . . . . the full-noon trill . . . . the song of me rising from bed
and meeting the sun.
— Walt Whitman, Leaves of Grass, 1855 edition
It is now the fall of my second year in Paris. I was sent here for a reason I have not yet been able to fathom.
I have no money, no resources, no hopes. I am the happiest man alive. A year ago, six months ago, I thought that I was an artist. I no longer think about it, I am. Everything that was literature has fallen from me. There are no more books to be written, thank God.
— Henry Miller, Tropic of Cancer (1934)
ONCE you have given up the ghost, everything follows with dead certainty, even in the midst of chaos. From the beginning it was never anything but chaos: it was a fluid which enveloped me, which I breathed in through the gills. In the sub-strata, where the moon shone steady and opaque, it was smooth and fecundating; above it was a jangle and a discord. In everything I quickly saw the opposite, the contradiction, and between the real and the unreal the irony, the paradox. I was my own worst enemy. There was nothing I wished to do which I could just as well not do. Even as a child, when I lacked for nothing, I wanted to die: I wanted to surrender be cause I saw no sense in struggling. I felt that nothing would be proved, substantiated, added or subtracted by continuing an existence which I bad not asked for. Everybody around me was a failure, or if not a failure, ridiculous. Especially the successful ones. The successful ones bored me to tears. I was sympathetic to a fault, but it was not sympathy that made me so. It was a purely negative quality, a weakness which blossomed at the mere sight of human misery. I never helped any one expecting that it would do any good; I helped because I was helpless to do otherwise. To want to change the condition of affairs the seemed futile to me; nothing would be altered, I was convinced, except by a change of heart, and who could change the hearts of men? Now and then a friend was converted; it was something to make me puke. I bad no more need of God than He had of me, and if there were one, I often said to myself, I would met him calmly and spit in His face.
— Henry Miller, Tropic of Capricorn (1939)
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I have a website devoted to Walt Whitman
https://rogerwsmithswaltwhitmansite.blog/
and have posted about Henry Miller
‘
In early stages of their careens, the following novels were written by Whitman and Miller:
Whitman
Franklin Evans or The Inebriate: A Tale of the Times (1842)
Life and Adventures of Jack Engle (1852)
Miller
Moloch Or, This Gentle World (1927)
Crazy Cock (1928-1930)
These early works are of historical interest. One can learn about these two writers and their times from them.
But …
They are not CONVINCING, do not RESONATE. It takes some patience to read them.
Both writers had to find their own voices. It was not to be fiction the third person, narration per se, or description. They had to address the reader directly, talking about THEMSELVES.
— posted by Roger W. Smith
April 2026








photo by Roger W. Smith
I have reposted my post on immigration from June 2018
immigration policy, Walt Whitman, and Donald Trump’s wall; or, the Berlin Wall redux
Plus, see my post
Sympathy has nothing to do with it.
— Roger W. Smith
May 26, 2025
A beautiful letter.
Mary Ashley (c. 1843–1903) was an English astronomer.
— posted by Roger W. Smith
September 2024
Thanks in old age—thanks ere I go,
For health, the midday sun, the impalpable air—for life, mere
life,
For precious ever-lingering memories, (of you my mother dear
—you, father—you, brothers, sisters, friends,)
For all my days—not those of peace alone—the days of war the
same,
For gentle words, caresses, gifts from foreign lands,
For shelter, wine and meat—for sweet appreciation,
(You distant, dim unknown—or young or old—countless, unspecified, readers belov’d,
We never met, and ne’er shall meet—and yet our souls embrace,
long, close and long;)
For beings, groups, love, deeds, words, books—for colors, forms,
For all the brave strong men—devoted, hardy men—who’ve forward sprung in freedom’s help, all years, all lands,
For braver, stronger, more devoted men—(a special laurel ere I
go, to life’s war’s chosen ones,
The cannoneers of song and thought—the great artillerists—the
foremost leaders, captains of the soul:)
As soldier from an ended war return’d—As traveler out of
myriads, to the long procession retrospective,
Thanks—joyful thanks!—a soldier’s, traveler’s thanks.
— Walt Whitman
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Thanks (writes the poet) for precious ever-lingering memories
of parents, family, friends
they make life precious.
And, from an exchange I had with a friend from the past yesterday:
ME
How many siblings were there including you? [Our parents were close. We were from different towns and didn’t know one another well.]
MY FRIEND
I’m #2 of 7
J—- #1 and S—- #3 are dead.
ME
very sad
about your brothers
MY FRIEND
Yes. But at least I had them in my life! …
Not sure if I’d be able to get out of bed if I thought it was a anything but a blessing to have had them, however briefly.
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Her words struck me. It may seem obvious. But my friend, their sister, puts it so well. I can hear Walt Whitman saying the same thing.
We mourn the dead. We were blessed to have had them. (I think of my parents, and so many others.)
Yes, existence in the here and now matters. But just as our life, everyone’s, our existence, is a miracle — people on earth — so was the existence of those no longer living: that they did live; and, in the case of our loved ones and friends, were part of our existence.
— Roger W. Smith
February 27, 2023
My new site
Roger W. Smith’s Walt Whitman site
https://rogerwsmithswaltwhitmansite.blog
is now live and accessible
— Roger W. Smith
February 25, 2023
Posted here as PDF documents are excerpts from two rare books which I have purchased.
The authors both knew Walt Whitman.
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James Redpath, The Public Life of Capt. John Brown, with an Auto-Biography of His Childhood and Youth (Boston: Thayer and Eldridge, 1860)
James Redpath (1833–1891) was the author of The Public Life of Capt. John Brown, a correspondent for the New York Tribune during the war, the originator of the “Lyceum” lectures, and editor of the North America Review, beginning in 1886. He met Walt Whitman in Boston in 1860 and remained an enthusiastic admirer.
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One of the most beloved and tender hearted of the visitors at the hospitals in Washington, is Walt. Whitman, author of Leaves of Grass. However his “barbaric yawp” may sound over other roofs, it sends sweet music into the sick wards of the Capital. A gentleman who accompanied him on several of his visits, relates that his coming was greeted by the soldiers unvarying pleasure, and that he soothed the homesick boys so often seen there, with a tenderness that no woman could excel. His friends say that he cured one or two young soldiers who were dying of homesickness, by his sympathy and loving-kindness. Dying of homesickness is no figure of speech, but a reality of weekly occurrence in our army. To such invalids the religious tract, or the mechanical consolations of theology, give no relief; not musty manna from the church wilderness, but living waters of sympathy from the warm heart of man who loves them is what they need to save them. And this they get from the rough singer of Brooklyn. Walt. like other poets, is not excessively rich, and therefore may not stay in Washington much longer; but as long as he can afford to remain he means to keep at his self-elected and unpaid post, doing good to the sick and wounded. What a pity that when so many thousands of dollars are spent to but little purpose for this work that a hundred or two could not be devoted to retain this efficient volunteer.
— James Redpath, Commonwealth, April 10, 1863
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Richard J. Hinton, John Brown and His Men; with Some Account of the Roads They Traveled to Reach Harper’s Ferry (New York: Funk & Wagnalls Company, 1894)
Richard J. Hinton (1830–1901) was born in London and came to the US in 1851. He trained as a printer, and, like James Redpath, went to Kansas and joined John Brown’s militant group of abolitionists.
Hinton was the author of Hand-book to Kansas Territory and the Rocky Mountains’ Gold Region (1859). Later he wrote Rebel Invasion of Missouri and Kansas (1865) and John Brown and His Men (1894). Apparently, Hinton had suggested that Thayer & Eldridge print Leaves of Grass.
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Hinton served in the Union Army from 1861 to 1865, and saw Whitman while lying wounded in a hospital, a scene which he described in the Cincinnati Commercial on August 26, 1871:
When this old heathen [Walt Whitman] came and gave me a pipe and tobacco, it was “about the most joyous moment of my life …. There were plenty of [other visitors] I assure you. The little bay at the head of my cot was full of tracts and testaments, and every Sunday there were half a dozen old roosters who would come into my ward and preach and pray and sing to us, while we were swearing to ourselves all the time, and wishing the blamed fools would go away. Walt Whitman’s funny stories, and his pipes and tobacco were worth more than all the preachers and tracts in Christendom. A wounded soldier don’t like to be reminded of his God more than twenty times a day. Walt Whitman didn’t bring any tracts or Bibles; he didn’t ask if you loved the Lord, and didn’t seem to care whether you did or not.
— H.J. R. [Richard Hinton], “A Reminiscence,” Cincinnati Commercial, August 26, 1871.
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COMMENTARY
It is interesting to see in the prefaces to these two books how John Brown was regarded in the North at that time. Redpath’s book was published right after Brown’s execution.
There is evidence of Whitman’s relationships with Redpath and Hinton in his correspondence, and in the conversations that Whitman had with Horace Traubel.
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TWO POEMS
Walt Whitman, “Year of Meteors (1859-60)”
YEAR of meteors! brooding year!
I would bind in words retrospective, some of your deeds
and signs;
I would sing your contest for the 19th Presidentiad;
I would sing how an old man, tall, with white hair,
mounted the scaffold in Virginia;
(I was at hand—silent I stood, with teeth shut close—I
watch’d;
I stood very near you, old man, when cool and indifferent, but trembling with age and your unheal’d
wounds, you mounted the scaffold;)
I would sing in my copious song your census returns of
The States,
The tables of population and products—I would sing of
your ships and their cargoes,
The proud black ships of Manhattan, arriving, some
fill’d with immigrants, some from the isthmus
with cargoes of gold;
Songs thereof would I sing—to all that hitherward
comes would I welcome give;
And you would I sing, fair stripling! welcome to you
from me, sweet boy of England!
Remember you surging Manhattan’s crowds, as you
passed with your cortege of nobles?
There in the crowds stood I, and singled you out with
attachment;
I know not why, but I loved you…(and so go forth
little song,
Far over sea speed like an arrow, carrying my love all
folded,
And find in his palace the youth I love, and drop these
lines at his feet;)
—Nor forget I to sing of the wonder, the ship as she
swam up my bay,
Well-shaped and stately the Great Eastern swam up my
bay, she was 600 feet long,
Her moving swiftly, surrounded by myriads of small
craft, I forget not to sing;
Nor the comet that came unannounced, out of the north,
flaring in heaven,
Nor the strange huge meteor procession, dazzling and
clear, shooting over our heads,
(A moment, a moment long, it sail’d its balls of unearth-
ly light over our heads,
Then departed, dropt in the night, and was gone;)
—Of such, and fitful as they, I sing—with gleams from
them would I gleam and patch these chants;
Your chants, O year all mottled with evil and good!
year of forebodings! year of the youth I love!
Year of comets and meteors transient and strange!—lo!
even here, one equally transient and strange!
As I flit through you hastily, soon to fall and be gone,
what is this book,
What am I myself but one of your meteors?
Herman Melville, “The Portent”
Hanging from the beam,
Slowly swaying (such the law),
Gaunt the shadow on your green,
Shenandoah!
The cut is on the crown
(Lo, John Brown),
And the stabs shall heal no more.
Hidden in the cap
Is the anguish none can draw;
So your future veils its face,
Shenandoah!
But the streaming beard is shown
(Weird John Brown),
The meteor of the war.

— posted by Roger W. Smith
February 2023
Sea-cabbage; salt hay; sea-rushes; ooze–sea-ooze; gluten–sea-gluten; sea-scum; spawn; surf; beach; salt-perfume; mud; sound of walking barefoot ankle in the edge of the water by the sea. — Walt Whitman
— Walt Whitman: Notebooks and Unpublished Prose Manuscripts, Volume IV: Notes, edited by Edward F. Grier (New York University Press 1984), pg. 1309
photographs of Midland Beach, Staten Island, by Roger W. Smith







— posted by Roger W. Smith
February 2023
Walt Whitman, ‘Brooklyn Parks’
Posted here (Word document above):
Walt Whitman. “BROOKLYN PARKS”
Brooklyn Daily Times, April 17, 1858
What intrigues me is Whitman’s mention of “a Park on the heights, over Montague ferry!,” whereby he refers to the neighborhood of Brooklyn Heights, from which there is a splendid view of Manhattan.
— posted by Roger W. Smith
January 2023



Brooklyn Heights; photo by Roger W. Smith

Brooklyn Heights; photo by Roger W. Smith