James Redpath, The Public Life of Capt. John Brown, with an Auto-Biography of His Childhood and Youth (Boston: Thayer and Eldridge, 1860), pp. 396-397

Thomas Hovenden, The Last Moments of John Brown
— posted by Roger W. Smith
February 2023
James Redpath, The Public Life of Capt. John Brown, with an Auto-Biography of His Childhood and Youth (Boston: Thayer and Eldridge, 1860), pp. 396-397
Thomas Hovenden, The Last Moments of John Brown
— posted by Roger W. Smith
February 2023
Posted here as PDF documents are excerpts from two rare books which I have purchased.
The authors both knew Walt Whitman.
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James Redpath, The Public Life of Capt. John Brown, with an Auto-Biography of His Childhood and Youth (Boston: Thayer and Eldridge, 1860)
James Redpath (1833–1891) was the author of The Public Life of Capt. John Brown, a correspondent for the New York Tribune during the war, the originator of the “Lyceum” lectures, and editor of the North America Review, beginning in 1886. He met Walt Whitman in Boston in 1860 and remained an enthusiastic admirer.
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One of the most beloved and tender hearted of the visitors at the hospitals in Washington, is Walt. Whitman, author of Leaves of Grass. However his “barbaric yawp” may sound over other roofs, it sends sweet music into the sick wards of the Capital. A gentleman who accompanied him on several of his visits, relates that his coming was greeted by the soldiers unvarying pleasure, and that he soothed the homesick boys so often seen there, with a tenderness that no woman could excel. His friends say that he cured one or two young soldiers who were dying of homesickness, by his sympathy and loving-kindness. Dying of homesickness is no figure of speech, but a reality of weekly occurrence in our army. To such invalids the religious tract, or the mechanical consolations of theology, give no relief; not musty manna from the church wilderness, but living waters of sympathy from the warm heart of man who loves them is what they need to save them. And this they get from the rough singer of Brooklyn. Walt. like other poets, is not excessively rich, and therefore may not stay in Washington much longer; but as long as he can afford to remain he means to keep at his self-elected and unpaid post, doing good to the sick and wounded. What a pity that when so many thousands of dollars are spent to but little purpose for this work that a hundred or two could not be devoted to retain this efficient volunteer.
— James Redpath, Commonwealth, April 10, 1863
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Richard J. Hinton, John Brown and His Men; with Some Account of the Roads They Traveled to Reach Harper’s Ferry (New York: Funk & Wagnalls Company, 1894)
Richard J. Hinton (1830–1901) was born in London and came to the US in 1851. He trained as a printer, and, like James Redpath, went to Kansas and joined John Brown’s militant group of abolitionists.
Hinton was the author of Hand-book to Kansas Territory and the Rocky Mountains’ Gold Region (1859). Later he wrote Rebel Invasion of Missouri and Kansas (1865) and John Brown and His Men (1894). Apparently, Hinton had suggested that Thayer & Eldridge print Leaves of Grass.
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Hinton served in the Union Army from 1861 to 1865, and saw Whitman while lying wounded in a hospital, a scene which he described in the Cincinnati Commercial on August 26, 1871:
When this old heathen [Walt Whitman] came and gave me a pipe and tobacco, it was “about the most joyous moment of my life …. There were plenty of [other visitors] I assure you. The little bay at the head of my cot was full of tracts and testaments, and every Sunday there were half a dozen old roosters who would come into my ward and preach and pray and sing to us, while we were swearing to ourselves all the time, and wishing the blamed fools would go away. Walt Whitman’s funny stories, and his pipes and tobacco were worth more than all the preachers and tracts in Christendom. A wounded soldier don’t like to be reminded of his God more than twenty times a day. Walt Whitman didn’t bring any tracts or Bibles; he didn’t ask if you loved the Lord, and didn’t seem to care whether you did or not.
— H.J. R. [Richard Hinton], “A Reminiscence,” Cincinnati Commercial, August 26, 1871.
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COMMENTARY
It is interesting to see in the prefaces to these two books how John Brown was regarded in the North at that time. Redpath’s book was published right after Brown’s execution.
There is evidence of Whitman’s relationships with Redpath and Hinton in his correspondence, and in the conversations that Whitman had with Horace Traubel.
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TWO POEMS
Walt Whitman, “Year of Meteors (1859-60)”
YEAR of meteors! brooding year!
I would bind in words retrospective, some of your deeds
and signs;
I would sing your contest for the 19th Presidentiad;
I would sing how an old man, tall, with white hair,
mounted the scaffold in Virginia;
(I was at hand—silent I stood, with teeth shut close—I
watch’d;
I stood very near you, old man, when cool and indifferent, but trembling with age and your unheal’d
wounds, you mounted the scaffold;)
I would sing in my copious song your census returns of
The States,
The tables of population and products—I would sing of
your ships and their cargoes,
The proud black ships of Manhattan, arriving, some
fill’d with immigrants, some from the isthmus
with cargoes of gold;
Songs thereof would I sing—to all that hitherward
comes would I welcome give;
And you would I sing, fair stripling! welcome to you
from me, sweet boy of England!
Remember you surging Manhattan’s crowds, as you
passed with your cortege of nobles?
There in the crowds stood I, and singled you out with
attachment;
I know not why, but I loved you…(and so go forth
little song,
Far over sea speed like an arrow, carrying my love all
folded,
And find in his palace the youth I love, and drop these
lines at his feet;)
—Nor forget I to sing of the wonder, the ship as she
swam up my bay,
Well-shaped and stately the Great Eastern swam up my
bay, she was 600 feet long,
Her moving swiftly, surrounded by myriads of small
craft, I forget not to sing;
Nor the comet that came unannounced, out of the north,
flaring in heaven,
Nor the strange huge meteor procession, dazzling and
clear, shooting over our heads,
(A moment, a moment long, it sail’d its balls of unearth-
ly light over our heads,
Then departed, dropt in the night, and was gone;)
—Of such, and fitful as they, I sing—with gleams from
them would I gleam and patch these chants;
Your chants, O year all mottled with evil and good!
year of forebodings! year of the youth I love!
Year of comets and meteors transient and strange!—lo!
even here, one equally transient and strange!
As I flit through you hastily, soon to fall and be gone,
what is this book,
What am I myself but one of your meteors?
Herman Melville, “The Portent”
Hanging from the beam,
Slowly swaying (such the law),
Gaunt the shadow on your green,
Shenandoah!
The cut is on the crown
(Lo, John Brown),
And the stabs shall heal no more.
Hidden in the cap
Is the anguish none can draw;
So your future veils its face,
Shenandoah!
But the streaming beard is shown
(Weird John Brown),
The meteor of the war.
— posted by Roger W. Smith
February 2023