Tag Archives: Dr. Seuss

Children’s and Young Adult Books: My Favorites; Thoughts About Reading

 

children’s and young adult books

 

My mother always loved to read and had great taste in literature.

She told me that she read avidly as a child. She was a voracious reader. She loved Little Women, a classic and a real girl’s book. She was very affected by the scene where the character Beth dies.

My other also loved Heidi.

My exposure to such literature was through my mother. She had such good taste and read to me a lot. She chose splendid books for us. It was such a pleasure to be read to (in bed) by her because she enjoyed it so much herself, and, of course, my Mom was so warm and nurturing anyway.

How did she find the time to read to me? (It was always to me alone.)

One of our first books was Winnie the Pooh by A. A. Milne. When The House at Pooh Corner, a sequel, came out, my mom was delighted and read that to me too. How I loved the nonsense rhymes of Pooh:

The more it snows (Tiddely pom)
The more it goes  (Tiddely pom)
The more it goes  (Tiddely pom)
On snowing

And nobody knows  (Tiddely pom)
How cold my toes (Tiddely pom)
How cold my toes (Tiddely pom)
Are growing

 

Cottleston, Cottleston, Cottleston Pie,
A fly can’t bird, but a bird can fly.
Ask me a riddle and I reply:
“Cottleston, Cottleston, Cottleston Pie.”

Cottleston, Cottleston, Cottleston Pie,
A fish can’t whistle and neither can I.
Ask me a riddle and I reply:
“Cottleston, Cottleston, Cottleston Pie.”

Cottleston, Cottleston, Cottleston Pie,
Why does a chicken, I don’t know why.
Ask me a riddle and I reply:
“Cottleston, Cottleston, Cottleston Pie.”

the idiosyncrasies of characters like Piglet and Eyore, and funny touches like the character (Owl) who had a sign on his door, “knock if an answer is required, ring if an answer is not required.” My mother and I used to laugh out loud. I had such a warm and fuzzy feeling when she was reading to me.

We had several wonderful books compiled by the children’s book editor Olive Beaupré Miller. These included a multi volume set, My Book House, and the book Nursery Friends from France. I especially liked the latter book, which my mother took great pleasure in reading to us from. It had wonderful color illustrations. It was a compilation of songs, nursery rhymes, and fairy tales.

We had The Arabian Nights in a nice edition (which I still have). I particularly liked the story of Aladdin and his magic lamp.

At a fairly early age, I read the classic Black Beauty (originally published in 1877) by Anna Sewell. This book made a very strong impression me. Not long ago, as an adult, I purchased it as an audiobook and “read” it again. It is very well written. The story is told in the first person by the horse, Black Beauty, who is the narrator. The novel recounts the story of Black Beauty’s life as it is experienced under a succession of different owners, or “masters.” Some of the owners are cruel.

All I recall from reading the book as a child, the impression the book made on me then was that Black Beauty’s life was one of unremitting misery: an unending progression from one cruel master to another, with the course of the horse’s life leading to an inevitable decline. This characterization is true of a lot of the plot, but not all of it, as it turns out. When I first read the book, though I was greatly impressed by it, it seemed to me unbearably sad and gloomy. That it undeniably is, in places, in the sections where the horse is overworked and mistreated. But why did this impression predominate with me? I think because that view of Black Beauty’s life jibed with my view of own life as a sad one in which I was often mistreated. The scenes in the book of this nature were the ones that stuck in my mind.

Much to my surprise, I discovered, when I listened to the audiobook later, as an adult, that the novel actually ends happily, with Black Beauty in good circumstances, and that in other sections of the book, Black Beauty does have good masters (in contrast to many sections of the book in which the horse is cruelly mistreated).

I started visiting the Cambridge Public Library children’s room when I was very young. My mother and father were very liberal about giving us independence and let me walk there myself after a certain age. It was sort of a long walk. I loved being able to find and take out my own books.

At the library at around this time (fifth grade), I borrowed a science fiction book the title of which I do not remember. The story was about people who were involved in time travel. There were two main parts to the book. In the first, the main character or characters traveled back in time to the Stone Age. They encountered two hostile groups, the Cro-Magnons and the Neandertals. The time traveler(s) were befriended by the wise Cro-Magnons, who helped them to escape perils. In the second part of the book, the time traveler(s) went forward in time, in a rocket ship, overcoming things like aging with the aid of Einsteinian physics. I was totally engrossed in this young adult novel.

I also read a Tarzan book — I think it was in the sixth grade. It involved a tribe of African warrior women who took men (or threatened to) as prisoners in their fortress.

There was a popular, respected series of history books for young readers, the Landmark Books. In the sixth grade, I read the one on Benjamin Franklin and loved it. Around that time, the animated Disney film Ben and Me, which I liked, was popular.

Toby Tyler; or, Ten Weeks with a Circus, is a wonderful novel by James Otis. I read it when I was around 11 or 12. Toby runs away to join the circus. At the end of the book, his pet monkey, Mr. Stubbs, dies. It was such an incredibly sad scene. How it moved me!

When I was about eleven, I started reading young adult sports fiction, mostly about baseball, though I do remember reading one about sandlot football players. The books would frequently have a moral. For example, I read one which concludes with the protagonist, in a key game, admitting to the umpire, who had called him safe, that he was really out. The protagonist gains in moral stature.

Around this time, I read a series of baseball books for young adults by Duane Decker, the Blue Sox series, about a fictional professional baseball team.

I also read the Black Stallion books by Walter Farley and enjoyed them very much.

 

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Some additional items from my childhood and young adult reading.

“Little Black Sambo.” This is story which we took delight in that my Mom would read to us. The Story of Little Black Sambo is a children’s book written and illustrated by Helen Bannerman, and first published by Grant Richards [who, by the way, was an editor for Theodore Dreiser] in October 1899 as one in a series of small-format books called The Dumpy Books for Children. The story was a children’s favorite for more than half a century though criticism began as early as 1932. The word sambo was deemed a racial slur in some countries and the illustrations considered reminiscent of “darky iconography.” Both text and illustrations have undergone considerable revision since. (Wikipedia)

The Story of Little Black Sambo is a simple, illustrated children’s story about a young Indian boy who outsmarts four tigers that threaten to eat him. After Sambo saves himself by giving each tiger an article of his gaudy outfit, the tigers argue among themselves over which of them is the grandest. Eventually, the tigers chase each other around a tree so fast that they simply blur into butter, which Sambo takes home and uses on 169 pancakes that his mother, Black Mumbo, makes for him. (from a plot summary on another website)

I recall there was something about pancakes. My mother liked pancakes. She often made them for us.

Uncle Wiggily was a series of children’s books by Howard R. Garris. My mom introduced us to them. I loved them. Uncle Wiggily is an elderly, avuncular rabbit who wears spectacles, and there are a lot of other animal characters. The books are lighthearted and fun. The color illustrations were superb.

Make Way for Ducklings is a children’s picture book written and illustrated by Robert McCloskey. It was my  mother (you guessed it) who introduced us to the book. The story is about a duck family led by a mother duck that walks around Boston. They wind up at the Boston Common and ride on the swan boats. The plot is simple and charming; the black and white illustrations are superb (very realistic but simple and just right for children). The book won the 1942 Caldecott Medal for McCloskey’s illustrations.

The book was excellent in every respect, but what made it particularly enjoyable was that it was set in Boston and ends with the ducklings on the Boston Common. I used to love to go to the Boston Common and loved the swan boats.

Babar the Elephant by Jean de Brunhoff. My mother purchased Babar and read it to me numerous times. I was absolutely charmed by it. The color illustrations were wonderful. My Mom loved Babar too, naturally.

Dr. Seuss. These books were a kind of late discovery in my elementary school years. My mother introduced me to them, I believe. The ones I liked were The 500 Hats of Bartholomew Cubbins and Scrambled Eggs Super! Many of his most famous classics hadn’t come out yet.

 

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A final comment about reading. It goes without saying how pleasurable and profitable it can be. How you can do it anytime, anywhere at little expense. (I think that books at current prices are still a great bargain.) How great it is to curl up with a book and how it is something you can always resort to when you are lonely or can’t sleep.

I think that to love reading, you have to begin by doing it because of intrinsic interest in the topic and because you are anticipating pleasure, not because you regard it as a duty. You should read whatever you like to; it could be books about sports, entertainment figures, lowbrow fiction, whatever you really and truly want to read.

Whenever (and this comment pertains mainly to classics) you are restricted to encountering good books only as school assignments, when that’s the only place where you encounter them, the game is lost. If you think that classic books are those that you are required to analyze and write essay exam questions on, and nothing more, you will probably not enjoy them in later life. My counsel to all readers, especially young ones, is read whatever you want to read, as much as you can. Seek a level where you have a genuine interest and read at that level. An interest in the best books will often follow.

I am very appreciative that my parents established a sound foundation for enjoyment of reading. They communicated it naturally, like one might convey to one’s offspring an enthusiasm for sports. Reading was seldom a chore for me, and only then, infrequently, from assignments in school. Good literature was something I came to appreciate naturally, while at the same time feeling I could read whatever I liked. I was able to develop my own interests this way, like reading baseball books, for example. I developed highbrow tastes gradually, without being aware that I was doing so.

 

— Roger W. Smith

   March 2023

 

a page from Nursery Friends from France

 

apologias for censorship

 

Of all kinds of credulity, the most obstinate and wonderful is that of political zealots; of men, who being numbered, they know not how or why, in any of the parties that divide a state, resign the use of their own eyes and ears, and resolve to believe nothing that does not favour those whom they profess to follow.

— Samuel Johnson, Idler No. 10

 

Ross Douthat, ‘Do Liberals Care if Books Disappear’

Alyssa Rosenberg, ‘The Great Dr. Seuss Hysteria’

 

A couple of weeks ago I posted on Facebook the following op-ed by New York Times columnist Ross Douthat:

Do Liberals Care if Books Disappear?

The Dr. Seuss cancellation illustrates all the problems that they used to have with censorship.

The New York Times

March 6, 2021

 

Theodor Geisel, known as Dr. Seuss, was an author of illustrated children’s books.

 

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This led to the following exchange on Facebook:

 

Roger W. Smith

I always thought censorship was a bad thing, but now we are being told it’s often a good thing. And if you ban some books by an author but not all of them, that’s not censorship. And here I was choosing whom to read on the basis of what I thought of the book as a literary work, monograph, etc. But now I find that certain works are contaminated and may not be available any longer. Who decided that? The self-appointed cultural commissars. Have they actually read the banned authors? Want to guess? We are dealing with philistines posing as trustees of culture. How many of them, do you think, are familiar with what Milton had to say about this 400 years ago? Or have a clue as to who Milton is?

“This week I learned from a different kind of liberalism that only easily triggered rubes care when offensive books are made to disappear. … often the Seuss cancellation was dismissed as a boob bait for Fox News viewers and a move to which only someone sunk in white anxiety could possibly object. … Plus, we were told, it’s only six books. And is Seuss so great anyway?’ ” — Ross Douthat

This is the very definition of sophistry (what Douthat is identifying).

But since Fox News types are crying censorship, it (censorship) must be okay now. The establishment approves of it, so it has suddenly become not okay and impolitic to object. It’s a matter of choosing the “right side,” and that means the book banners. How suddenly things change. It’s hard to keep up with the expectations of correctness our superiors have of us benighted, querulous intellectuals. They don’t care about our reading habits.

 

a reply from an acquaintance of mine

We aren’t burning books. No one is banning Shakespeare. or Moby Dick. Or Robinson Crusoe or Joyce or Twain. This is all just unnecessary fear.

 

Roger W. Smith

So it’s okay to ban “lesser” authors? Who decides who will escape banning by the self-appointed censors? And which books by the “transgressors”? I like Henry Miller and got pleasure from reading him. He insults Jews and other races and religious groups; and it’s worse with his portrayal of women. I fear Tropic of Cancer may be headed for the dustbin. Miller is very unlikely to achieve canonical status and he seems to be a good target for the censors. When they get around to it. They have a lot of vetting to do. I wonder if Porgy and Bess and the King and I (those Asian stereotypes!) will survive the cut.

Seems like you know which works are bannable and which are privileged and safe from harm. You see, most kids never heard of James Joyce, but they do know and like Dr. Seuss.

 

a reply from an acquaintance of mine

No one is banning any authors.

 

Roger W. Smith

Oh, and I should have pointed out that while Joyce observed that Defoe was what we would probably call today a white supremacist with racist, imperialist views, he thought Defoe was a great author and Robinson Crusoe a great book, as do I.

 

Roger W. Smith

You are so off base here, it isn’t funny. Liberal, PC, cancel culture types can’t see or admit what they are doing: banning books? I do (see it). I have been researching the author Theodore Dreiser in the 1930s. He had a lot of cockeyed, wrong opinions. That didn’t stop the Nazis from burning his books in their public book burnings. You can’t see the danger and the harm being done here? Ross Douthat says it all. Why not ban some Shakespeare? Just “a few” plays — The Merchant of Venice and the Taming of the Shrew. Why not Moby-Dick? Isn’t Queequeg a stereotype of a pagan infidel? Let’s get rid of Robinson Crusoe for the sin of Defoe’s preconceived opinions, which, as James Joyce noted, are represented in the character of Crusoe, the quintessential smug proto-English imperialist, who while he values his servant (read, slave) Friday, treats him with condescension. Said Joyce: Defoe “is the true prototype of the British colonist just as Friday (the faithful savage who arrives one ill-starred day) is the symbol of the subject race.” You better get to work. There is lot of stuff for you to comb through. I thought you loved literature for its own sake. And, yes, children’s books are literature.

 

a reply from an acquaintance of mine

Liberals had nothing to do with the decision not to reprint certain Seuss books. This is a tempest in a teapot.

 

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Another long time acquaintance copied and posted the following on Facebook:

No one is cancelling Dr. Seuss. There are 6 books that HIS OWN ESTATE are ceasing to publish because of overtly racist content.

They are using them as a way to say “this is the heritage that we came from, and we have learned and are doing better now.” 6 books out of hundreds isn’t cancelling, it’s learning. It’s like when you rocked whatever horrible fashion was trendy when you were 13, and at 30 you’re like ”phew, glad I got over that tragic look!”

Dr. Seuss, and most of his work, is alive and well. NOT cancelled. 6 books are no longer being published.

It’s the right thing to do.

— “No One is Cancelling Dr. Seuss (or Mr. Potato Head),” MediaChomp March 5, 2021

 

No One is Cancelling Dr. Seuss (or Mr. Potato Head)

 

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I had previously read and posted a comment on the Washington Post site re the following op-ed by Post columnist Alyssa Rosenberg:

The Great Dr. Seuss Hysteria of 2021 shows how silly and unimaginative adults can be

The Washington Post

March 3, 2021

https://www.washingtonpost.com/opinions/2021/03/03/dr-seuss-hysteria-2021-shows-how-silly-unimaginative-adults-can-be/

in which I stated: “Too bad. Ms. Rosenberg just doesn’t get it. This is Jesuitical sophistry, a weak apologia for the banning of beloved children’s books. I loved them as a young reader. My sons and relatives’ children did. I am a liberal Democrat and a writer myself. Who is she to be opining about what kids should enjoy?”

 

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Hans Christian Andersen’s story “The Emperor’s New Clothes” has always held a place in my consciousness.

Its penetrating insight.

Everyone admires the emperor’s new suit of clothes as he parades down the street before assembled onlookers. A child finally speaks up and says, “”But he hasn’t got anything on.”

Why did it take an innocent child who “didn’t know better” to state this truth?

(1) Because he (the emperor, that is; not the child) was the emperor. (2) Because everyone had been assembled to admire his magnificent new costume; and they were compelled to buy into this.

 

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The defenders of censorship, in this case (they vehemently maintain that it is not censorship), have similarly put on blindfolds. They have decided overnight that censorship in some instances (a “lesser” or minor author; some but not all of that author’s works) is copacetic. Why? Because the people with “correct” views and lifestyles have ordained it.

But here’s the key thing: Fox News commentators and the extreme right have raised a hullabaloo about this very case. Well, if it offended them, it can’t, a priori, be offensive. It’s “a tempest in a teapot.” What’s all the fuss about? (They say, pompously).

Censorship used to matter (until it seems like just the other day) to so called liberals. But their opinions are subject to modification when they see who is lined up on which side; and then scurry to the other one while suddenly deciding it’s not so important if a few beloved children’s books are banned after all. (Oops, I misspoke. They are not being banned! They are … what is the euphemism?)

 

posted by Roger W. Smith

   March 2021