Tag Archives: Elinor Handy Smith

Children’s and Young Adult Books: My Favorites; Thoughts About Reading

 

children’s and young adult books

 

My mother always loved to read and had great taste in literature.

She told me that she read avidly as a child. She was a voracious reader. She loved Little Women, a classic and a real girl’s book. She was very affected by the scene where the character Beth dies.

My other also loved Heidi.

My exposure to such literature was through my mother. She had such good taste and read to me a lot. She chose splendid books for us. It was such a pleasure to be read to (in bed) by her because she enjoyed it so much herself, and, of course, my Mom was so warm and nurturing anyway.

How did she find the time to read to me? (It was always to me alone.)

One of our first books was Winnie the Pooh by A. A. Milne. When The House at Pooh Corner, a sequel, came out, my mom was delighted and read that to me too. How I loved the nonsense rhymes of Pooh:

The more it snows (Tiddely pom)
The more it goes  (Tiddely pom)
The more it goes  (Tiddely pom)
On snowing

And nobody knows  (Tiddely pom)
How cold my toes (Tiddely pom)
How cold my toes (Tiddely pom)
Are growing

 

Cottleston, Cottleston, Cottleston Pie,
A fly can’t bird, but a bird can fly.
Ask me a riddle and I reply:
“Cottleston, Cottleston, Cottleston Pie.”

Cottleston, Cottleston, Cottleston Pie,
A fish can’t whistle and neither can I.
Ask me a riddle and I reply:
“Cottleston, Cottleston, Cottleston Pie.”

Cottleston, Cottleston, Cottleston Pie,
Why does a chicken, I don’t know why.
Ask me a riddle and I reply:
“Cottleston, Cottleston, Cottleston Pie.”

the idiosyncrasies of characters like Piglet and Eyore, and funny touches like the character (Owl) who had a sign on his door, “knock if an answer is required, ring if an answer is not required.” My mother and I used to laugh out loud. I had such a warm and fuzzy feeling when she was reading to me.

We had several wonderful books compiled by the children’s book editor Olive Beaupré Miller. These included a multi volume set, My Book House, and the book Nursery Friends from France. I especially liked the latter book, which my mother took great pleasure in reading to us from. It had wonderful color illustrations. It was a compilation of songs, nursery rhymes, and fairy tales.

We had The Arabian Nights in a nice edition (which I still have). I particularly liked the story of Aladdin and his magic lamp.

At a fairly early age, I read the classic Black Beauty (originally published in 1877) by Anna Sewell. This book made a very strong impression me. Not long ago, as an adult, I purchased it as an audiobook and “read” it again. It is very well written. The story is told in the first person by the horse, Black Beauty, who is the narrator. The novel recounts the story of Black Beauty’s life as it is experienced under a succession of different owners, or “masters.” Some of the owners are cruel.

All I recall from reading the book as a child, the impression the book made on me then was that Black Beauty’s life was one of unremitting misery: an unending progression from one cruel master to another, with the course of the horse’s life leading to an inevitable decline. This characterization is true of a lot of the plot, but not all of it, as it turns out. When I first read the book, though I was greatly impressed by it, it seemed to me unbearably sad and gloomy. That it undeniably is, in places, in the sections where the horse is overworked and mistreated. But why did this impression predominate with me? I think because that view of Black Beauty’s life jibed with my view of own life as a sad one in which I was often mistreated. The scenes in the book of this nature were the ones that stuck in my mind.

Much to my surprise, I discovered, when I listened to the audiobook later, as an adult, that the novel actually ends happily, with Black Beauty in good circumstances, and that in other sections of the book, Black Beauty does have good masters (in contrast to many sections of the book in which the horse is cruelly mistreated).

I started visiting the Cambridge Public Library children’s room when I was very young. My mother and father were very liberal about giving us independence and let me walk there myself after a certain age. It was sort of a long walk. I loved being able to find and take out my own books.

At the library at around this time (fifth grade), I borrowed a science fiction book the title of which I do not remember. The story was about people who were involved in time travel. There were two main parts to the book. In the first, the main character or characters traveled back in time to the Stone Age. They encountered two hostile groups, the Cro-Magnons and the Neandertals. The time traveler(s) were befriended by the wise Cro-Magnons, who helped them to escape perils. In the second part of the book, the time traveler(s) went forward in time, in a rocket ship, overcoming things like aging with the aid of Einsteinian physics. I was totally engrossed in this young adult novel.

I also read a Tarzan book — I think it was in the sixth grade. It involved a tribe of African warrior women who took men (or threatened to) as prisoners in their fortress.

There was a popular, respected series of history books for young readers, the Landmark Books. In the sixth grade, I read the one on Benjamin Franklin and loved it. Around that time, the animated Disney film Ben and Me, which I liked, was popular.

Toby Tyler; or, Ten Weeks with a Circus, is a wonderful novel by James Otis. I read it when I was around 11 or 12. Toby runs away to join the circus. At the end of the book, his pet monkey, Mr. Stubbs, dies. It was such an incredibly sad scene. How it moved me!

When I was about eleven, I started reading young adult sports fiction, mostly about baseball, though I do remember reading one about sandlot football players. The books would frequently have a moral. For example, I read one which concludes with the protagonist, in a key game, admitting to the umpire, who had called him safe, that he was really out. The protagonist gains in moral stature.

Around this time, I read a series of baseball books for young adults by Duane Decker, the Blue Sox series, about a fictional professional baseball team.

I also read the Black Stallion books by Walter Farley and enjoyed them very much.

 

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Some additional items from my childhood and young adult reading.

“Little Black Sambo.” This is story which we took delight in that my Mom would read to us. The Story of Little Black Sambo is a children’s book written and illustrated by Helen Bannerman, and first published by Grant Richards [who, by the way, was an editor for Theodore Dreiser] in October 1899 as one in a series of small-format books called The Dumpy Books for Children. The story was a children’s favorite for more than half a century though criticism began as early as 1932. The word sambo was deemed a racial slur in some countries and the illustrations considered reminiscent of “darky iconography.” Both text and illustrations have undergone considerable revision since. (Wikipedia)

The Story of Little Black Sambo is a simple, illustrated children’s story about a young Indian boy who outsmarts four tigers that threaten to eat him. After Sambo saves himself by giving each tiger an article of his gaudy outfit, the tigers argue among themselves over which of them is the grandest. Eventually, the tigers chase each other around a tree so fast that they simply blur into butter, which Sambo takes home and uses on 169 pancakes that his mother, Black Mumbo, makes for him. (from a plot summary on another website)

I recall there was something about pancakes. My mother liked pancakes. She often made them for us.

Uncle Wiggily was a series of children’s books by Howard R. Garris. My mom introduced us to them. I loved them. Uncle Wiggily is an elderly, avuncular rabbit who wears spectacles, and there are a lot of other animal characters. The books are lighthearted and fun. The color illustrations were superb.

Make Way for Ducklings is a children’s picture book written and illustrated by Robert McCloskey. It was my  mother (you guessed it) who introduced us to the book. The story is about a duck family led by a mother duck that walks around Boston. They wind up at the Boston Common and ride on the swan boats. The plot is simple and charming; the black and white illustrations are superb (very realistic but simple and just right for children). The book won the 1942 Caldecott Medal for McCloskey’s illustrations.

The book was excellent in every respect, but what made it particularly enjoyable was that it was set in Boston and ends with the ducklings on the Boston Common. I used to love to go to the Boston Common and loved the swan boats.

Babar the Elephant by Jean de Brunhoff. My mother purchased Babar and read it to me numerous times. I was absolutely charmed by it. The color illustrations were wonderful. My Mom loved Babar too, naturally.

Dr. Seuss. These books were a kind of late discovery in my elementary school years. My mother introduced me to them, I believe. The ones I liked were The 500 Hats of Bartholomew Cubbins and Scrambled Eggs Super! Many of his most famous classics hadn’t come out yet.

 

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A final comment about reading. It goes without saying how pleasurable and profitable it can be. How you can do it anytime, anywhere at little expense. (I think that books at current prices are still a great bargain.) How great it is to curl up with a book and how it is something you can always resort to when you are lonely or can’t sleep.

I think that to love reading, you have to begin by doing it because of intrinsic interest in the topic and because you are anticipating pleasure, not because you regard it as a duty. You should read whatever you like to; it could be books about sports, entertainment figures, lowbrow fiction, whatever you really and truly want to read.

Whenever (and this comment pertains mainly to classics) you are restricted to encountering good books only as school assignments, when that’s the only place where you encounter them, the game is lost. If you think that classic books are those that you are required to analyze and write essay exam questions on, and nothing more, you will probably not enjoy them in later life. My counsel to all readers, especially young ones, is read whatever you want to read, as much as you can. Seek a level where you have a genuine interest and read at that level. An interest in the best books will often follow.

I am very appreciative that my parents established a sound foundation for enjoyment of reading. They communicated it naturally, like one might convey to one’s offspring an enthusiasm for sports. Reading was seldom a chore for me, and only then, infrequently, from assignments in school. Good literature was something I came to appreciate naturally, while at the same time feeling I could read whatever I liked. I was able to develop my own interests this way, like reading baseball books, for example. I developed highbrow tastes gradually, without being aware that I was doing so.

 

— Roger W. Smith

   March 2023

 

a page from Nursery Friends from France

 

what sort of man was Dr. Colp?

 

I shared this whole letter from my mother to my father — a very long and loving letter, written when my parents were in middle age, seven years before my mother’s untimely death — with my therapist, Dr. Ralph Colp Jr.

The salutation is so tender and touching, I said to him.

It brings tears to my eyes, he replied.

 

my parents, 1944

— posted in loving memory by Roger W. Smith

   November 2022

Handy gleanings

 

Handy gleanings

 

Please see downloadable Word document, above.

My mother, Elinor (Handy) Smith, was descended from Richard Handy of Sandwich, Massachusetts, an original settler on Cape Cod.

 

– posted by Roger W. Smith

   July 2022

Some people aren’t interested in people.

 

On Sunday, February 23, I attended a matinee concert at Carnegie Hall. Beethoven’s Pastorale and seventh symphonies.

I was in something like the fourth row center in the balcony.

I got there about a half an hour early.

Two middle aged guys sitting next to me were having an animated discussion. In Russian, as I realized after a minute or two.

Hearing Russian spoken always excites me. I can make out words and phrases but can’t follow the conversation.

I couldn’t resist. I leaned over and said to the guy to the left of me, “Excuse me, are you from Russia? I have studied Russian. I can’t speak it well. …”

Not much by way of response and no apparent interest, but he did tell me, in answer to questions of mine, that they were from Russia and were visiting. The guy next to me said he was a professor of mathematics. of which he seemed proud.

For how long? “Two months,” the guy next to me said. He seemed to be fluent in English.

“Where in Russia are you from?” I asked.

“Siberia,” he replied

“Siberia!” I said
.
The conversation seemed to be on life support. But curiosity got the best of me.

“What city?” I asked.

”Novosibirsk.”

“The largest city in Siberia?” I asked.

“Yes. 1.6 million people.”

I told him that I have befriended two Russian scholars through the internet — one from Arkhangelsk and the other from Petersburg — and that we collaborate on research and scholarship.

Absolutely no interest.

“I love Russian composers. Shostakovich. Also Tchaikovsky.”

No interest or response. As if the names Shostakovich and Tchaikovsky meant nothing to him and/or he had no opinion.

“The conductor conducting tonight, John Eliot Gardiner, is great for Beethoven,” I said. “English. Believes in fidelity to the original score and orchestration.”

At this point, he wasn’t even pretending to listen.

 

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Contrast all this with my mother, Elinor Handy Smith.

She loved to engage people and draw them out in conversation. (I learned this from her.)

Some stories illustrate this.

In the 1930’s, my mother’s kid brother Roger was riding in the back seat of an open convertible. My mother was at the wheel. My mother, a notoriously bad driver, was involved in a collision in which my uncle was ejected from the back seat and ended up on the roadway.

My mother, unfailingly polite, got out of the car and was exchanging information with, as well as offering apologies to, the other party.

My uncle told me years later — it amused him greatly — that my mother almost forgot and drove off without him. She found the persons in the other car extremely interesting and had gotten into a deep conversation with them about some topic entirely unrelated to the present situation and the accident. To my uncle, this was characteristic of my mother; and it illustrated things like a certain up in the clouds quality (in the good sense). I think it was this that amused him most, but in the sense that, which my uncle realized, some things mattered to my mother more than others. People, for example (not thumbtacks).

Then there was Mr. Dustin, the farmer from Concord, Mass. who would deliver fresh farm produce to our house in Cambridge once a week in the 1950’s. My mother loved his visits. He loved them. He would sit and talk with my mother for I don’t know how long. She looked forward to his deliveries because she enjoyed talking with him so much.

There were many others, many other instances, such as the interim Unitarian minister, whose name I forget, at our church (this was in my high school days) who loved to be invited to our house on Sunday afternoons because he enjoyed my mother’s Sunday dinners and loved their dinner table talk; he didn’t want to leave. There were many other visitors – all were welcome. They came from all walks of life and a notable diversity of backgrounds and countries. They would depart saying to my mother. we enjoyed so much talking with you.

 

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I attended a 50th class reunion at my high school a couple of years ago. In attendance was my former classmate Jack Horigan.

Looking at his nametag, I said. “Nice to see you, John.”

“Everyone calls me Jack,” he said

“Oh, my. Jack Horigan!” I replied. “I didn’t recognize you.”

How I had failed to I don’t know.

“I remember you well,” Jack said. “Because of your mother. I had an egg delivery job every morning before school then. My favorite customer was your mother. I loved it because of the talks we had.”

A high school boy. Jack was not a close friend of mine; I never spoke of him to my mother. My mother was interested in EVERYONE.

 

— Roger W. Smith

   February 25, 2020

Schubert (specifically, his last sonata), Mitsuko Uchida, and my mother

 

Schubert piano sonata in B-flat Minor, D. 960

his last piano sonata

not published

he died two months later

 

Mitsuko Uchida

flawless performance at Carnegie Hall on May 4, 2019

 

I have criticized her (perhaps unfairly) with reference to Schubert performances.

I saw her a couple of times performing at Carnegie Hall within the past year. A Schubert performance last year left me feeling lukewarm about her, despite the fact that the audience — she has a following — loves her.

But I shouldn’t jump to conclusions or “give up” on her too easily, I thought. It may be that I have been lacking in discernment and, consequently, appreciation for her playing.

She certainly confounded my expectations, and my prior less-than-enthusiastic opinions, on Saturday evening.

I realize that the three last Schubert piano sonatas are all great, just about equally. I have had a sentimental preference for the next to last sonata, D. 959. But I fully felt and experienced the greatness of the sonata D. 960 tonight. Mitsuko Uchida made me feel that.

And, I realized, as an auditor, why she is regarded, probably, as the foremost Schubert interpreter of our time.

So, from her hands, I heard Schubert and felt what makes his music unique and special. And so lyrical in a deeply affecting way. Note I said lyrical, by which I don’t mean to neglect what I would call complexity yoked to powerful, direct expression — a quality preeminent, unmistakably so, in Beethoven. It’s not quite the same thing, but — as to what makes Schubert great – in the program notes from last night’s concert, reference is made to Schubert’s “seemingly bottomless stockpile of melody, his ability to invest the simplest of musical phrases with dramatic significance.” (italics added)

Schubert sounds like no one else. His sound — if I were a musicologist, I could probably elucidate the distinguishing features; chords, for example (the program notes refer to “quicksilver changes of keys and moods”) — is sui generis. He is almost immediately recognizable. Perhaps this is a truism that applies to practically all great artists: the Handel of Messiah and Samson; the Haydn of the masses and The Seven Last Words of Christ; the Mozart of the Ave verum corpus and Masonic Funeral Music … the Melville of Moby-Dick; the Tolstoy of War and Peace, Anna Karenina and Resurrection; the Joyce of Ulysses and Finnegans Wake.

But– I’ll say it– I prefer Schubert to Chopin (with respect to the former’s compositions for piano).

 

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What is it about Schubert?

I would say that he is incredibly self-contained — his music is sufficient unto itself. By which I mean that his music holds, fulfills, and enraptures the listener without anything in it that was intended necessarily to impress or astonish. The music seems to bubble up like a spring. There is nothing imitative or referential. No other composer could write such music. There is was only one Schubert. Self-evident? Yes, admittedly. But I got to thinking about this at the concert, and my mind wandered without my losing focus on the music. (This has happened to me at other concerts, as I have noted in previous blogs.)

How could I express these feelings or opinions of mine about Schubert? In my mind, I strained to think of a way to put or couch it. I thought of my mother. Yes, my mother.

My mother was a remarkable person. People almost always seemed to notice her special personal qualities, and to speak about them. There was something “self-contained” about her too. The good things were just there, inherent, unchanging; sort of wafted out of her; were effused into the atmosphere, so to speak, to those around her. The good things, the remarkable things — her particular way of seeing things and relating to people and her milieu — seemed to have always been part of her.

She wasn’t trying to impress others (though she was self-conscious, naturally, about the impression she made and eager to be thought well of). She was, to the extent she was admired for her good qualities, just that way. One felt that one would never meet such a person ever again, which is not to say that she was a perfect person or deserved veneration. It’s just that what was good about her was constant; distinctive in her; treasured and consistently welcome for the sense of emotional satisfaction that came from being privileged to be related to or know her. By which I don’t mean that she was like a therapist, healer, or do-gooder (though she was kind and thoughtful), she was someone whom people wanted to know and associate with because of who she was.

 

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Like Schubert? Meaning one wants to listen to him. Not because one should (because someone told you you must, because of his musical standing or stature as a composer). Not because he is the best composer in this or that medium, or was important as a composer in the transition from classicism to romanticism. But because he’s Schubert . And, with my mother, people wanted to know and talk with Elinor.

 

— Roger W. Smith

   May 6. 2019

IMG_4547 (2)

my mother and I in Danvers, Massachusetts

Sixth Avenue on a rainy afternoon; Herman Melville

 

Sixth Avenue 4-23 a.m. 11-30-2018

Sixth Avenue, New York City; Friday afternoon, November 30, 2018

I took this photo of Sixth Avenue on my way home on Friday afternoon.

It’s been raining a lot in the City this week.

Rain can be a slight inconvenience, like other weather phenomena, but I never really minded it. It can be “nice.”

When I was very young, my mother took me once to my eye doctor, Dr. Johnson, in Boston on a weekday. We went by subway.

The appointment lasted a long time. Going home in the late afternoon, it was dark and rainy. I didn’t mind. I loved having my mother all to myself. When we got home, she put me to bed. She was so kind. She kept saying that I was cold and wet and that I must be very tired: it had been such a long day and we got home late.

Re this photo of Sixth Avenue, this street scene, it reminds me of Herman Melville’s words (in Moby-Dick): “a damp, drizzly November in my soul.”

Thanks to the Good Lord that it came upon me once when I was first living in NYC to read Moby-Dick, in a library copy. What a book!

THE Great American Novel.

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Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can.

— Herman Melville, Moby-Dick; CHAPTER 1. “Loomings.”

 

— Roger W. Smith

   December 2, 2018

“some of my best friends” …

 

“Two wrongs don’t make a right.”

“Don’t cry over spilt milk.”

“A watched pot never boils.”

“Don’t count your chickens before they hatch.”

“A stitch in time saves nine.”

“An ounce of prevention is worth a pound of cure.”

AND

“Some of my best friends …”

 

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I grew up with these sayings, all of them except the last one.

These commonplaces are not indicators of stupidity or poverty of thought. There is much wisdom in them. Many of them were used by my mother.

 

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What about some of my best friends …?

First of all, it’s not an adage. It’s a cliché.

In the online Urban Dictionary, some of my best friends are … is defined as follows:

Something prejudiced people say when they’re called out on their prejudice. Smacks of tokenism and hypocrisy.

Person A: You can’t trust those goddamn crackers.

Person B: Don’t be prejudiced against white people.

Person A: Don’t get me wrong, some of my best friends are crackers.

It’s an oft ridiculed line, perhaps justly so.

But I would be inclined to take — at least in my own case (from which I would be inclined to generalize) — a contrarian view.

I would not be inclined to trot out the phrase. But, like the adages I quoted above, the phrase seems to contain some truth in it as a reflection of the actual experience of many people.

Which is to say.

Everyone has prejudices; no one is perfect. One can still hold — buried within oneself — prejudices toward certain racial, ethnic, or religious groups. Anyone who is honest about human nature will admit that they are hard to overcome.

It is true in my case, though people would not call me prejudiced or racist.

What I have found is that if one is honest about self-examination and introspective, one can find prejudices that one harbors. That’s where one might find oneself having a “some of my best friends” experience, though, in my case, I would be embarrassed to use the term; not inclined to do so for fear of being ridiculed.

 

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You may have limited experience of certain religious or ethnic groups. I did. I grew up in New England. Practically everyone was Christian, Protestant or Catholic; there was one black student, as I recall, in my high school; I had one Jewish friend (not a close friend); and I probably did not even know what the term Hispanic meant, having never met as I recall someone whose ethnicity was so designated.

I live in New York City now. I went to a liberal college with a majority of Jewish students. I have experienced ethnic diversity in the workplace and my adopted city.

Still, I harbor prejudices. And, my experience of some religious and ethnic groups has been limited.

But then you or I meet someone from one of these groups and the two of you have immediate rapport. The buried prejudices, old thoughts that you never quite dealt with, don’t matter. Experience for the moment has trumped old animosities, fears, resentments buried within you and directed toward an amorphous group, not toward individuals.

 

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A final thought. It doesn’t involve friendships, but it seems pertinent.

I love the ethnic diversity of New York City: the mixture of races and creeds and of the native and foreign born.

I often experience positive interactions with strangers. I can’t get over how helpful and nice people are in this big, supposedly impersonal city, where everyone is supposed to have little time for one another.

I try to — and in fact do — respond in kind.

These positive experiences — most often with people who are not of the same race, class, religious or national origins, and so forth — are incredibly edifying. And, what’s most significant, from the point of view of this post, is that they trump any need to address prejudice issues on an abstract level.

Abstractions become irrelevant. It’s the personal interaction in the here and now that matters, and one experiences a wonderful feeling of common humanity.

A dimension of actual lived experience I love. Because, as William Blake said: “He who would do good to another must do it in Minute Particulars. General Good is the plea of the scoundrel, hypocrite, and flatterer. …”

Translation (or should I say extrapolation): You will never be able to overcome prejudice in the abstract; you will — society will, can — on the individual and personal level.

 

— Roger W. Smith

   May 2018

a February concert

 

Last night I attended a concert at Carnegie Hall.

The program:

Mozart Symphony No. 40 in G Minor, K. 550; Orchestra of St. Luke’s; Robert Spano, conductor

Bryce Dessner, “Voy a dormir”; Kelley O’Connor, Mezzo-Soprano

Beethoven, Piano Concerto in E-flat Major, Op. 73 (“Emperor”); Jeremy Denk, piano

I jotted down some notes and impressions as well as personal thoughts on my way home.

 

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Mozart symphony no 40

have known and loved the first movement from a very young age

but, to my surprise, I think I enjoyed the second movement (Andante) even more tonight … it is a musical conversation between the instruments … Mozart THINKS musically (as I noted in a previous post)

The second piece, “Voy a dormir,” was the world premiere of a work by a young composer … beautiful soprano voice (the composer collaborated with her on the work) … Spanish text, based on poetry by Alfonsina Storni (Argentinian)

It is pleasurable to hear Spanish and to be able to follow the lyrics, since I know the language. It sounded so beautiful, as are all the Romance languages. All kind of the same — in a way — and at the same time each unique with its own “melody.” En el fondo del mar / hay una casa / de cristal.

Listening to the Emperor Concerto performed live. What an experience. There is such a range of emotions in Beethoven — e.g., from the first to the second movement.

One can HEAR such a difference in and evolution of styles between and from Mozart to Beethoven. From classical to romantic. But, to me, Haydn is the clearest exemplar of the classical style — not Mozart (not to detract from Mozart; it’s just a question of musical styles).

I had unusually good seats. It was great to watch the conductor, Robert Spano, and the piano soloist close up.

There must be such an incredible feeling of power to be the soloist in a piano concerto.

 

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I thought of my father, a pianist who conducted occasionally

and of my family’s experience with music as performers

my father, who graduated from Harvard with a bachelor’s degree in music and who was a professional musician and piano teacher

my mother, who was in the Radcliffe College chorus and played the piano

my three siblings, all of whom are gifted musicians, notably on the piano, and each of whom achieved proficiency in more than one instrument

my maternal grandmother, who — I never knew this during her lifetime — is said to have played the piano well

my paternal grandmother, who was a church organist and choir director … and my father the same

my paternal grandmother’s mother (my great-grandmother), who, I was told by an aunt, played the piano and sang in a Methodist Church in the nineteenth century

 

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I have hazy memories of my father conducting once or twice … I see him striding down the aisle proudly with his usual good posture, perhaps a bit more serious of mien than usual, but not overly so; assuming an appropriate air of dignity … being applauded … the performance commencing

where did he learn to conduct? … guess it’s not difficult if you have performed in orchestras … he did not, to my knowledge, conduct classical works

 

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when one is growing up, one takes one’s parents and nuclear family largely for granted … they are a given, like your front yard or neighborhood

your parents’ unique or distinctive attributes are something you are not likely to think about until much later in life

watching this particular concert, I felt a twinge of sadness, loss, and regret for my father and mother — occasioned by thoughts of what such a concert would have meant to them; how we could have talked about it (and would have enjoyed doing so); and how their existence and persons not only made mine possible, but endowed me with musical and aesthetic sensitivity

 

— Roger W. Smith

   February 16, 2018

 

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Mozart. Symphony No. 40

second movement (Andante)

empathy

 

 

One day we were in the garden. Father stood looking in at the pig. Mother was hanging clothes out, and I was weeding. Two travelling journeymen came past. They were dusty, carried knapsacks on their backs, and looked rather wretched. Seeing the pump near the cottage, they asked for a drink. Mother asked if they would rather not have beer, in which case they could come in. I heard Father say she was not to invite such ruffians in, but Mother answered, “Niels, dear, just think if they were two of our own boys.” Father said nothing, but I could clearly see that he was struck by the reply.

— Carl Nielsen, My Childhood  (translated from the Danish by Reginald Spink; Copenhagen, Hansen, 1952,  pg. 91; originally published in Danish in 1927 as Min Fynske Barndom)

 

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As I would have done (not to pat myself on the back).

As my father or mother would have done.

As our Lord would have done.

 

— Roger W. Smith

   February 2018

vengeance

 

If I whet My glittering sword,
And My hand takes hold on judgment,
I will render vengeance to My enemies,
And repay those who hate Me.

— Deuteronomy 32:41

 

He is despised and rejected of men; a man of sorrows, and acquainted with grief: and we hid as it were our faces from him; he was despised, and we esteemed him not.

— Isaiah 53:3

 

The glory of Christianity is to conquer by forgiveness.

— William Blake, “Jerusalem”

 

A Robin Redbreast in a Cage
Puts all Heaven in a Rage.

— William Blake, “Auguries of Innocence”

 

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This post is about yesterday’s news stories about the sentencing of “monster doctor” Larry Nassar to a term of 40 to 175 years for sexual abuse.

Before I get to my main point – actually, points — I would like to mention some of my deep feelings about human suffering and sympathy.

My mother used to say to me that she had always wished one of her children would become a doctor. She used to say how much she admired our pediatrician, Dr. Cohen, in Cambridge, Massachusetts, who was the type of caring, humane physician she most admired. He was the type of doctor who was always on call.

I would always say to her, “I couldn’t be a doctor. I can’t stand the sight of blood.” And, indeed, the sight of people or animals suffering, just the thought of it, was something that deeply upset me. Once, I observed boys torturing frogs in a local reservoir with their pocket knives. This greatly upset me. It also struck me that there was no reason for such cruelty, and I couldn’t understand what motivated the boys or why they enjoyed it. I had such feelings about suffering in general, including emotional pain, even minor emotional hurts.

To repeat, I hate to see needless suffering: inflicted upon others; experienced by them.

 

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Yesterday, on January 24, 2018, Dr. Lawrence Nassar was sentenced to a term of imprisonment of from 40 to 175 years by Ingham County (Michigan) Circuit Court judge Rosemarie Aquilina for molesting young girls and women. Larry Nassar, D.O., is a 54-year-old former Michigan State University and USA gymnastics team physician who has also been sentenced (in November 2017) to 60 years in federal court on child pornography charges.

Judge Aquilina, who had opened her courtroom to all the young women victims who wanted to address Dr. Nassar directly, forced him to listen when he pleaded to make it stop.

“It is my honor and privilege to sentence you,” she said yesterday, and noting the length of the sentence, added, “I just signed your death warrant.”

Given an opportunity to address the court before sentencing, Dr. Nassar apologized and, occasionally turning to the young women in the courtroom, said: “Your words these past several days have had a significant effect on myself and have shaken me to my core. I will carry your words with me for the rest of my days.”

Just before sentencing Dr. Nassar, the judge read parts of a letter that he had submitted to the court last week, in which he complained about his treatment in a separate federal child pornography case and wrote that his accusers in this case were seeking news media attention and money. “Hell hath no fury like a woman scorned,” he wrote in the letter. There were audible gasps from the gallery when the judge read that line.

Dr. Nassar was accused of molesting girls as young as six, many of them Olympic gymnasts, over a period of many years under the guise of giving them medical treatment. In November, he had pleaded guilty to sexually abusing seven girls.

Judge Aquilina was a fierce advocate for the victims, often praising or consoling them after their statements.

“Imagine feeling like you have no power and no voice,” Aly Raisman, an American gymnast and Olympic gold medal winter, said in court. “Well, you know what, Larry? I have both power and voice, and I am only just beginning to use them. All these brave women have power, and we will use our voices to make sure you get what you deserve: a life of suffering spent replaying the words delivered by this powerful army of survivors.”

 

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I hate to see anyone suffer. And that includes Larry Nassar. I wish he could be given some hope.

I hope I do not appear to be minimizing the horrors of what the girls who were abused by Nasar experienced. Perhaps I am. I don’t know what it was like.

 

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A sad story. Horrible. So what do I think? And why should anyone care what I think?

That I wonder: is anyone completely beyond redemption?

Should the purpose of punishment be to humiliate and make an example of the victim? To make a statement? I think that that is what the judge was doing. The trial has given her the stage, a platform; she is in the spotlight. She is making the most of this opportunity to impose a draconian sentence on Nassar.

Is anyone so horrible that they cannot still be considered part of the human race? Perhaps amenable or susceptible to making amends and reforming themselves? Nassar is clearly a pedophile. The evidence of his guilt is overwhelming. Is there treatment for such persons?

To repeat: I hate to anyone suffer, and that includes the worst of the worst, the most lowly and depraved.

 

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The Nassar trial was like an orchestrated Orwellian “hate,” with the judge the conductor. Public outpourings of hate seem to be common nowadays. Consider the Women’s March 2018.

I was looking at some photos shared with me by an acquaintance who attended the march on January 20, 2018 in Washington, DC. Here’s what I saw:

A woman holding a poster aloft with what appears to be a doctored close up photo of Trump. Two arrows are pointing to Trump’s mouth. Trump’s lips have been altered and colored brown, so that it appears that his mouth is an anus. On the sign, in big letters, “‘THE ONLY SHITHOLE” is written.

A woman with raised fist, a tattooed forearm, half closed eyes, and pursed lips holding a sign that reads “Kicking Ass & Taking Over the World” with a cartoon Rosie the Riveter type flexing her muscles.

A woman holding aloft a sign that reads “the EMPEROR HAS NO TAX RETURNS.” There is a cartoon drawing of a fat man’s midsection. Where his penis would be, a blank piece of paper is covering it up, with only “1040” written on it.

A young woman with a pink knit cap holding aloft a sign that reads “HELL hath No FURY LIKE SEVERAL MILLION PISSED OFF WOMEN” with the female gender symbol.

Two women sitting on a low stone wall (with another woman between them). Both have large signs on their backs. One sign reads: MY SUPER POWER IS THAT I CAN LOOK AT SOMEONE WITH GETTING A BONER.” The other sign reads “I’D CALL HIM A CUNT BUT HE LACKS BOTH DEPTH AND WARMTH.”

Two guys with broad grins standing on top of a stone wall. They are holding aloft a sign that reads “THE ONLY xxxHOLE IS IN THE WHITE HOUSE.”

An elderly man with a funny hat and aviator sunglasses, holding aloft a sign reading “TRUMP: Racist. Sexist. Fascist. PSYCHO”

Most of the hate is directed at President Trump, and, by extension, to sexual predators.

Much of it seems crude and uncalled for. And, actually, disrespectful. Yes, I do think public figures deserve some kind of respect. As was true of authority figures and adults when I was growing up.

There is a swell — threatening to become a tsunami — of meanness, and a lack of a modicum of decency, in our culture nowadays, in the public square.

 

— Roger W. Smith

   January 25, 2018

 

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In an up email to close friends on February 28, 2018, I wrote:

I wrote on my blog last month: The Nassar trial was like an orchestrated Orwellian “hate,” with the judge the conductor. Public outpourings of hate seem to be common nowadays.

That’s what I disliked about the trial. I know Nassar was guilty of doing awful things.

To know what such a “hate” is, you have to have read “Nineteen Eighty-Four.”

 

Judge Aquilina & Nassar

Judge Rosemarie Aquilina; Larry Nassar