Tag Archives: Ernest Hemingway

Hemingway

 

 

I dutifully watched the three-part Ken Burns documentary “Hemingway” on PBS this week.

At times, I felt restless and wished the segments would end. But I learned a lot from the series, and the comments of critics and Hemingway biographers were illuminating.

Learning more about Hemingway’s life, his struggles as a writer, his failings as a person and husband, his devotion to this craft, his times was not a waste.

That said, something came to me at the end of the series tonight.

Why have I never particularly cared for — perhaps never cared, really — for Hemingway? Because, it struck me, his writing is monotonous and “anti-intellectual.” It does not engage the mind.

I read primarily for intellectual stimulation and enrichment. Words do have a powerful emotive aspect. I take delight in them. Embedded in passages of narration or description. And, yes, there is a rhythm to good prose, an authorial voice, the effect that good music also has, a cadence. But in the case of Hemingway, that cadence, that rhythm — unvarying, continual — becomes for me monotonous and unfulfilling. At times, if not often, it seems to be an affectation.

Compare the following “specimens” from Hemingway and two great writers — one American and the other English: Herman Melville and Daniel Defoe.

 

*****************************************************

 

When I came back to the front we still lived in that town. There were many more guns in the country around and the spring had come. The fields were green and there were small green shoots on the vines, the trees along the road had small leaves and a breeze came from the sea. I saw the town with the hill and the old castle above it in a cup in the hills with the mountains beyond, brown mountains with a little green on their slopes. In the town there were more guns, there were some new hospitals, you met British men and sometimes women, on the street, and a few more houses had been hit by shell-fire. It was warm and like the spring and I walked down the alleyway of trees, warmed from the sun on the wall, and found we still lived in the same house and that it all looked the same as when I had left it. The door was open, there was a soldier sitting on a bench outside in the sun, an ambulance was waiting by the side door and inside the door, as I went in, there was the smell of marble floors and hospital. It was all as I had left it except that now it was spring. I looked in the door of the big room and saw the major sitting at his desk, the window open and the sunlight coming into the room. He did not see me and I did not know whether to go in and report or go upstairs first and clean up. I decided to go on upstairs.

I was alone in the room. It was cool and did not smell like a hospital. The mattress was firm and comfortable, and I lay without moving, hardly breathing, happy in feeling the pain lessen. After a while I wanted a drink of water and found the bell on a cord by the bed and rang it, but nobody came. I went to sleep.

When I woke I looked around. There was sunlight coming in through the shutters. I saw the big armoire, the bare walls, and two chairs. My legs in the dirty bandages stuck straight out in the bed. I was careful not to move them. I was thirsty and I reached for the bell and pushed the button. I heard the door open and looked and it was a nurse. She looked young and pretty.

‘Good morning,’ I said.

‘Good morning,’ she said and came over to the bed. …

 

— Ernest Hemingway, A Farewell To Arms

 

*****************************************************

 

By this time it blew a terrible storm indeed; and now I began to see terror and amazement in the faces even of the seamen themselves. The master, though vigilant in the business of preserving the ship, yet as he went in and out of his cabin by me, I could hear him softly to himself say, several times, “Lord be merciful to us! we shall be all lost! we shall be all undone!” and the like. During these first hurries I was stupid, lying still in my cabin, which was in the steerage, and cannot describe my temper: I could ill resume the first penitence which I had so apparently trampled upon and hardened myself against: I thought the bitterness of death had been past, and that this would be nothing like the first; but when the master himself came by me, as I said just now, and said we should be all lost, I was dreadfully frighted. I got up out of my cabin and looked out; but such a dismal sight I never saw: the sea ran mountains high, and broke upon us every three or four minutes; when I could look about, I could see nothing but distress round us; two ships that rode near us, we found, had cut their masts by the board, being deep laden; and our men cried out that a ship which rode about a mile ahead of us was foundered. Two more ships, being driven from their anchors, were run out of the Roads to sea, at all adventures, and that with not a mast standing. The light ships fared the best, as not so much labouring in the sea; but two or three of them drove, and came close by us, running away with only their spritsail out before the wind. …

Any one may judge what a condition I must be in at all this, who was but a young sailor, and who had been in such a fright before at but a little. But if I can express at this distance the thoughts I had about me at that time, I was in tenfold more horror of mind upon account of my former convictions, and the having returned from them to the resolutions I had wickedly taken at first, than I was at death itself; and these, added to the terror of the storm, put me into such a condition that I can by no words describe it.

 

— Daniel Defoe, The Life and Adventures of Robinson Crusoe

 

*****************************************************

 

Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.

There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.

Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?

But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues—north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? …

Now, when I say that I am in the habit of going to sea whenever I begin to grow hazy about the eyes, and begin to be over conscious of my lungs, I do not mean to have it inferred that I ever go to sea as a passenger. For to go as a passenger you must needs have a purse, and a purse is but a rag unless you have something in it. Besides, passengers get sea-sick—grow quarrelsome—don’t sleep of nights—do not enjoy themselves much, as a general thing;—no, I never go as a passenger; nor, though I am something of a salt, do I ever go to sea as a Commodore, or a Captain, or a Cook. I abandon the glory and distinction of such offices to those who like them. For my part, I abominate all honorable respectable toils, trials, and tribulations of every kind whatsoever. It is quite as much as I can do to take care of myself, without taking care of ships, barques, brigs, schooners, and what not. …

No, when I go to sea, I go as a simple sailor, right before the mast, plumb down into the forecastle, aloft there to the royal mast-head. True, they rather order me about some, and make me jump from spar to spar, like a grasshopper in a May meadow. And at first, this sort of thing is unpleasant enough. It touches one’s sense of honor, particularly if you come of an old established family in the land, the Van Rensselaers, or Randolphs, or Hardicanutes. And more than all, if just previous to putting your hand into the tar-pot, you have been lording it as a country schoolmaster, making the tallest boys stand in awe of you. The transition is a keen one, I assure you, from a schoolmaster to a sailor, and requires a strong decoction of Seneca and the Stoics to enable you to grin and bear it. But even this wears off in time. What of it, if some old hunks of a sea-captain orders me to get a broom and sweep down the decks? What does that indignity amount to, weighed, I mean, in the scales of the New Testament? Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who ain’t a slave? Tell me that. Well, then, however the old sea-captains may order me about—however they may thump and punch me about, I have the satisfaction of knowing that it is all right; that everybody else is one way or other served in much the same way—either in a physical or metaphysical point of view, that is; and so the universal thump is passed round, and all hands should rub each other’s shoulder-blades, and be content.

Again, I always go to sea as a sailor, because they make a point of paying me for my trouble, whereas they never pay passengers a single penny that I ever heard of. On the contrary, passengers themselves must pay. And there is all the difference in the world between paying and being paid. The act of paying is perhaps the most uncomfortable infliction that the two orchard thieves entailed upon us. But being paid,—what will compare with it? The urbane activity with which a man receives money is really marvellous, considering that we so earnestly believe money to be the root of all earthly ills, and that on no account can a monied man enter heaven. Ah! how cheerfully we consign ourselves to perdition!

Finally, I always go to sea as a sailor, because of the wholesome exercise and pure air of the fore-castle deck. …

 

— Herman Melville, Moby-Dick; or, The Whale

 

 

— posted by Roger W. Smith

  April 7, 2021

Saul Bellow on writing

 

 

“I think … that the insistence on neatness and correctness [in writing] is one of the signs of a modern nervousness and irritability. When has clumsiness in composition been felt as so annoying, so enraging? The “good” writing of the New Yorker is such that one experiences a furious anxiety, in reading it, about errors and lapses from taste; finally, what emerges is a terrible hunger for conformity and uniformity. The smoothness of the surface and its high polish must not be marred. One has a similar anxiety in reading a novelist like Hemingway and comes to feel in the end that Hemingway wants to be praised for the offenses he does not commit. He is dependable; he never names certain emotions or ideas, and he takes pride in that—it is a form of honor. In it, really, there is submissiveness, acceptance of restriction.”

 

— Saul Bellow, “Dreiser and the Triumph of Art,” Commentary, May 1951

 

*****************************************************

 

I agree with Bellow. I admire good writing, never cease trying to study and learn from it, deplore lapses including those caused by ignorance of style and grammar points. And, yet, a writer must dare to write and be guided by the subject and fidelity to the truth of experience. I have always felt that The New Yorker was overrated, for precisely the reasons Bellow states. Writers writing well, often about not much of anything, with an archness that leaves the reader feeling unfulfilled.

 

— Roger W. Smith

    July 2018