The great era of Broadway musicals, in my humble opinion, was the 1940s and 50s. Today’s hits are poor successors.
This music is in my and my siblings’ blood. My father was involved in such shows and music as a conductor and orchestra member in summer stock and theatrical group productions. The music was constantly playing in our house on LPs and on the piano — by my parents, my older brother, and my father; and I attended rehearsals over which my father presided as musical director.
My older brother would sit down at the piano — I always liked the way he played, with feeling and taste — and play a piece such as “My Time of Day” from Guys and Dolls. And I would develop an appreciation for the song.
My father was amused by the character in Guys and Dolls Nicely-Nicely Johnson and by the opening “Whadaya Talk Whadaya Talk Whadaya Talk” sequence in The Music Man, which I saw performed at the Carousel Theatre in Framingham, Massachusetts with my father in the orchestra. My father found it amusing that in Camelot, which I also saw at the Carousel Theatre with my father performing, Merlin doesn’t age, he “youth-eths.” My mother loved the song “Come to Me, Bend Me” from Brigadoon.
My father said that he considered My Fair Lady to be a perfect work. He pointed out that the song “Good Night My Someone” from The Music Man was the same melody as “Seventy Six Trombones” with only the tempo changed.
I have posted a few of my all-time favorite songs here. Many of them, upon repeated hearings, produce a lump in my throat. The good taste and musicality of the songs and the performances are notable. And the performers and their voices are marvelous.
My favorite songs (musical with songs)? It’s a tough call. I would say The King and I. Carousel a close second.
— Roger W. Smith