In a previous post of mine
“on walking (and exercise)”
I wrote that “walking, as is well known, is conducive to thinking and creativity, which is why so many writers and intellectuals have always been walkers.”
Por favor, read on!
Dickens was a man of abundant, restless energy. His chief exercise was walking, and his “daily constitutionals,” as he referred to his long walks, could extend as far as twenty to thirty miles each day. He once wrote, “My only comfort is, in Motion,” and told John Forster that “if I couldn’t walk fast and far, I should just explode and perish.” — gallery text, “Charles Dickens and the Spirit of Christmas,” exhibit at The Morgan Library & Museum, New York, November 2017
HENRY DAVID THOREAU
I think that I cannot preserve my health and spirits, unless I spend four hours a day at least–and it is commonly more than that-–sauntering through the woods and over the hills and fields, absolutely free from all worldly engagements. … When sometimes I am reminded that the mechanics and shopkeepers stay in their shops not only all the forenoon, but all the afternoon too, sitting with crossed legs, so many of them–as if the legs were made to sit upon, and not to stand or walk upon–I think that they deserve some credit for not having all committed suicide long ago.
“Walking” (The Atlantic Monthly, June 1862)
“Why are there trees I never walk under but large and melodious thoughts descend upon me?”
“Song of the Open Road” (1856)
I too walked the streets of Manhattan Island, and
bathed in the waters around it,
I too felt the curious abrupt questionings stir within
In the day, among crowds of people, sometimes they
came upon me,
In my walks home late at night, or as I lay in my
bed, they came upon me.
“Crossing Brooklyn Ferry” (1860)
My joys in the open air—my walks through the Mannahatta
“To My Soul” (1860)
I continually enjoy these streets, planned on such a generous scale, stretching far, without stop or turn, giving the eye vistas. I feel freer, larger in them. Not the squeezed limits of Boston, New-York, or even Philadelphia; but royal plenty and nature’s own bounty—American, prairie-like. It is worth writing a book about, this point alone. I often find it silently, curiously making up to me the absence of the ocean tumult of humanity I always enjoyed in New-York. Here, too, is largeness, in another more impalpable form; and I never walk Washington, day or night, without feeling its satisfaction.
In my walks I never cease finding new effects and pictures, and I believe it would continue so if I went rambling around here for fifty years.
Walt Whitman, Letter from Washington, New York Times, October 4, 1863
GIVE me the splendid silent sun, with all his beams full-
Give me odorous at sunrise a garden of beautiful flowers,
where I can walk undisturb’d; …
While yet incessantly asking, still I adhere to my city;
Day upon day, and year upon year, O city, walking
your streets, …
Give me faces and streets! give me these phantoms incessant and endless along the trottoirs! …
Give me such shows! give me the streets of Manhattan!
Give me Broadway, with the soldiers marching—give
me the sound of the trumpets and drums! …
Give me the shores and the wharves heavy-fringed
with the black ships! …
People, endless, streaming, with strong voices, passions,
Manhattan streets, with their powerful throbs, with the
beating drums, ….
Manhattan crowds with their turbulent musical chorus
—with varied chorus and light of the sparkling
Manhattan faces and eyes forever for me.
“Give Me The Splendid Silent Sun” (1865)
NIGHT on the prairies;
The supper is over—the fire on the ground burns
The wearied emigrants sleep, wrapt in their blankets;
I walk by myself—I stand and look at the stars,
which I think now I never realized before.
Leaves of Grass (1867)
My little dog is stretched out on the rug at full length, snoozing. He hardly lets me go a step without being close at my heels—follows me in my slow walks, & stops or turns just as I do.
letter from Whitman to his friend Pete Doyle, 26–27 March, 1874
SKIRTING the river road, (my languid forenoon walk, my rest,)
“The Dalliance of the Eagles” (1880)
I came down yesterday amid sousing rain & cloudy weather—but this forenoon it is sunshiny & delightful—I have just returned from a two hours ramble in the old woods—wintry & bare, & yet lots of holly & laurel—& I only wish I could send you some cedary branches thick with the china-blue little plums, so pretty amid the green tufts— … We had a flurry of snow last evening, & it looks wintry enough to-day, but the sun is out, & I take my walks in the woods.
letter from Whitman to Herbert Gilchrist, 30–31 December 1881
Thy windows rich, and huge hotels—thy side-walks wide;
Thou of the endless sliding, mincing, shuffling feet!
Thou, like the parti-colored world itself—like infinite, teeming,
Thou visor’d, vast, unspeakable show and lesson!
Sunday, October 21, 1888.
7.20 evening. W. lying on the bed, dressed, I entered very quietly: stood there without a word. He had been dozing. Started up. “Come in! Come in!” After we had shaken hands he described his day: “… he [Whitman] asked: “And you—what have you done with the day?” I had been far in the country on a long walk. I said something about “the joy of going on and on and not getting tired.” This aroused him. “I can fully realize that joy—that untranslatable joy: I have known its meaning to the full. In the old days, long ago, I was fond of taking interminable walks—going on and on, as you say, without a stop or the thought of a stop. It was at that time, in Washington, that I got to know Peter Doyle—a Rebel, a car-driver, a soldier: have you met him here? seen him? talked with him? Ah yes! we would walk together for miles and miles, never sated. Often we would go on for some time without a word, then talk—Pete a rod ahead or I a rod ahead. Washington was then the grandest of all the cities for such strolls. In order to maintain the centrality, identity, authority, of the city, a whole chain of forts, barracks, was put about it and roads leading out to them. It was therefore owing to these facts that our walks were made easy. Oh! the long, long walks, way into the nights!—in the after hours—sometimes lasting till two or three in the morning! The air, the stars, the moon, the water—what a fullness of inspiration they imparted!—what exhilaration! And there were the detours, too—wanderings off into the country out of the beaten path: I remember one place in Maryland in particular to which we would go. How splendid, above all, was the moon—the full moon, the half moon: and then the wonder, the delight, of the silences.” He half sat up in bed as he spoke. “It was a great, a precious, a memorable, experience. To get the ensemble of Leaves of Grass you have got to include such things as these—the walks, Pete’s friendship: yes, such things: they are absolutely necessary to the completion of the story.”
Horace Traubel, With Walt Whitman in Camden, Volume 2
Tuesday, November 20, 1888.
W. had another letter for me. He picked it up from the accustomed place on the table. “It’s from Rossetti,” he said: ” I’ve been reading it over: William Rossetti: full of wise beautiful things—overflowing with genial winsome good will: you ‘ll feel its treasurable quality.” I sat there and read. He said: “Read it aloud: I can easily enjoy it again.” When I got to the passage describing the walks W. interrupted me: “Oh! that’s so fine—so fine, fine, fine: he brings back my own walks to me: the walks alone: the walks with Pete [Doyle, Whitman’s friend]: the blessed past undying days: they make me hungry, tied up as I am now and for good in a room …
Horace Traubel, With Walt Whitman in Camden, Volume 3
AH, whispering, something again, unseen,
Where late this heated day thou enterest at my window, door,
Thou, laving, tempering all, cool-freshing, gently vitalizing
Me, old, alone, sick, weak-down, melted-worn with sweat;
Thou, nestling, folding close and firm yet soft, companion better than
talk, book, art,
(Thou hast, O Nature! elements! utterance to my heart beyond the
rest—and this is of them,)
So sweet thy primitive taste to breathe within—thy soothing fingers on
my face and hands,
Thou, messenger-magical strange bringer to body and spirit of me,
(Distances balk’d—occult medicines penetrating me from head to foot.)
I feel the sky, the prairies vast—I feel the mighty northern lakes,
I feel the ocean and the forest—somehow I feel the globe itself swift-
swimming in space;
Thou blown from lips so loved, now gone—haply from endless store,
(For thou art spiritual, Godly, most of all known to my sense,)
Minister to speak to me, here and now, what word has never told, and
Art thou not universal concrete’s distillation? Law’s, all Astronomy’s
Hast thou no soul? Can I not know, identify thee?
“To The Sunset Breeze” (1890)
Friday, February 14, 1890
On B[uckwalter]. expressing his pleasure that W. got out of doors, W. said: “I got out yesterday—today it has not been possible. Yesterday’s jaunt—and it was quite a jaunt—was a fine one. The sky, the river, the sun—they are my curatives.”
Horace Traubel, With Walt Whitman in Camden , Volume 6
Who was not proud of his songs, but of the measureless ocean of
love within him, and freely pour’d it forth,
Who often walk’d lonesome walks thinking of his dear friends, his
wandering hand in hand, they twain
apart from other men,
Who oft as he saunter’d the streets curv’d with his arm the shoulder of his friend, while the arm of his friend rested upon
“Recorders Ages Hence” (1891)
— Roger W. Smith
originally posted November 2017; updated December 2017
Note that Charles Dickens is said to frequently have taken long walks that could extend to twenty to thirty miles a day, and that Henry David Thoreau wrote: “I cannot preserve my health and spirits, unless I spend four hours a day at least — and it is commonly more than that” walking. I wonder if Dickens really did thirty miles that often.
My record for a single day was two separate walks (one in the morning and one in the afternoon) of a combined total length of twenty-four miles. I try to take one very long walk once a week. This walk is usually about twelve miles, though sometimes I do around fifteen or sixteen miles.
However, it is noted in The Man Who Invented Christmas: How Charles Dickens’s A Christmas Carol Rescued His Career and Revived Our Holiday Spirits by Les Standiford that Dickens went to work in a blacking factory at age twelve to support his family, which was in financial straits and that, after working all day, he would walk home every night, a distance of five miles.
— posted by Roger W. Smith
Interesting stuff, Roger. Makes you wonder how Dickens had any time left to write.
Actually, I’m a walker too, always have been.
Thanks for the feedback, Elisabeth. That makes two of us (walkers, that is).