What was once shocking becomes quaint: That’s how it goes. The Charleston now looks like a silly dance, Elvis is just a sweaty guy, nobody’s fainting while watching screenings of “The Exorcist” anymore and jazz is now the province of turtlenecked nerds. We’re assured there was a time when van Gogh’s paintings horrified audiences, but today reproductions of them hang in college dorm rooms. This process is not tragic; as these things lose their power to shock, they reveal new virtues. Nothing stays boundary-pushing forever. …
— “The Greatest Love Story of All Time Is Also the Strangest,” By B.D. McClay, The New York Times, February 14, 2026
*****************************************************
Very true. Clever.
As my wife put it — very well, I thought — there are defining moments in popular culture.
I once though Jefferson Airplane was cool.
I am not sure what I thought about the Doors, but I listened repeatedly to “Shana Light My Fire.”
I bought Dylan LPs and played them over and over again.
I thought Pat Boone was cool once, and wished I could become another Elvis.
I read The Cather in the Rye and absorbed its social criticisms.
— posted by Roger W. Smith
March 2026


