O. G. Hillard, ‘The Late Harry Melville’ – NY Times 10-6-1891
See attached PDF:
O. G. Hillard
“The Late Harry [sic} Melville”
The New York Times
October 6 1891
— posted by Roger W. Smith
December 2023
Posted here as PDF documents are excerpts from two rare books which I have purchased.
The authors both knew Walt Whitman.
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James Redpath, The Public Life of Capt. John Brown, with an Auto-Biography of His Childhood and Youth (Boston: Thayer and Eldridge, 1860)
James Redpath (1833–1891) was the author of The Public Life of Capt. John Brown, a correspondent for the New York Tribune during the war, the originator of the “Lyceum” lectures, and editor of the North America Review, beginning in 1886. He met Walt Whitman in Boston in 1860 and remained an enthusiastic admirer.
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One of the most beloved and tender hearted of the visitors at the hospitals in Washington, is Walt. Whitman, author of Leaves of Grass. However his “barbaric yawp” may sound over other roofs, it sends sweet music into the sick wards of the Capital. A gentleman who accompanied him on several of his visits, relates that his coming was greeted by the soldiers unvarying pleasure, and that he soothed the homesick boys so often seen there, with a tenderness that no woman could excel. His friends say that he cured one or two young soldiers who were dying of homesickness, by his sympathy and loving-kindness. Dying of homesickness is no figure of speech, but a reality of weekly occurrence in our army. To such invalids the religious tract, or the mechanical consolations of theology, give no relief; not musty manna from the church wilderness, but living waters of sympathy from the warm heart of man who loves them is what they need to save them. And this they get from the rough singer of Brooklyn. Walt. like other poets, is not excessively rich, and therefore may not stay in Washington much longer; but as long as he can afford to remain he means to keep at his self-elected and unpaid post, doing good to the sick and wounded. What a pity that when so many thousands of dollars are spent to but little purpose for this work that a hundred or two could not be devoted to retain this efficient volunteer.
— James Redpath, Commonwealth, April 10, 1863
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Richard J. Hinton, John Brown and His Men; with Some Account of the Roads They Traveled to Reach Harper’s Ferry (New York: Funk & Wagnalls Company, 1894)
Richard J. Hinton (1830–1901) was born in London and came to the US in 1851. He trained as a printer, and, like James Redpath, went to Kansas and joined John Brown’s militant group of abolitionists.
Hinton was the author of Hand-book to Kansas Territory and the Rocky Mountains’ Gold Region (1859). Later he wrote Rebel Invasion of Missouri and Kansas (1865) and John Brown and His Men (1894). Apparently, Hinton had suggested that Thayer & Eldridge print Leaves of Grass.
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Hinton served in the Union Army from 1861 to 1865, and saw Whitman while lying wounded in a hospital, a scene which he described in the Cincinnati Commercial on August 26, 1871:
When this old heathen [Walt Whitman] came and gave me a pipe and tobacco, it was “about the most joyous moment of my life …. There were plenty of [other visitors] I assure you. The little bay at the head of my cot was full of tracts and testaments, and every Sunday there were half a dozen old roosters who would come into my ward and preach and pray and sing to us, while we were swearing to ourselves all the time, and wishing the blamed fools would go away. Walt Whitman’s funny stories, and his pipes and tobacco were worth more than all the preachers and tracts in Christendom. A wounded soldier don’t like to be reminded of his God more than twenty times a day. Walt Whitman didn’t bring any tracts or Bibles; he didn’t ask if you loved the Lord, and didn’t seem to care whether you did or not.
— H.J. R. [Richard Hinton], “A Reminiscence,” Cincinnati Commercial, August 26, 1871.
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COMMENTARY
It is interesting to see in the prefaces to these two books how John Brown was regarded in the North at that time. Redpath’s book was published right after Brown’s execution.
There is evidence of Whitman’s relationships with Redpath and Hinton in his correspondence, and in the conversations that Whitman had with Horace Traubel.
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TWO POEMS
Walt Whitman, “Year of Meteors (1859-60)”
YEAR of meteors! brooding year!
I would bind in words retrospective, some of your deeds
and signs;
I would sing your contest for the 19th Presidentiad;
I would sing how an old man, tall, with white hair,
mounted the scaffold in Virginia;
(I was at hand—silent I stood, with teeth shut close—I
watch’d;
I stood very near you, old man, when cool and indifferent, but trembling with age and your unheal’d
wounds, you mounted the scaffold;)
I would sing in my copious song your census returns of
The States,
The tables of population and products—I would sing of
your ships and their cargoes,
The proud black ships of Manhattan, arriving, some
fill’d with immigrants, some from the isthmus
with cargoes of gold;
Songs thereof would I sing—to all that hitherward
comes would I welcome give;
And you would I sing, fair stripling! welcome to you
from me, sweet boy of England!
Remember you surging Manhattan’s crowds, as you
passed with your cortege of nobles?
There in the crowds stood I, and singled you out with
attachment;
I know not why, but I loved you…(and so go forth
little song,
Far over sea speed like an arrow, carrying my love all
folded,
And find in his palace the youth I love, and drop these
lines at his feet;)
—Nor forget I to sing of the wonder, the ship as she
swam up my bay,
Well-shaped and stately the Great Eastern swam up my
bay, she was 600 feet long,
Her moving swiftly, surrounded by myriads of small
craft, I forget not to sing;
Nor the comet that came unannounced, out of the north,
flaring in heaven,
Nor the strange huge meteor procession, dazzling and
clear, shooting over our heads,
(A moment, a moment long, it sail’d its balls of unearth-
ly light over our heads,
Then departed, dropt in the night, and was gone;)
—Of such, and fitful as they, I sing—with gleams from
them would I gleam and patch these chants;
Your chants, O year all mottled with evil and good!
year of forebodings! year of the youth I love!
Year of comets and meteors transient and strange!—lo!
even here, one equally transient and strange!
As I flit through you hastily, soon to fall and be gone,
what is this book,
What am I myself but one of your meteors?
Herman Melville, “The Portent”
Hanging from the beam,
Slowly swaying (such the law),
Gaunt the shadow on your green,
Shenandoah!
The cut is on the crown
(Lo, John Brown),
And the stabs shall heal no more.
Hidden in the cap
Is the anguish none can draw;
So your future veils its face,
Shenandoah!
But the streaming beard is shown
(Weird John Brown),
The meteor of the war.
— posted by Roger W. Smith
February 2023
The above PDF is from the first volume of Hershel Parker’s biography of Melville.
— posted by Roger W. Smith
November 2022
Addendum: I forgot to make note of the fact that my great-grandfather Henry T. Handy was a whaler and that his home port was New Bedford, Massachusetts.
my Melville and Hawthorne books
The above downloadable Word document contains an inventory of books by and about Herman Melville and Nathaniel Hawthorne in my personal home library.
— Roger W. Smith
December 2023; updated August 2025
I dutifully watched the three-part Ken Burns documentary “Hemingway” on PBS this week.
At times, I felt restless and wished the segments would end. But I learned a lot from the series, and the comments of critics and Hemingway biographers were illuminating.
Learning more about Hemingway’s life, his struggles as a writer, his failings as a person and husband, his devotion to this craft, his times was not a waste.
That said, something came to me at the end of the series tonight.
Why have I never particularly cared for — perhaps never cared, really — for Hemingway? Because, it struck me, his writing is monotonous and “anti-intellectual.” It does not engage the mind.
I read primarily for intellectual stimulation and enrichment. Words do have a powerful emotive aspect. I take delight in them. Embedded in passages of narration or description. And, yes, there is a rhythm to good prose, an authorial voice, the effect that good music also has, a cadence. But in the case of Hemingway, that cadence, that rhythm — unvarying, continual — becomes for me monotonous and unfulfilling. At times, if not often, it seems to be an affectation.
Compare the following “specimens” from Hemingway and two great writers — one American and the other English: Herman Melville and Daniel Defoe.
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When I came back to the front we still lived in that town. There were many more guns in the country around and the spring had come. The fields were green and there were small green shoots on the vines, the trees along the road had small leaves and a breeze came from the sea. I saw the town with the hill and the old castle above it in a cup in the hills with the mountains beyond, brown mountains with a little green on their slopes. In the town there were more guns, there were some new hospitals, you met British men and sometimes women, on the street, and a few more houses had been hit by shell-fire. It was warm and like the spring and I walked down the alleyway of trees, warmed from the sun on the wall, and found we still lived in the same house and that it all looked the same as when I had left it. The door was open, there was a soldier sitting on a bench outside in the sun, an ambulance was waiting by the side door and inside the door, as I went in, there was the smell of marble floors and hospital. It was all as I had left it except that now it was spring. I looked in the door of the big room and saw the major sitting at his desk, the window open and the sunlight coming into the room. He did not see me and I did not know whether to go in and report or go upstairs first and clean up. I decided to go on upstairs.
I was alone in the room. It was cool and did not smell like a hospital. The mattress was firm and comfortable, and I lay without moving, hardly breathing, happy in feeling the pain lessen. After a while I wanted a drink of water and found the bell on a cord by the bed and rang it, but nobody came. I went to sleep.
When I woke I looked around. There was sunlight coming in through the shutters. I saw the big armoire, the bare walls, and two chairs. My legs in the dirty bandages stuck straight out in the bed. I was careful not to move them. I was thirsty and I reached for the bell and pushed the button. I heard the door open and looked and it was a nurse. She looked young and pretty.
‘Good morning,’ I said.
‘Good morning,’ she said and came over to the bed. …
— Ernest Hemingway, A Farewell To Arms
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By this time it blew a terrible storm indeed; and now I began to see terror and amazement in the faces even of the seamen themselves. The master, though vigilant in the business of preserving the ship, yet as he went in and out of his cabin by me, I could hear him softly to himself say, several times, “Lord be merciful to us! we shall be all lost! we shall be all undone!” and the like. During these first hurries I was stupid, lying still in my cabin, which was in the steerage, and cannot describe my temper: I could ill resume the first penitence which I had so apparently trampled upon and hardened myself against: I thought the bitterness of death had been past, and that this would be nothing like the first; but when the master himself came by me, as I said just now, and said we should be all lost, I was dreadfully frighted. I got up out of my cabin and looked out; but such a dismal sight I never saw: the sea ran mountains high, and broke upon us every three or four minutes; when I could look about, I could see nothing but distress round us; two ships that rode near us, we found, had cut their masts by the board, being deep laden; and our men cried out that a ship which rode about a mile ahead of us was foundered. Two more ships, being driven from their anchors, were run out of the Roads to sea, at all adventures, and that with not a mast standing. The light ships fared the best, as not so much labouring in the sea; but two or three of them drove, and came close by us, running away with only their spritsail out before the wind. …
Any one may judge what a condition I must be in at all this, who was but a young sailor, and who had been in such a fright before at but a little. But if I can express at this distance the thoughts I had about me at that time, I was in tenfold more horror of mind upon account of my former convictions, and the having returned from them to the resolutions I had wickedly taken at first, than I was at death itself; and these, added to the terror of the storm, put me into such a condition that I can by no words describe it.
— Daniel Defoe, The Life and Adventures of Robinson Crusoe
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Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues—north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? …
Now, when I say that I am in the habit of going to sea whenever I begin to grow hazy about the eyes, and begin to be over conscious of my lungs, I do not mean to have it inferred that I ever go to sea as a passenger. For to go as a passenger you must needs have a purse, and a purse is but a rag unless you have something in it. Besides, passengers get sea-sick—grow quarrelsome—don’t sleep of nights—do not enjoy themselves much, as a general thing;—no, I never go as a passenger; nor, though I am something of a salt, do I ever go to sea as a Commodore, or a Captain, or a Cook. I abandon the glory and distinction of such offices to those who like them. For my part, I abominate all honorable respectable toils, trials, and tribulations of every kind whatsoever. It is quite as much as I can do to take care of myself, without taking care of ships, barques, brigs, schooners, and what not. …
No, when I go to sea, I go as a simple sailor, right before the mast, plumb down into the forecastle, aloft there to the royal mast-head. True, they rather order me about some, and make me jump from spar to spar, like a grasshopper in a May meadow. And at first, this sort of thing is unpleasant enough. It touches one’s sense of honor, particularly if you come of an old established family in the land, the Van Rensselaers, or Randolphs, or Hardicanutes. And more than all, if just previous to putting your hand into the tar-pot, you have been lording it as a country schoolmaster, making the tallest boys stand in awe of you. The transition is a keen one, I assure you, from a schoolmaster to a sailor, and requires a strong decoction of Seneca and the Stoics to enable you to grin and bear it. But even this wears off in time. What of it, if some old hunks of a sea-captain orders me to get a broom and sweep down the decks? What does that indignity amount to, weighed, I mean, in the scales of the New Testament? Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who ain’t a slave? Tell me that. Well, then, however the old sea-captains may order me about—however they may thump and punch me about, I have the satisfaction of knowing that it is all right; that everybody else is one way or other served in much the same way—either in a physical or metaphysical point of view, that is; and so the universal thump is passed round, and all hands should rub each other’s shoulder-blades, and be content.
Again, I always go to sea as a sailor, because they make a point of paying me for my trouble, whereas they never pay passengers a single penny that I ever heard of. On the contrary, passengers themselves must pay. And there is all the difference in the world between paying and being paid. The act of paying is perhaps the most uncomfortable infliction that the two orchard thieves entailed upon us. But being paid,—what will compare with it? The urbane activity with which a man receives money is really marvellous, considering that we so earnestly believe money to be the root of all earthly ills, and that on no account can a monied man enter heaven. Ah! how cheerfully we consign ourselves to perdition!
Finally, I always go to sea as a sailor, because of the wholesome exercise and pure air of the fore-castle deck. …
— Herman Melville, Moby-Dick; or, The Whale
— posted by Roger W. Smith
April 7, 2021
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs–commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?–Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster–tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand–miles of them–leagues. Inlanders all, they come from lanes and alleys, streets and avenues–north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? … There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries–stand that man on his legs, set his feet a-going, and he will infallibly lead you to water. … Yes, as every one knows, meditation and water are wedded for ever.
— Herman Melville, Moby-Dick; Chapter 1 (“Loomings”)
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I love skylines, love dense clouds. New York City has wonderful skylines. You can’t really see them from Manhattan, but you can from the waterside and from the outer boroughs, which have lower buildings.
It is wonderful that Manhattan is an island bounded by water: the ocean (New York Harbor), the East River, the Hudson River, the Harlem River.
One thing this does is prevent urban sprawl and the development of a megalopolis ending nowhere.
It also gives the city an almost enchanted quality or aspect. It leads to dreamy speculation and reflection, as Herman Melville noted.
My departed friend Bill Dalzell alerted me to this special aspect of New York City some fifty years ago.
I love the curve of the bay at the bottom of Manhattan Island. Such a beautiful harbor.
Today, I walked along the water’s edge from 14th Street to the Battery. Such a wonderful stiff breeze off the river. Such a wonderful walk at a time of despair,
— Roger W. Smith
May 4, 2020
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photographs by Roger W. Smith
A friend who was an omnivorous reader and an astute private critic once made the following observation to me:
Everyone talks about the Great American Novel: when will it ever be written?
It already has been written.
It was published one hundred and fifty years ago; the author’s name was Herman Melville; the title was Moby-Dick.
— Roger W. Smith
September 2016
Strand Bookstore, NYC
my bookshelves
… I take pleasure from the fact that I can enjoy [books] when it pleases me to do so; my soul is satisfied merely with possession. I never travel without books, neither in peace nor in war. Sometimes whole days go by, even months, without my looking at them. But it might be at any moment now, or tomorrow; or whenever the mood takes me…. Books are, I find, the best provisions a man can take with him on life’s journey.”
— Michel de Montaigne
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I was watching a Ken Burns documentary the other day. There was a photo of FDR’s study in his home in Hyde Park, NY. The walls were lined with bookshelves. As often seems to be the case in such situations, the books were behind something or other: a mesh? glass?
J. P. Morgan’s library, in his residence (now a museum) on Madison Avenue in Manhattan, looks just the same. Books everywhere. Many, probably all of them, priceless.
It looks, however, as if most or many of the books in such studies did not get read by their owners.
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I am definitely a bibliophile, but I do not collect books solely to be able to say I own them, or for money, as an antiquarian might.
If I “adopt” a certain author — add him to my all time favorites/must read list — I find that I then want to acquire everything by or about the writer that I can lay my hands on. This includes — with respect both to the acquisition of books and actually reading them — minor as well as major works.
I have found that sometimes, indeed often, reading a writer’s early works and ones considered to be minor can be very satisfying. And, I have found that works deemed “minor” can turn out to be among the author’s best and most revealing ones.
I am interested in the man and his life as well as the works. So, I will obsessively look for works of a biographical nature and books that provide ancillary information about the writer. It might be a book by or about someone with whom the writer was closely associated or by whom the writer was influenced.
I won’t stop once I have started. Which is to say, I will acquire every book by or about that particular writer that I can find.
This often seems to bear fruit. So that acquiring books as a sort of “futures contract,” based upon the idea that you may want to get back to the writer, seems propitious. This recently happened to me, for example, in the case of a Russian-American scholar Pitirim A. Sorokin, whose work I have long been interested in. I recently got an inquiry from a visitor to this site, based in Moscow, who was interested in my posts on this site about Sorokin. I was able to go to my storehouse of Sorokin books and found much valuable, pertinent information there to share with her. Many of the books are out of print, or hard to obtain even in libraries. Some of the out of print ones are obtainable on the internet, but at what are now expensive prices.
I can remember approximately what I paid for most of my books, going far back, and where and under which circumstances I bought them.
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I once remarked to a therapist I was seeing that I had acquired many books in the manner described in my comments above and that I was unlikely to read a majority of them. I was thinking, ruefully, that it was perhaps foolish of me to be buying so many books without the likelihood that I would ever get around to reading most of them.
The therapist, an intellectual and writer, who himself had developed a private library in similar fashion — and for the same reasons — replied by saying emphatically (in so many words), “you’ll get around to reading them eventually.” He dismissed my concerns that I was overdoing it.
His comment made me feel better and less guilty about my sometimes extravagant book buying. And, I do realize that just having certain books on one’s bookshelf makes one feel good. There is a sense of security about it. You know that certain books, especially those of your favorite authors, are there waiting to be read. It’s a nice feeling. (I have had similar experiences and feelings in compiling a classical music collection.) And, I do get around to reading many of them.
It also surprises me that I turn to books on my shelf more frequently than I would have expected, to look up something or other or to remind myself of what a writer said about something (sometimes unearthing a pertinent quote).
My therapist also made the point that there is something very pleasant and cozy about having a book lined study. I myself feel this way. It is pleasant to be able to contemplate and, indeed, to admire one’s own book collection; to view one’s bookshelves; to peruse them and think about authors and their works, as well as thinking about what one might like to read next.
I actually like to feel books, to have them in my hands.
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I have become a shrewd book buyer over time. You have to know when to “pounce.” If you see a book that you really want, and you can afford it, I have found that you should buy it without further deliberation.
An example of would be Walt Whitman’s Blue Book: The 1860-61 Leaves of Grass Containing His Manuscript Additions and Revisions. This is a two-volume boxed set that was beautifully and expensively produced. It was published in 1968 by the New York Public Library. It has tipped in pages which show revisions in Whitman’s own hand that he made in a copy of his of Leaves of Grass which he kept in his desk drawer while working in a government office in Washington during the Civil War. There is extensive editorial commentary as well.
I wanted to obtain a copy of this book, but they are quite rare. I found that there were — if I remember correctly — two copies for sale on the Internet, both priced at around $300 for two volumes.
Then, I saw that the Stand Bookstore in Manhattan had a copy. I went to the Strand to check it out — it was in their rare books department — and found that it was in perfect condition. The Strand’s price for the two volumes: ninety dollars. I bought the book without hesitation.
Another example is a monograph by Thomas M. Curley: Sir Robert Chambers: Law, Literature, and Empire in The Age of Johnson. I have wanted to obtain this book for some time — I read a previous book by Curley about Samuel Johnson and was greatly impressed. The more recent book by Curley — the one about Chambers (an acquaintance of Samuel Johnson) that I have been seeking — is for some reason very hard to find. If you look for the book from on line second hand booksellers, it is egregiously priced. The available copies that are in “good” condition (which means good, but not mint, condition) are priced at around $550 to $650 — this for a one volume book published in 1998.
I saw a copy on line the other day for around $200. I ordered it. I knew that I was not likely to find the book at this price again and that, relatively speaking, $200 — while it seemed very expensive — was a good deal. I know from experience that I will not regret the purchase.
The bookseller charged me over $200 for the book plus shipping. It never came. I had great difficulty with the bookseller, but was ultimately able to get my money back through arbitration. Then, I miraculously found an online bookseller who sold me the book — a beautiful edition, in mint condition — for $100 including shipping.
Thomas M. Curley, “Sir Robert Chambers: Law, Literature, and Empire in the Age of Johnson” (The University of Wisconsin Press, 1998)
It’s like the eighteen dollars I spent during my senior year in college for a beautifully produced book comprising a facsimile of William Blake’s Songs of Innocence and Experience. The book seemed very expensive then, but I had to have it. It was solely a question of did I have the eighteen dollars, never a question of would I purchase it. I do not regret the purchase — it seems that you can’t find this particular edition anywhere nowadays. Nor can you find other editions that are so beautifully produced with magnificent reproductions of Blake’s color plates.
William Blake, “Songs of Innocence and Experience” (The Orion Press, New York, in association with The Trianon Press, Paris, 1967)
And, it seems that, for cherished books that I have paid a lot for, there are many others that I was able to buy cheaply.
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And, then you get lucky. On May 7, 2017, for example, at the Strand Bookstore, I purchased An Autobiography by Herbert Spencer (1904). Forty dollars. Two volumes, illustrated. Over 1,100 pages. Nice wide margins typical of books of those days and splendid black and white illustrations — books were well produced a century ago! In very good condition. A serendipitous, unanticipated acquisition. I was looking for a different book in the social science section. It’s the sort of purchase one makes in used bookstores.
Worth reading? Will I? I’m not sure. Spencer was once a widely read and influential social scientist; his books were very popular among the general readership. I have run across books like this before and am glad of having bought them. Given the condition that the book was in and its rarity, I knew I was a good deal. But, I don’t purchase such books thinking of possibly selling them. Would not purchase if I didn’t think I might want to read them.
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You have to be persistent and continually on the lookout for books you want that may become available. An example is a nine volume work by Horace Traubel (sometimes referred to as “Walt Whitman’s Boswell”): With Walt Whitman in Camden. The book was originally published in 1906 in three volumes. Then, over the years, six more volumes were published posthumously, the last one in 1996.
I bought several volumes at random at the Stand Bookstore, whenever I saw one for sale. Then I bought the first three volumes, in mint condition, from an online bookseller for three hundred dollars. It seemed a lot to pay, but I was glad to have them.
I now owned eight of the nine volumes of Traubel’s diary cum biography. I checked an online global library catalogue, WorldCat.org, and it seemed that hardly any libraries — perhaps none — owned a complete set. I was missing only Volume 4. I found that only about seven libraries in the world owned Volume 4, including just one library in New York City: the Lehman College Library in the Bronx. They had two copies!
Finally, in June 2017, after several years of looking, I found Volume 4 for sale on line! I couldn’t believe my eyes. This completed my set of all nine volumes of With Walt Whitman in Camden. Probably some Whitman scholar has them, but I doubt that a library anywhere does.
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An opinion I have long held is that books are a cheap commodity, comparatively speaking. When you consider how much pleasure you can get from them — their “entertainment value,” so to speak, compared to other things like movies — and how long that pleasure lasts (you can keep the book, you can reread it, often with profit and pleasure), they seem like an awfully good way to spend one’s money.
When you think of all the expense and effort involved in producing a book — research, writing, editorial, production, and so on — it seems remarkable to me that they are priced as low as they are. Yes, “expensive” books fifty years ago cost five or six dollars; now they cost thirty or thirty-five dollars, perhaps. But, when you consider their relative value, and how much prices have risen in other areas, the cost doesn’t seem prohibitive.
–– Roger W. Smith
June 2017; updated May 2025
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Addendum — Booksellers:
I have always had a nose for books and have made many serendipitous acquisitions. Among my best places to find books, currently, I would include:
(1) The Strand Bookstore at Broadway and 12th Street in Manhattan. I have been going there since the late 1960’s. It seems to be one of the few used bookstores left in Manhattan. I keep making finds there. Everything is reasonably pieced — underpriced (almost always) compared to the online used book market; this includes books just off the press. The books they carry are in excellent condition — they don’t seem to acquire books that are not. A great thing about the Strand is that the books are very well organized, alphabetically by author.
You have to get a feel for their system, to know what section to look in. For example, if you were looking for a biography of Walt Whitman by Justin Kaplan, you have to know to look under “Whitman,” not “Kaplan,” and you would have to know that it would be in the literary nonfiction section. Books are rarely where they should not be. Plus, the Strand now had an excellent web site so that one can buy books from them on line. I often order on line from them. You don’t have to worry about getting a worn, beat up book delivered to you.
(2) Amazon.com is good for most book buying. I find their reviews quite helpful — I have written quite a few myself. Their books are reasonably priced, often at a discount. They seem to have most books that are in print. I find them less useful for used books. I would say, avoid buying (on Amazon) from secondary sellers.
(3) abebooks.com is, in my opinion, the best site by far for finding used books, especially out of print ones. If it’s available and for sale, the book will be there, or not at all.
The search engine is great. Just now, I was looking for a paperback edition of Platero and I, , a book by one of my favorite poets, Juan Ramón Jiménez. An English translation was published in paperback in 1962; it is virtually unobtainable now. It happens to be an edition I like because of the translation (among other things). I couldn’t find it anywhere until I went to abebooks.com. There were several editions available on the site. Quite a few were expensive. But, there was one in excellent condition that was reasonably priced.
You can sort the search results by price, date published, condition, etc. The booksellers are very accurate in describing a book’s condition.
I do not like to buy a book with a torn or tattered cover, underlining, crumbling pages, etc. — I don’t want someone else’s beat up book. I am willing to pay more to get a book that is in mint condition.
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addendum, May 1, 2020:
This past month, I was able to purchase the original four-volume edition of Pitirim A. Sorokin’s magnum opus, Social and Cultural Dynamics (1937-1941).
The books arrived yesterday. The thrill of now owning such a book was palpable.
There were only two copies of the set for sale on the internet: one priced at $500, and the other, which I purchased, for $150. As an experienced book buyer, I didn’t hesitate.
I have become personally acquainted with quite a few Sorokin scholars, most of them abroad. I know they would be thrilled to own this work of Sorokin’s, which is for all practical purposes only available at the present time in a paperback one-volume abridgment.
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Addendum:
Posts re books in my private library are on this site at:
my personal library of works by Walt Whitman, and books about him
my personal library of books by and about Samuel Johnson and James Boswell